{"title":"Cartridges","description":"\u003cp\u003eA cartridge is the system with the stylus that tracks the groove of a record and converts that motion into an electrical signal.\u003c\/p\u003e\u003cp\u003eIt's the most direct contact with the music in the groove and shapes the sound of a vinyl setup more than almost any other component.\u003c\/p\u003e\u003ch2\u003eWhy the cartridge is so crucial\u003c\/h2\u003e\u003cp\u003eBecause this is where the music is literally traced: any nuance the stylus doesn't capture is lost afterwards. A good cartridge extracts more resolution, dynamics and quietness from the record while also being gentler on it, when correctly aligned.\u003c\/p\u003e\u003ch2\u003eWhat matters\u003c\/h2\u003e\u003cp\u003eDesign – MM or MC – stylus profile, and the match to tonearm and phono stage all play a role. You'll find cartridges from Ortofon, Audio Technica, Clearaudio and more at HD Zürisee in Wädenswil, professionally mounted and aligned. Because a cartridge without clean alignment stays below its potential.\u003c\/p\u003e\u003ch3\u003eWhich cartridge suits whom? (Plain talk)\u003c\/h3\u003e\u003cp\u003eMM systems are uncomplicated, cheaper and easy to change the stylus on; MC systems resolve more finely but cost more and need a matching phono stage. Plain talk: an expensive MC on a simple system is wasted. We recommend based on your setup, not on prestige.\u003c\/p\u003e\u003ch2\u003eOur verdict\u003c\/h2\u003e\u003cp\u003eThe cartridge is the single biggest sound lever in vinyl, and the one that demands the most care. Tell us your tonearm and phono stage, and we'll find the cartridge that matches, then mount and align it professionally.\u003c\/p\u003e\u003ch2\u003eCommon questions\u003c\/h2\u003e\u003ch3\u003eWhat's the difference between MM and MC?\u003c\/h3\u003e\u003cp\u003eMM stands for Moving Magnet, MC for Moving Coil. MM systems are cheaper, more robust and their stylus is usually replaceable. MC systems resolve more finely but are more expensive and need a matching phono stage. What makes sense for you depends on the whole setup.\u003c\/p\u003e\u003ch3\u003eDoes every cartridge fit my tonearm?\u003c\/h3\u003e\u003cp\u003eNot every one. Weight and stylus compliance need to match the tonearm's effective mass so the resonance frequency is right. Otherwise the sound suffers. Tell us your tonearm and we'll recommend a cartridge that harmonises with it, and align it to match.\u003c\/p\u003e\u003ch3\u003eWhen do I need to replace the cartridge or the stylus?\u003c\/h3\u003e\u003cp\u003eThe stylus wears down, depending on the type after roughly a few hundred to over a thousand hours. A worn stylus sounds worse and damages the record. With MM systems you often just replace the stylus, with MC the whole system. We'll check that for you.\u003c\/p\u003e\u003ch3\u003eDoes a cartridge need to be aligned?\u003c\/h3\u003e\u003cp\u003eYes, and carefully: tracking force, overhang, azimuth and anti-skating determine sound and how gently the record is treated. Over time, a skewed alignment shows – both audibly and visibly on the record. With us, the cartridge is professionally mounted and set up.\u003c\/p\u003e\u003ch3\u003eWhy buy a cartridge at HD Zürisee?\u003c\/h3\u003e\u003cp\u003eBecause a cartridge only shows its potential with the right matching and precise alignment, and that's exactly our craft. We choose to match tonearm and phono stage, mount and align, with our own technician. Honest advice by Lake Zurich in Wädenswil, listening sessions where possible.\u003c\/p\u003e\u003cscript type=\"application\/ld+json\"\u003e{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What's the difference between MM and MC?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"MM stands for Moving Magnet, MC for Moving Coil. MM systems are cheaper, more robust and their stylus is usually replaceable. MC systems resolve more finely but are more expensive and need a matching phono stage. What makes sense for you depends on the whole setup.\"}}, {\"@type\": \"Question\", \"name\": \"Does every cartridge fit my tonearm?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Not every one. Weight and stylus compliance need to match the tonearm's effective mass so the resonance frequency is right. Otherwise the sound suffers. Tell us your tonearm and we'll recommend a cartridge that harmonises with it, and align it to match.\"}}, {\"@type\": \"Question\", \"name\": \"When do I need to replace the cartridge or the stylus?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"The stylus wears down, depending on the type after roughly a few hundred to over a thousand hours. A worn stylus sounds worse and damages the record. With MM systems you often just replace the stylus, with MC the whole system. We'll check that for you.\"}}, {\"@type\": \"Question\", \"name\": \"Does a cartridge need to be aligned?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Yes, and carefully: tracking force, overhang, azimuth and anti-skating determine sound and how gently the record is treated. Over time, a skewed alignment shows – both audibly and visibly on the record. With us, the cartridge is professionally mounted and set up.\"}}, {\"@type\": \"Question\", \"name\": \"Why buy a cartridge at HD Zürisee?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Because a cartridge only shows its potential with the right matching and precise alignment, and that's exactly our craft. We choose to match tonearm and phono stage, mount and align, with our own technician. Honest advice by Lake Zurich in Wädenswil, listening sessions where possible.\"}}]}\u003c\/script\u003e\u003ch2\u003eGoes well with\u003c\/h2\u003e\u003cp\u003eFind the matching \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearm\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e with us, and the necessary amplification at the \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. The full overview is at \u003ca href=\"\/en-ch\/collections\/alle-quellen\"\u003eAll Sources\u003c\/a\u003e.\u003c\/p\u003e","products":[{"product_id":"audiotechnicaat33xen","title":"Audio-Technica AT33xEN MC Cartridge","description":"\u003cp\u003eThe Audio-Technica AT33xEN is a moving-coil cartridge with a bare elliptical diamond that brings warmth and resolution together in one system.\u003c\/p\u003e\n\u003cp\u003eIt's the all-rounder of the revised AT33x series – made for anyone who wants to give their record collection substance without ever covering up detail. Vinyl sounds like music with this one, not like a measurement bench.\u003c\/p\u003e\n\u003ch2\u003eWhy the AT33xEN?\u003c\/h2\u003e\n\u003cp\u003eThe revision is in the details. A newly developed piano-wire suspension mechanism increases tracking accuracy, and the slightly firmer dynamic compliance gives a fuller foundation in the bass and lower mids. The body combines zinc die-cast, aluminum, and high-strength polymer – three materials with different damping behavior that spread resonances across the body instead of concentrating them at one point. Two separate PCOCC copper coils for left and right sit right at the cantilever's pivot point and keep the channels cleanly apart. Sounds like nitpicking at the milligram level – but that's exactly where it's decided, on an MC, whether it sings or just plays.\u003c\/p\u003e\n\u003ch2\u003eWhat you'll hear\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull fundamental tone:\u003c\/strong\u003e the massive zinc die-cast base on the body damps unwanted vibrations and gives voices and instruments body.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClean highs:\u003c\/strong\u003e the tapered duralumin cantilever reacts quickly to transients.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStable stage:\u003c\/strong\u003e 27 dB channel separation and 1.0 dB channel balance keep the imaging in place.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePure signals:\u003c\/strong\u003e PCOCC coils and thickly gold-plated connector pins keep contact resistance low.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho is the AT33xEN for – and who isn't it for?\u003c\/h3\u003e\n\u003cp\u003eIdeal as a musical all-rounder on medium-mass tonearms, from chamber music to rock. At 10.1 g self-weight and a dynamic compliance of 6 × 10⁻⁶ cm\/dyne at 100 Hz, it suits a wide range of classic nine-inch arms. Straight talk: you can't replace the stylus yourself – once it's worn, replacement runs through Audio-Technica's paid exchange program. If you want a system with a user-replaceable stylus, this isn't it. And without an MC-capable phono stage, the AT33xEN is simply too quiet; a plain MM input isn't enough.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eAn honest MC all-rounder that gives music soul without ever becoming tiring. Hand on heart: most systems in this class can do either warmth or resolution – this one wants both, and it comes surprisingly close. At HD Zürisee in Wädenswil, we'll mount and align it for you on the turntable on request, including an honest assessment of whether it suits your tonearm.\u003c\/p\u003e\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e moving coil (MC), dual moving coil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20–40,000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.4 mV (1 kHz, 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e 27 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e 1.0 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus tip:\u003c\/strong\u003e bare elliptical, 0.3 × 0.7 mil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e duralumin, tapered tube\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVertical tracking angle:\u003c\/strong\u003e 19°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8–2.2 g (standard 2.0 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic compliance:\u003c\/strong\u003e 6 × 10⁻⁶ cm\/dyne (100 Hz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStatic compliance:\u003c\/strong\u003e 21 × 10⁻⁶ cm\/dyne\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil impedance:\u003c\/strong\u003e 12 ohms (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDC resistance:\u003c\/strong\u003e 12 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil inductance:\u003c\/strong\u003e 26 µH (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e 100 ohms or higher (when connected to a head amp)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil wire:\u003c\/strong\u003e PCOCC copper, separate for left and right\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e zinc die-cast, aluminum, high-strength polymer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (W × H × D):\u003c\/strong\u003e 16.6 × 16.1 × 26.1 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.1 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e two M2.6 threaded holes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus replacement:\u003c\/strong\u003e not user-replaceable, Audio-Technica's paid MC exchange program\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Made in Japan\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e cartridge, non-magnetic screwdriver, stylus brush, 2 washers, mounting screws M2.6 in three lengths (8.0 \/ 10.0 \/ 13.0 mm, 2 each), stylus guard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhich phono preamp do I need for the AT33xEN?\u003c\/h3\u003e\n\u003cp\u003eAn MC-capable phono preamp or a step-up transformer. At 0.4 mV output voltage, the AT33xEN sits well below MM level, and on a plain MM input it stays too quiet. Audio-Technica recommends a load impedance of 100 ohms or higher – many MC stages offer exactly this value as a standard setting.\u003c\/p\u003e\n\u003ch3\u003eWhich tonearm suits the AT33xEN?\u003c\/h3\u003e\n\u003cp\u003eMedium-mass tonearms. At 10.1 g self-weight and a dynamic compliance of 6 × 10⁻⁶ cm\/dyne at 100 Hz, the AT33xEN lands in a range that most classic nine-inch arms handle cleanly. Very light or distinctly heavy arms are the exception – when in doubt, just ask us.\u003c\/p\u003e\n\u003ch3\u003eWhat does the bare elliptical diamond bring?\u003c\/h3\u003e\n\u003cp\u003eWith a bare diamond, the entire stylus tip is made of diamond instead of a layer bonded onto a metal shank. That noticeably lowers moving mass, so the stylus follows the groove faster and more precisely. Audibly, that shows up as finer resolution, cleaner highs, and calmer tracking in dense passages.\u003c\/p\u003e\n\u003ch3\u003eCan I replace the AT33xEN's stylus myself?\u003c\/h3\u003e\n\u003cp\u003eNo, the stylus isn't user-replaceable. If it's worn after many hours of use, the replacement runs through Audio-Technica's paid exchange program for MC systems. We handle that for you and then refit and align the replacement system properly right away.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Audio-Technica AT33xEN at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause an MC system only shows what it's capable of with precise mounting and alignment – overhang, azimuth, tracking force, anti-skating. That's exactly what our own technician in Wädenswil takes care of. On top of that, we'll tell you honestly whether the AT33xEN suits your tonearm and phono stage. Call us: 044 680 22 00, WhatsApp \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls), or write to shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with this\u003c\/h2\u003e\n\u003cp\u003eFind the right setting among the \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e, the needed amplification among the \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. For comparison: all \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e, the whole \u003ca href=\"\/en-ch\/collections\/audio-technica\"\u003eAudio-Technica range\u003c\/a\u003e, and \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eeverything about vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"Audio Technica","offers":[{"title":"Default Title","offer_id":52989485252944,"sku":null,"price":825.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/audio-technica-at33xen-mc-tonabnehmer-schraegansicht.png?v=1785433341"},{"product_id":"audiotechnicaat33xmlb","title":"Audio-Technica AT33xMLB MC Cartridge","description":"\u003cp\u003eThe Audio-Technica AT33xMLB is a moving-coil cartridge with a bare Microlinear diamond and boron cantilever that tracks the groove with very high precision.\u003c\/p\u003e\u003cp\u003eIt's the detail-obsessed member of the revised AT33x series: hand-built in Japan, with separately wound PCOCC-wire coils, a composite body of zinc die-cast, aluminum, and polymer, and a suspension that puts a pleasant warmth in the fundamental tone alongside the analytical cut. If you believe high resolution has to sound clinical, feel free to reconsider here.\u003c\/p\u003e\u003ch2\u003eWhy the AT33xMLB?\u003c\/h2\u003e\u003cp\u003eThe bare Microlinear diamond (2.2 × 0.12 mil) sits in the groove wall with a narrow contact area that reaches far up. It reads out information a elliptical cut simply drives past – while distributing tracking force more gently across the groove at the same time. The massive boron cantilever passes this motion on to the coils with almost no loss: stiff, light, fast. At 0.42 mV, the AT33xMLB delivers a pleasingly strong, low-noise level for a low-output MC.\u003c\/p\u003e\u003ch2\u003eWhat you'll hear\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eResolution:\u003c\/strong\u003e cymbal strikes, string noise, and room reverb stay individually traceable even in dense passages.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransient accuracy:\u003c\/strong\u003e the boron cantilever reacts immediately – attacks come dry, with no ringing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStable stage:\u003c\/strong\u003e the independently wound coils and 27 dB channel separation draw the imaging cleanly and with sharp localization.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarmth in the fundamental:\u003c\/strong\u003e the new suspension takes the edge off the high resolution without swallowing detail.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMounting without cursing:\u003c\/strong\u003e M2.6 threaded holes in the body, no balancing tiny nuts over the headshell.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eWho is the AT33xMLB for – and who isn't it for?\u003c\/h3\u003e\u003cp\u003eFor you, if maximum detail retrieval matters more to you than gentle flattery: large orchestral works, audiophile pressings, well-kept originals. Straight talk: the fine Microlinear cut rewards careful work and punishes carelessness. On a misaligned tonearm, with imprecise tracking force, or on dusty flea-market records, you'll mostly hear what's wrong with the record. If you'd rather stay forgiving and uncomplicated, an elliptical system serves you better.\u003c\/p\u003e\u003ch2\u003eOur verdict\u003c\/h2\u003e\u003cp\u003eA high-resolution MC system that doesn't pay for its precision with coldness – hand-built in Japan and a very serious offering in this class. At HD Zürisee in Wädenswil, we'll mount and align the AT33xMLB for you properly on request, and tell you honestly beforehand whether it harmonizes with your tonearm and phono stage.\u003c\/p\u003e\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e moving coil (MC), dual moving coil with independent coils\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency range:\u003c\/strong\u003e 20–45,000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.42 mV (1 kHz, 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e 27 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e 1.0 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus tip:\u003c\/strong\u003e Microlinear, bare (2.2 × 0.12 mil)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e boron, solid, tapered\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8–2.2 g (standard 2.0 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVertical tracking angle:\u003c\/strong\u003e 19°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e at least 100 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil impedance:\u003c\/strong\u003e 12 ohms (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDC resistance:\u003c\/strong\u003e 12 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic compliance:\u003c\/strong\u003e 6 × 10⁻⁶ cm\/dyne (100 Hz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStatic compliance:\u003c\/strong\u003e 19 × 10⁻⁶ cm\/dyne\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMagnet:\u003c\/strong\u003e neodymium with Permendur yoke\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil wire:\u003c\/strong\u003e PCOCC copper\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e composite of zinc die-cast, aluminum, and polymer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e M2.6 threaded holes for direct mounting\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (W × H × D):\u003c\/strong\u003e 16.6 × 16.0 × 26.1 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.1 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e cartridge, non-magnetic screwdriver, cleaning brush, 2 washers, 2 mounting screws each M2.6 in 8, 10, and 13 mm, stylus guard\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\u003ch3\u003eWhich phono input do I need for the AT33xMLB?\u003c\/h3\u003e\u003cp\u003eAn MC input or a step-up transformer. At 0.42 mV output voltage, the AT33xMLB is a classic low-output MC and stays noticeably too quiet on a plain MM input. The recommended load impedance is at least 100 ohms – most MC phono stages offer exactly this range as a standard setting.\u003c\/p\u003e\u003ch3\u003eWhat does the Microlinear cut offer over an elliptical cut?\u003c\/h3\u003e\u003cp\u003eThe bare Microlinear diamond (2.2 × 0.12 mil) contacts the groove wall over a narrower, longer area than an elliptical cut. That noticeably raises high-frequency resolution and tracking precision, and distributes tracking force more gently across the groove. A precise setup of overhang, azimuth, and tracking force remains the prerequisite.\u003c\/p\u003e\u003ch3\u003eDoes the AT33xMLB suit my tonearm?\u003c\/h3\u003e\u003cp\u003eAt 10.1 g weight and a dynamic compliance of 6 × 10⁻⁶ cm\/dyne, it belongs among the heavier, rather firmly suspended systems. Medium-mass to heavy tonearms are the ideal environment. On very light arms, it's worth checking counterweight and resonance frequency beforehand – just ask us, we'll run the numbers quickly.\u003c\/p\u003e\u003ch3\u003eWhat's the difference between the AT33xMLB, the AT33xEN, and the AT33xMLD?\u003c\/h3\u003e\u003cp\u003eThe AT33xMLB combines the bare Microlinear diamond with a massive boron cantilever and reaches up to 45,000 Hz. The AT33xMLD has the same Microlinear cut but a duralumin tube as cantilever and 0.4 mV output voltage. The AT33xEN uses a bare elliptical cut on duralumin and sounds a bit more forgiving.\u003c\/p\u003e\u003ch3\u003eWhy buy the Audio-Technica AT33xMLB at HD Zürisee?\u003c\/h3\u003e\u003cp\u003eBecause a high-resolution MC system gives away half its potential without precise alignment. Our technician mounts and aligns the cartridge properly, and we'll tell you honestly whether it suits your tonearm and phono stage. Call us on 044 680 22 00, write via WhatsApp to \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls), or mail shop@hdzuerisee.ch.\u003c\/p\u003e\u003ch2\u003eGoes well with this\u003c\/h2\u003e\u003cp\u003eThe right foundation is among the \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, the needed amplification among the \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. Find alternatives under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e, and everything else around the groove is gathered under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll About Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"Audio Technica","offers":[{"title":"Default Title","offer_id":52989485285712,"sku":null,"price":825.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/audio-technica-at33xmlb-mc-tonabnehmer-schraegansicht.png?v=1785433342"},{"product_id":"audiotechnicaat33xmld","title":"Audio-Technica AT33xMLD MC Cartridge","description":"\u003cp\u003eThe Audio-Technica AT33xMLD is a low-output MC cartridge with a bare Microlinear diamond and a duraluminum cantilever, combining fine resolution with a warm, powerful fundamental tone.\u003c\/p\u003e\n\u003cp\u003eIt comes from the thoroughly reworked AT33x series – the first major overhaul in years – and it's the warm one of the bunch. It feels most at home with pressings from the golden decades of jazz and rock.\u003c\/p\u003e\n\u003ch2\u003eWhy the AT33xMLD?\u003c\/h2\u003e\n\u003cp\u003eThe bare Microlinear grind traces the groove more finely than an elliptical stylus and gets closer to what the cutting stylus originally left behind. The tapered duraluminum cantilever keeps the highs silky rather than sharp. Add PCOCC copper coils, a neodymium magnet with a Permendur yoke, and a newly developed piano-wire suspension that gives the cartridge its slightly firmer compliance and, with it, its substantial, full tone. Handmade in Japan – you won't find that on any spec sheet, but you can hear it.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eResolution with warmth:\u003c\/strong\u003e Microlinear detail meets a full, supportive fundamental tone.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSilky highs:\u003c\/strong\u003e cymbals and horns sit clearly in the room without turning harsh.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA calm body:\u003c\/strong\u003e the zinc die-cast, aluminum, and high-performance polymer composite spreads out resonances.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClean channel separation:\u003c\/strong\u003e 27 dB at 1 kHz keeps the soundstage sorted and easy to follow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect mounting:\u003c\/strong\u003e M2.6 threaded holes, no fumbling with nuts in the half-dark.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho's the AT33xMLD for – and who isn't it for?\u003c\/h3\u003e\n\u003cp\u003eThe first choice for anyone who wants to hear their vintage pressings with body and warmth without giving up detail. Bottom line: with a dynamic compliance of 6 × 10⁻⁶ cm\/dyn, it's one of the firmer-suspended cartridges and wants a medium- to heavyweight tonearm – on a very light arm it turns restless. And the stylus is fixed in place: replacement runs through Audio-Technica's paid MC exchange program. If you want to swap styli yourself, an MM cartridge suits you better.\u003c\/p\u003e\n\u003ch3\u003exMLD, xMLB, or xEN – which one fits?\u003c\/h3\u003e\n\u003cp\u003eThe xMLD and xMLB share the bare Microlinear diamond and differ in the cantilever: duraluminum on the xMLD, boron on the xMLB, which as a result plays a touch tighter and more analytical. The AT33xEN works with a bare elliptical diamond. For rock and jazz from the fifties through the seventies, the xMLD is usually the more fitting choice.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eAn MC cartridge that reconciles detail and warmth instead of picking a side – exactly right when your favorite records are older than your amplifier. At HD Zürisee in Wädenswil we'll tell you honestly whether it suits your tonearm and phono stage, and mount and align it for you on request.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Dual Moving Coil (MC), low output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e bare Microlinear, radius 2.2 × 0.12 mil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e duraluminum, tapered tube\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoils:\u003c\/strong\u003e PCOCC copper\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMagnet:\u003c\/strong\u003e neodymium with Permendur yoke\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.4 mV (1 kHz, 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20–42,000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e 27 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e 1.0 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil impedance:\u003c\/strong\u003e 12 ohms (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDC resistance:\u003c\/strong\u003e 12 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil inductance:\u003c\/strong\u003e 26 µH (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e ≥ 100 ohms (when connecting to a head amp)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8–2.2 g (standard 2.0 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVertical tracking angle:\u003c\/strong\u003e 19°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic stylus compliance:\u003c\/strong\u003e 6 × 10⁻⁶ cm\/dyne (100 Hz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStatic stylus compliance:\u003c\/strong\u003e 21 × 10⁻⁶ cm\/dyne\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e M2.6 threaded holes (2×)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e not user-replaceable, paid MC exchange program\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (W × H × D):\u003c\/strong\u003e 16.6 × 16.1 × 26.1 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.1 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhat's included:\u003c\/strong\u003e cartridge, non-magnetic screwdriver, brush, 2 washers, M2.6 mounting screws in 8, 10, and 13 mm (2 each), stylus guard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat phono input does the AT33xMLD need?\u003c\/h3\u003e\n\u003cp\u003eAn MC input or a step-up transformer. With 0.4 mV output, the AT33xMLD is a low-output MC and stays noticeably too quiet on a plain MM input. Audio-Technica recommends a load impedance of at least 100 ohms – most MC stages cover that. When in doubt, check your phono stage's manual.\u003c\/p\u003e\n\u003ch3\u003eWhat does a \"bare\" Microlinear diamond mean?\u003c\/h3\u003e\n\u003cp\u003eThe entire tip is made of diamond instead of a layer bonded onto a carrier shaft. That noticeably lowers the moving mass, so the stylus follows the groove faster and more precisely. Combined with the narrow Microlinear grind (2.2 × 0.12 mil), that pulls more information out of the groove, especially near the inner grooves.\u003c\/p\u003e\n\u003ch3\u003eWhat sets the AT33xMLD apart from the AT33xMLB and the AT33xEN?\u003c\/h3\u003e\n\u003cp\u003eThe cantilever and the grind. The xMLD and xMLB share the bare Microlinear diamond; the xMLD carries it on duraluminum, the xMLB on boron – which sounds a touch tighter and more analytical. The AT33xEN works with a bare elliptical diamond. For warm vintage rock and jazz, the xMLD is usually the more fitting choice.\u003c\/p\u003e\n\u003ch3\u003eDoes the AT33xMLD fit any tonearm?\u003c\/h3\u003e\n\u003cp\u003eNot just any. With a dynamic compliance of 6 × 10⁻⁶ cm\/dyne at 100 Hz and 10.1 g of its own weight, it's one of the firmer-suspended cartridges and wants a medium- to heavyweight tonearm. On very light arms, the resonance frequency ends up too high – then it sounds restless instead of rich.\u003c\/p\u003e\n\u003ch3\u003eCan I replace the stylus myself?\u003c\/h3\u003e\n\u003cp\u003eNo. On the AT33xMLD, the stylus is fixed in place and not available as a replaceable tip. If it's worn, replacement runs through Audio-Technica's paid MC exchange program. If you want to swap styli yourself on a regular basis, an MM cartridge is simply the more relaxed way to go – we can't put it more honestly.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Audio-Technica AT33xMLD at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause years of experience tell us which cartridge fits which tonearm, which phono stage, and which sound you're after – and because we mount and align it properly for you. Our technician Mauri handles installation and service. Call us at 044 680 22 00, message us on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls), or email shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right surroundings among the \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e – in the end, an MC cartridge is only as good as the stage behind it, and no amount of hoping changes that. For a medium- to heavyweight arm to suit this firmer-suspended cartridge, check the \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e. More cartridges are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e section, and more from the brand under \u003ca href=\"\/en-ch\/collections\/audio-technica\"\u003eAudio-Technica\u003c\/a\u003e. Scales, brushes, and cleaning gear live in \u003ca href=\"\/en-ch\/collections\/zubehor\"\u003eAccessories\u003c\/a\u003e, and everything about vinyl is under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"Audio Technica","offers":[{"title":"Default Title","offer_id":52989485318480,"sku":null,"price":725.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/audio-technica-at33xmld-mc-tonabnehmer-schraegansicht.png?v=1785433342"},{"product_id":"audiotechnicaatart9xa","title":"Audio-Technica AT-ART9XA MC Cartridge","description":"\u003cp\u003eThe Audio-Technica AT-ART9XA is an MC cartridge with a non-magnetic core, a bare Shibata diamond, and a solid boron cantilever, engineered for maximum resolution and natural tonal colors.\u003c\/p\u003e\n\u003cp\u003eIt's the finely-drawn half of the ART9X duo. Where the AT-ART9XI plays on drive with its iron core and Special Line Contact grind, the XA takes the other path: less output voltage, but a sound free of any magnetic coloration. A cartridge for people who don't just want to listen to their records, but read them.\u003c\/p\u003e\n\u003ch2\u003eWhy the AT-ART9XA?\u003c\/h2\u003e\n\u003cp\u003eAt its heart is the non-magnetic core. With no iron in the coil former, there's no core distortion, and playback stays free of artificial coloration. The two coils sit in an inverted V arrangement, wound with PCOCC wire and driven by a neodymium magnet with a Permendur yoke. The bare Shibata stylus on the 0.28 mm boron cantilever reads the groove with extreme finesse, and the hybrid housing of machined aluminum and high-rigidity plastic keeps resonances exactly where they belong: outside.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaximum resolution:\u003c\/strong\u003e the bare Shibata diamond and boron cantilever pull the finest nuances out of the groove.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNatural tonal colors:\u003c\/strong\u003e the non-magnetic core avoids the coloration of iron-cored cartridges.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA quiet background:\u003c\/strong\u003e voices and strings stand free, even in quiet passages.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStable imaging:\u003c\/strong\u003e the hybrid housing keeps the soundstage steady instead of letting it flutter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWho's the AT-ART9XA for?\u003c\/h3\u003e\n\u003cp\u003eFor audiophile listeners with a high-quality turntable and a properly aligned tonearm who want to get the most out of their collection. Bottom line: at 0.2 mV output, the XA is demanding on the phono stage – on a weak, noisy MC stage you throw away its potential entirely. If you like your rock records loud and punchy above all, the higher-output AT-ART9XI suits you better. And if you're after a low-maintenance entry-level solution, you're simply overqualified here – no shame in admitting that.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eAn uncompromising MC cartridge that combines high resolution with musicality – the worthwhile step up once your turntable and tonearm already bring the class. At HD Zürisee in Wädenswil we mount and align the AT-ART9XA precisely and match it with you to your tonearm and phono stage.\u003c\/p\u003e\n\u003cp\u003eWhat the specialist press says: “The smoothness, and ease it presented classical music … was fantastic.” – Chris Groppi, HomeTheaterHiFi, 2021.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Dual Moving Coil (MC), non-magnetic core\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Shibata, bare\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.2 mV (1 kHz, 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20–50,000 Hz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e 30 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e 0.5 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil impedance:\u003c\/strong\u003e 12 ohms (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e min. 100 ohms\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.6–2.0 g (standard 1.8 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVertical tracking angle:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic stylus compliance:\u003c\/strong\u003e 10 × 10⁻⁶ cm\/dyne (100 Hz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStatic stylus compliance:\u003c\/strong\u003e 20 × 10⁻⁶ cm\/dyne\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil wire:\u003c\/strong\u003e PCOCC\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMagnet \/ yoke:\u003c\/strong\u003e neodymium \/ Permendur\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHousing:\u003c\/strong\u003e hybrid of machined aluminum and high-rigidity plastic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e half-inch, M2.6 threaded holes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions (W × H × D):\u003c\/strong\u003e 16.8 × 17.3 × 25.0 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 8.5 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhat's included:\u003c\/strong\u003e cartridge, non-magnetic screwdriver, 2 washers, M2.6 mounting screws (2× each of 5, 8, 10, and 12 mm), stylus guard, brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat does the non-magnetic core do for the AT-ART9XA?\u003c\/h3\u003e\n\u003cp\u003eIt prevents core distortion. Because there's no iron in the coil former, the signal isn't magnetically colored but transferred the way it sits in the groove. The result is a more open, calmer sound. The price for that is the lower output voltage of 0.2 mV – so your phono stage needs to be low-noise.\u003c\/p\u003e\n\u003ch3\u003eWhat phono stage does the AT-ART9XA need?\u003c\/h3\u003e\n\u003cp\u003eA low-noise MC phono stage with plenty of gain and a load impedance of at least 100 ohms. At 0.2 mV output, you'll hear every weakness of the preamp immediately: noise, congestion, missing dynamics. A good step-up transformer works too. We're happy to talk through which combination suits your tonearm.\u003c\/p\u003e\n\u003ch3\u003eWhat sets the AT-ART9XA apart from the AT-ART9XI?\u003c\/h3\u003e\n\u003cp\u003eThe core, the stylus grind, and the output voltage. The XA works with a non-magnetic core and a bare Shibata diamond, delivering 0.2 mV. The XI relies on an iron core, a Special Line Contact grind, and more than double the level at 0.5 mV. Both share the 0.28 mm boron cantilever. The XA draws finer, the XI pushes harder.\u003c\/p\u003e\n\u003ch3\u003eCan the stylus of the AT-ART9XA be replaced?\u003c\/h3\u003e\n\u003cp\u003eNo, the cartridge is built as a single unit and has no replaceable stylus. If it wears out after many years, replacement runs professionally through Audio-Technica's trade-in program. We handle that for you and mount the replacement cartridge back into your tonearm, aligned properly right away.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Audio-Technica AT-ART9XA at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge of this class only shows its potential with exact alignment: azimuth, VTA, tracking force, anti-skating. Our technician sets that up instead of just handing you a box. Add honest advice from almost three decades of practice in Wädenswil – call us (044 680 22 00), email shop@hdzuerisee.ch, or send us a WhatsApp (\u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e, text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right surroundings among the \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, the \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e, and the rest of the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e. The brand's full range is under \u003ca href=\"\/en-ch\/collections\/audio-technica\"\u003eAudio-Technica\u003c\/a\u003e, and \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e gives you the complete overview.\u003c\/p\u003e","brand":"Audio Technica","offers":[{"title":"Default Title","offer_id":52989485351248,"sku":"ATHATART9XA","price":1599.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/audio-technica-at-art9xa-mc-tonabnehmer-schraegansicht.png?v=1785433342"},{"product_id":"benzmicroebonyl","title":"Benz Micro Ebony L MC Cartridge, Low Output","description":"\u003cp\u003eThe Benz Micro Ebony L is a handcrafted Swiss moving-coil cartridge with low output voltage and a body made of solid ebony.\u003c\/p\u003e\n\u003cp\u003eBenz Micro builds its cartridges by hand in Switzerland. For the Ebony series, designer Albert Lukaschek winds a low-impedance cross-coil generator and sets it into a body machined from Mozambique ebony. The dense natural wood absorbs resonances, and the low internal impedance of 5 Ω keeps the background quiet – provided the phono stage behind it is a good match.\u003c\/p\u003e\n\u003ch2\u003eWhy the Ebony L?\u003c\/h2\u003e\n\u003cp\u003eBecause it renders tonal colours as naturally as only a few cartridges manage. The mirror-polished Micro-Ridge diamond (5 × 120 µm) reads the finest structures out of the groove, and the rigid boron cantilever transmits every movement to the coil without delay. Voices and wooden instruments gain body and warmth without details falling by the wayside. If you thought your record collection was tapped out, this cartridge is happy to prove you wrong.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output MC cartridge for high-quality MC phono stages, each unit shipped with its own individual measurement protocol from the Swiss workshop. Ebony body, iron cross-coil, bare Micro-Ridge diamond on solid boron cantilever. At HD Zürisee in Wädenswil we're happy to mount and align the cartridge on your tonearm on request – including matching it to your phono stage.\u003c\/p\u003e\n\u003ch3\u003eWho is the Ebony L suited for?\u003c\/h3\u003e\n\u003cp\u003eStraight talk: the Ebony L is for people who find many modern MC cartridges too technocratic and cool – here, naturalness comes first. At 0.26 mV it needs a low-noise MC preamp with decent gain; anyone with only a simple combined input won't get the full picture and is better served by the Ebony M or H. On medium-to-heavy tonearms it performs at its best, on very light arms the matching gets sporty.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Ebony L is the sensible recommendation for anyone who finds many modern MC cartridges too cool-sounding. Ebony and the low-impedance cross-coil generator render tonal colours warm and calm without leaving details behind – provided a low-noise MC preamp stands behind it. If you value naturalness over analytics, this cartridge will keep you at the record player, relaxed, for a long time.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e low-impedance iron cross-coil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.26 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 5 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 50 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e Mozambique ebony\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 35 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 14 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.6 – 1.9 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.7 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptimal operating temperature:\u003c\/strong\u003e 23 °C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat tracking force is ideal for the Benz Micro Ebony L?\u003c\/h3\u003e\n\u003cp\u003eBenz specifies 1.6 to 1.9 g. In our workshop in Wädenswil we usually set the cartridge towards the upper end, around 1.8 g – that's where tracking and dynamics are best balanced. We're happy to do the fine adjustment on your tonearm for you.\u003c\/p\u003e\n\u003ch3\u003eDo I need an MC phono stage for the Ebony L?\u003c\/h3\u003e\n\u003cp\u003eYes. With 0.26 mV output voltage and 5 Ω internal impedance, the Ebony L belongs on a low-noise MC input. Benz recommends a load from 50 Ω upwards. On a pure MM input it stays too quiet – there, the Ebony H is the right variant of the series.\u003c\/p\u003e\n\u003ch3\u003eWhat does the Micro-Ridge stylus profile mean?\u003c\/h3\u003e\n\u003cp\u003eThe Micro-Ridge diamond has a very narrow, elongated contact area that mimics the shape of the cutting stylus. That lets it pick up even the finest information from the groove and spread the tracking force over a larger area – more detail and, at the same time, less wear on your records.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Ebony L at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause an MC cartridge lives on being set up correctly. At HD Zürisee in Wädenswil we mount the Ebony L, adjust tracking force, VTA and azimuth, and match it to your tonearm and phono stage. Call us at 044 680 22 00 or write via WhatsApp to \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right turntable is in our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, the amplification it needs in \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamplifiers\u003c\/a\u003e. More cartridges from the brand are in the \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e overview, alternative cartridges in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e list, and care accessories under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490659664,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-ebony-l-mc-tonabnehmer-schraegansicht.jpg?v=1785439144"},{"product_id":"benzmicroebonytr","title":"Benz Micro Ebony TR MC Cartridge for SUT","description":"\u003cp\u003eThe Benz Micro Ebony TR is a handmade Swiss moving-coil cartridge, consistently engineered for use with step-up transformers thanks to its extremely low output voltage and internal impedance.\u003c\/p\u003e\n\u003cp\u003eTR stands for Transformer: designer Albert Lukaschek reduced the winding to a minimum here to save moving mass and push the internal impedance down to 1 Ω. The result is 0.1 mV of output voltage – housed in the familiar ebony body of the Ebony series.\u003c\/p\u003e\n\u003ch2\u003eWhy the Ebony TR?\u003c\/h2\u003e\n\u003cp\u003eBecause the combination of 0.1 mV and 1 Ω is practically made for high-quality step-up transformers (SUT). Passive step-up instead of electronic amplification creates a background quietness that actively amplified chains often lack. The tiny coil mass makes the TR lightning-fast on transients – impulses arrive as if the instrument were standing in the room.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA specialist tool for the classic analogue chain of MC cartridge and step-up transformer, with an individual measurement protocol. Micro-Ridge diamond on a solid boron cantilever, iron cross-coil, ebony body. Which transformer matches a 1 Ω source impedance and your phono stage is something we work out together – this calculation goes wrong quickly otherwise.\u003c\/p\u003e\n\u003ch3\u003eWho is the Ebony TR for?\u003c\/h3\u003e\n\u003cp\u003eHonestly: the Ebony TR is a niche cartridge for purists. Without a transformer, simply too little signal arrives – if you don't own or plan to get a SUT, the Ebony L is the better choice. But if you love the classic transformer chain and build it properly, this is one of the most refined cartridges around.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Ebony TR is a specialist, not an all-rounder: without a step-up transformer it stays practically silent, but with the right SUT it plays deep black and lightning-fast. For purists of the transformer chain it's one of the finest options out there – if you don't have or plan to get a SUT, you're clearly better off with the Ebony L. Let's be honest: you have to want this chain.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Ultra-Low Output (for SUT)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron cross-coil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.1 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 1 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 5 Ω (operation via step-up transformer)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e ebony\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 14 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.6 – 1.9 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.7 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eCan I connect the Ebony TR to a normal MC input?\u003c\/h3\u003e\n\u003cp\u003eWe'd advise against it. At 0.1 mV, the Ebony TR delivers too little signal for almost any active MC phono stage. It's built for use with a step-up transformer; Benz specifies a load of more than 5 Ω. We're happy to help you work out which transformer suits your chain.\u003c\/p\u003e\n\u003ch3\u003eWhy does the Ebony TR have such a low output voltage?\u003c\/h3\u003e\n\u003cp\u003eFewer coil windings mean less moving mass and therefore more speed and precision. The transformer passively recovers the level without adding electronic noise. This exact division of labour produces the quiet, deep-black background the TR variant is known for.\u003c\/p\u003e\n\u003ch3\u003eHow do I care for the Ebony TR?\u003c\/h3\u003e\n\u003cp\u003eWith a dry stylus brush or a cleaning gel, always from back to front. Be careful with liquid cleaners near the ebony body. Give the cartridge around 40 hours of break-in time – after that the soundstage opens up noticeably.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Ebony TR from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause the TR can't show its potential without the right transformer. At HD Zürisee in Wädenswil we match cartridge, transformer and phono stage to each other, mount it fully on request and align it cleanly. Call us on 044 680 22 00 or message us on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right turntable under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e, transformers and phono preamps under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamps\u003c\/a\u003e. The rest of the brand's cartridges are in the \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e overview, more cartridges in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e list, and record-care accessories under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490692432,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-ebony-tr-mc-tonabnehmer-schraegansicht.jpg?v=1785439144"},{"product_id":"benzmicrogullwingshr","title":"Benz Micro Gullwing SHR MC Cartridge, High Output","description":"\u003cp\u003eThe Benz Micro Gullwing SHR is an open-design Swiss moving-coil cartridge with high output voltage, a rhodium-plated brass frame and an iron-free ruby cross generator.\u003c\/p\u003e\n\u003cp\u003eMechanically it's the twin of the SLR: the same open Gullwing architecture, the same milled brass frame from the LP S family, the same 12.2 g. The two are distinguished only by the winding – the SHR delivers roughly double the signal at \u003cstrong\u003e0.7 mV\u003c\/strong\u003e. That's exactly what makes it the less demanding of the two.\u003c\/p\u003e\n\u003ch2\u003eWhy the Gullwing SHR?\u003c\/h2\u003e\n\u003cp\u003eBecause not every good phono stage is a high-gain machine. Tube stages often sit at 50 to 60 dB, and there a 0.34 mV cartridge quickly turns into an exercise in noise. The SHR fixes this at the root: the ruby generator, oversized neodymium magnet and Micro-Ridge diamond stay untouched, only the level rises. You get ruby finesse without the level headaches.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA high-output MC for MC inputs with moderate gain and for tube phono stages in the 50 to 60 dB range. Open design, rhodium-plated brass frame, iron-free ruby cross generator with neodymium magnet, Micro-Ridge on a boron cantilever. On request we mount and align it completely – the exposed coils prefer a steady hand over bravery.\u003c\/p\u003e\n\u003ch3\u003eWho is the Gullwing SHR for?\u003c\/h3\u003e\n\u003cp\u003ePlainly put: ideal if you have a good but not extremely low-noise MC or tube phono stage and still want ruby-level performance. If you own a top-tier high-gain MC stage, the quieter SLR gets you a touch further. And if you only have an MM input anyway, a moving-magnet cartridge is the better fit – high output doesn't turn an MC into an MM.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe SHR brings real ruby finesse to phono stages that don't have the last reserve of gain, tube stages explicitly included. Open design and brass frame deliver openness up top and authority in the bass, and the strong output makes integration pleasantly uncomplicated. If you own a top-tier high-gain MC stage, the SLR serves you a touch more finely – for everyone else, the SHR is the more sensible half of the twin pair.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), High Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby cross with oversized neodymium magnet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.7 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω (often 47 kΩ with tube stages)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended phono gain:\u003c\/strong\u003e 50 – 60 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrame:\u003c\/strong\u003e brass, rhodium-plated, open design without housing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 12.2 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, spirit level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eDo I need an MC or MM input for the Gullwing SHR?\u003c\/h3\u003e\n\u003cp\u003eAn MC input. Despite the high output, the SHR is a true moving-coil cartridge. At 0.7 millivolts it suits MC inputs with moderate gain and tube phono stages in the 50 to 60 decibel range. It can work with very high-gain MM inputs – we check that for you beforehand.\u003c\/p\u003e\n\u003ch3\u003eWhich load resistance suits the Gullwing SHR?\u003c\/h3\u003e\n\u003cp\u003eBenz recommends more than 400 ohms at an internal impedance of 38 ohms. On tube stages the SHR often runs very naturally at 47 kilohms. The best value depends on your phono stage, so we try it out on your chain rather than claiming a fixed number.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean an open cartridge like the Gullwing?\u003c\/h3\u003e\n\u003cp\u003eNever with compressed air. A very soft stylus brush, always from back to front, occasionally a dry brush for the brass frame, and a minimal dose of cleaning gel for the diamond. The exposed coils don't tolerate rough handling or cotton swabs getting too close.\u003c\/p\u003e\n\u003ch3\u003eSHR or SLR – which Gullwing suits me?\u003c\/h3\u003e\n\u003cp\u003eYour phono stage decides. If it has more than 60 decibels of gain and is very low-noise, go for the SLR at 0.34 millivolts. If you're at 50 to 60 decibels or run a tube stage, the SHR at 0.7 millivolts is the more assured choice. Mechanically the two are identical.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Gullwing SHR from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause matching it to your phono stage determines the sound, especially with high output. We at HD Zürisee in Wädenswil mount, align and tune the Gullwing to your chain – gain and load included. Call us on 044 680 22 00 or message us on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right phono stage in the 50 to 60 dB range is under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamps\u003c\/a\u003e, the matching turntable under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e. More cartridges are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e overview, the brand's full range under \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e, care and alignment tools under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490725200,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-gullwing-shr-mc-tonabnehmer-schraegansicht.jpg?v=1785439144"},{"product_id":"benzmicrogullwingslr","title":"Benz Micro Gullwing SLR MC Cartridge, Low Output","description":"\u003cp\u003eThe Benz Micro Gullwing SLR is an open-design Swiss moving-coil cartridge with low output voltage, a rhodium-plated brass frame and an iron-free ruby cross generator.\u003c\/p\u003e\n\u003cp\u003eThe Gullwing is a hybrid of the flagship LP S, the Ruby and the Glider lines: open architecture without an enclosing body, plus the heavy, rhodium-plated brass frame. No body means no standing waves inside the housing – and the frame steadies the tonearm at the same time. It takes its name from the upward-curved flanks that recall a certain gullwing door from Stuttgart.\u003c\/p\u003e\n\u003ch2\u003eWhy the Gullwing SLR?\u003c\/h2\u003e\n\u003cp\u003eBecause here the iron-free ruby cross works with the strongest neodymium magnet in the Benz range. That's only possible because the non-magnetic ruby plate acting as coil former can actually withstand the intense field – an iron core would simply saturate here. The Micro-Ridge diamond on a 0.28 mm boron rod translates that into an open, low-resonance soundstage, with the brass frame providing the foundation underneath.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output MC at 0.34 mV for high-quality MC phono stages from around 60 dB of gain up. Open design, rhodium-plated brass frame, ruby generator with oversized neodymium magnet, 12.2 g. Because of the exposed coils, we mount and clean the cartridge for you on request – a steady hand required.\u003c\/p\u003e\n\u003ch3\u003eWho is the Gullwing SLR for?\u003c\/h3\u003e\n\u003cp\u003eQuite honestly: the SLR is for listeners with a top-tier, low-noise MC phono stage who want an open cartridge without giving up bass substance. If you have a tube stage or less gain headroom, the SHR at 0.7 mV is the better fit. And if you tend to get hasty when swapping records: the exposed coils don't forgive much, so it's worth knowing that upfront.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Gullwing SLR is the more refined of the two Gullwing cartridges: open, low-resonance, with the solid foundation of the brass frame. It wants a top-tier MC phono stage and a medium- to heavyweight arm – then it stages a soundstage that reaches deep into the room. The open design is the price for that: it doesn't like rough hands, but rewards you with an airiness that closed cartridges rarely achieve.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat the trade press says:\u003c\/em\u003e “During these second auditions, I noticed that the Gullwing's sound has a lot of 'early-Koetsu' savoir-faire.” – Herb Reichert, Stereophile, Gramophone Dreams #83, April 2024. Previously already listed in The Absolute Sound's High-End Audio Buyer's Guide 2011.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby cross with oversized neodymium magnet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.34 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended phono gain:\u003c\/strong\u003e \u0026gt; 60 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrame:\u003c\/strong\u003e brass, rhodium-plated, open design without housing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 10 Hz – 50 kHz (±1 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 35 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking ability:\u003c\/strong\u003e 80 µm (315 Hz, 2 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 12.2 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, spirit level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat load resistance should I set for the Gullwing SLR?\u003c\/h3\u003e\n\u003cp\u003eBenz recommends more than 400 ohms. In practice we often land between 500 and 1000 ohms, which gives a good balance of dynamics and silky highs. Values that are too low rob the cartridge of both air and drive. We find the exact value together on your phono stage.\u003c\/p\u003e\n\u003ch3\u003eWhat phono stage does the Gullwing SLR need?\u003c\/h3\u003e\n\u003cp\u003eA true MC stage with more than 60 decibels of gain. At 0.34 millivolts the SLR is a classic low-output cartridge that shows only half its quality on weak or noisy inputs. If your gain isn't enough, the SHR at 0.7 millivolts is the more suitable route.\u003c\/p\u003e\n\u003ch3\u003eDoes the Gullwing SLR suit my tonearm?\u003c\/h3\u003e\n\u003cp\u003eAt 12.2 grams and a compliance of 15, it feels most at home on medium- to heavyweight arms. On very light arms the resonance frequency shifts too high and the bass becomes unsettled. We work out the combination for you before you order.\u003c\/p\u003e\n\u003ch3\u003eWhat's the difference between the Gullwing SLR and SHR?\u003c\/h3\u003e\n\u003cp\u003eOnly the winding, and with it the output level. The SLR delivers 0.34 millivolts and wants a strong MC preamp from 60 decibels up. The SHR delivers 0.7 millivolts and suits tube stages and less powerful phono stages in the 50 to 60 decibel range. Frame, diamond and generator are identical.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Gullwing SLR from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause an open cartridge only reaches this quality class through careful mounting. We at HD Zürisee in Wädenswil adjust tracking force, VTA and azimuth and tune the Gullwing to your chain. Call us on 044 680 22 00 or message us on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right gain from 60 dB up is under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamps\u003c\/a\u003e, the matching turntable under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e. More cartridges are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e overview, the brand's full range under \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e, brushes and alignment tools under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490757968,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-gullwing-slr-mc-tonabnehmer-schraegansicht.jpg?v=1785439144"},{"product_id":"benzmicrolp","title":"Benz Micro LP MC Cartridge, Low Output","description":"\u003cp\u003eThe Benz Micro LP is a handmade Swiss moving-coil cartridge with an ebony body and an iron-free ruby cross generator.\u003c\/p\u003e\n\u003cp\u003eIt's the slim variant of the LP family: aged ebony as the body, a ruby cross plate as coil former, a mirror-polished diamond on a solid boron rod – and deliberately no extra metal frame. At 10.7 g it stays light enough for practically any medium-weight tonearm, without you having to fiddle with the counterweight.\u003c\/p\u003e\n\u003ch2\u003eWhy the LP?\u003c\/h2\u003e\n\u003cp\u003eBecause it plays with body and emotion without ever tipping into analytical coldness. The iron-free ruby core keeps magnetic distortion out of the signal path, and the fine Micro-Ridge diamond still reads the tight inner grooves cleanly. In systems that get everything technically right yet still sound a bit clinical, the LP is astonishingly often the missing ingredient.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output MC at 0.34 mV for a proper MC phono stage: aged ebony, ruby generator, Micro-Ridge diamond on a boron rod, built by hand piece by piece in Switzerland. We take care of mounting, tracking force, VTA and azimuth completely on request – an MC cartridge rewards you for it with years of clean tracking.\u003c\/p\u003e\n\u003ch3\u003eWho is the LP for?\u003c\/h3\u003e\n\u003cp\u003ePlainly put: for pleasure listeners who put on jazz, classical or singer-songwriter records in the evening and want a warm, natural tonal foundation. At 0.34 mV it needs a proper MC preamp; on a simple combi input it stays pale and quiet. And if you run a heavy arm and want maximum stability, you're better off with the 16.4 g LP S – the LP is the more agile of the two.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe LP is the right medicine for systems that play precisely but somewhat dry. Ebony and the iron-free ruby core give a tonal foundation with meat on the bone, without sacrificing detail. At 10.7 g it fits almost any medium-weight arm, with no counterweight acrobatics. For most vinyl listeners it's not the stepping stone to the LP S, but the destination itself.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby cross\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.34 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e aged ebony, without metal frame\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 10 Hz – 50 kHz (±1 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 35 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.7 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual frequency response chart, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat load impedance suits the Benz Micro LP?\u003c\/h3\u003e\n\u003cp\u003eBenz specifies more than 400 ohms. In practice, 500 to 1000 ohms sounds most balanced: enough damping for clean highs without robbing the cartridge of substance. Higher values are possible and open up the treble further. We set the right value on your phono stage.\u003c\/p\u003e\n\u003ch3\u003eHow much tracking force should the LP have?\u003c\/h3\u003e\n\u003cp\u003eThe manufacturer states 1.8 to 2.0 grams. In our workshop we usually land around 1.9 grams, where tracking accuracy is right with minimal wear. It's important to measure with a precision scale at record height, not off to the side on the platter. We do the fine adjustment on request.\u003c\/p\u003e\n\u003ch3\u003eWhat's the difference between the Benz Micro LP and the LP S?\u003c\/h3\u003e\n\u003cp\u003eElectrically nothing: same ruby generator, same 0.34 millivolts, same diamond. The difference is mechanical. The LP has a pure ebony body and weighs 10.7 grams, while the LP S additionally sits in a solid brass frame and tips the scale at 16.4 grams. More mass, more stability, needs a heavier arm.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro LP from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause an MC cartridge lives or dies by its setup. We at HD Zürisee in Wädenswil mount the LP, adjust tracking force, VTA and azimuth, and tune it to your tonearm and phono stage. Our technician Mauri has been doing this for years. Call us on 044 680 22 00 or message us on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eChoose the matching turntable under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e, the gain behind it among the \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamps\u003c\/a\u003e. More cartridges are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e overview, the brand's full range under \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e, and everything else around the groove under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490790736,"sku":null,"price":3060.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-lp-mc-tonabnehmer-schraegansicht.jpg?v=1785439144"},{"product_id":"benzmicrolps","title":"Benz Micro LP S MC Cartridge, Reference","description":"\u003cp\u003eThe Benz Micro LP S is the brand's reference model: a handcrafted Swiss moving-coil cartridge whose vented ebony body sits in a solid brass frame.\u003c\/p\u003e\n\u003cp\u003eFrom the outside it looks almost identical to the smaller LP – the same aged ebony, the same iron-free ruby square-rod generator, the same boron cantilever. The difference lies in the frame: the LP S rests in a machined brass chassis that brings it from 10.7 to \u003cstrong\u003e16.4 g\u003c\/strong\u003e. That extra five and a half grams of mass isn't cosmetic – it's the whole concept.\u003c\/p\u003e\n\u003ch2\u003eWhy the LP S?\u003c\/h2\u003e\n\u003cp\u003eBecause mass in a cartridge means calm. The heavy frame absorbs the energy the generator pushes back into the body instead of passing it on to the tonearm. You hear that where it gets difficult: in loud tuttis, in the inner grooves, in the low bass. Midrange gains saturation, the soundstage layers in depth rather than just width.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output reference cartridge with 0.34 mV for a first-class MC phono stage: vented ebony in a solid brass frame, iron-free ruby generator, Micro-Ridge diamond on a 0.28 mm boron cantilever. Because of the high mass, we work out the tonearm combination in advance and can mount it completely on request.\u003c\/p\u003e\n\u003ch3\u003eWho is the LP S suited for?\u003c\/h3\u003e\n\u003cp\u003eHonestly: the LP S is for vinyl enthusiasts looking for a cartridge for life, who have invested in a first-class phono stage. Anyone who only occasionally plays a record is more credibly served by the lighter LP. And not every tonearm balances 16.4 g with the standard counterweight – something better clarified beforehand rather than after.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe LP S isn't a cartridge you swap out again in two years – it's an end point. The brass frame is the only real difference from the LP, and it changes more than 5.7 grams would suggest. If you bring a first-class phono stage and a medium-to-heavy tonearm, you get calm and substance at reference level. The rest of the chain, however, needs to keep up.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAward: Stereophile Recommended Components, October 2010.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output (Reference)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby square-rod\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.34 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω (datasheet: 500 – 47,000 Ω)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e vented, machined ebony in a solid brass frame\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 10 Hz – 50 kHz (±1 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 35 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking ability:\u003c\/strong\u003e 80 µm (315 Hz, 2 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g (datasheet range up to 2.2 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 16.4 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush, storage box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eHow do I recognise the LP S if it looks so similar to the LP?\u003c\/h3\u003e\n\u003cp\u003eBy the frame and the weight. The LP S sits in a solid, machined brass chassis and weighs 16.4 grams; the LP has no frame and weighs 10.7 grams. In product photos both look almost identical because the ebony body is the same. On a tonearm scale, the difference is immediately there.\u003c\/p\u003e\n\u003ch3\u003eWhich tonearm suits the Benz Micro LP S best?\u003c\/h3\u003e\n\u003cp\u003eBecause of the 16.4 grams of self-mass and the medium compliance of 15, the LP S harmonises with medium-to-heavy tonearms. Light arms push the resonance frequency out of the favourable window and don't control the energy. We work out the combination with your arm before you order.\u003c\/p\u003e\n\u003ch3\u003eHow do I set the tracking force on the LP S?\u003c\/h3\u003e\n\u003cp\u003eBenz specifies 1.8 to 2.0 grams as the optimum. The datasheet gives a usable range up to 2.2 grams, rarely needed. We measure with a precision scale at record height and listen through the window. We're happy to do the fine adjustment in Wädenswil on request.\u003c\/p\u003e\n\u003ch3\u003eHow long does the LP S need to break in?\u003c\/h3\u003e\n\u003cp\u003eAbout 40 hours. Fresh out of the box the suspension still sounds taut, and bass and space open up only gradually. Just play records normally during this time – no special break-in ritual needed. After that, the sound stays stable for years.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro LP S at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a reference cartridge only comes into its own with a clean setup. We at HD Zürisee in Wädenswil check tonearm compatibility beforehand, mount it, adjust tracking force, VTA and azimuth, and tune the chain. Call us at 044 680 22 00 or write via WhatsApp to \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA reference cartridge wants a matching turntable – found under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e – and a phono stage that amplifies 0.34 mV noise-free: \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono preamplifiers\u003c\/a\u003e. Alternatives are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e overview, the brand's full range under \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e, care and brushes under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490823504,"sku":null,"price":3060.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-lp-s-mc-tonabnehmer-schraegansicht.jpg?v=1785439178"},{"product_id":"benzmicrorefs","title":"Benz Micro Reference S MC Cartridge, Low Output","description":"\u003cp\u003eThe Benz Micro Reference S is a light, handcrafted Swiss moving-coil cartridge with a bruyère wood body and a low-impedance, copper-wound cross-coil generator.\u003c\/p\u003e\n\u003cp\u003eThe body is made from bruyère – the same root wood used for high-quality tobacco pipes, prized for its damping properties. Add a Micro-Ridge diamond on a boron cantilever, an internal impedance of only 5 Ω, and a total weight of 9 g.\u003c\/p\u003e\n\u003ch2\u003eWhy the Reference S?\u003c\/h2\u003e\n\u003cp\u003eBecause it tells music as a whole instead of breaking it into parts. The copper-wound cross-armature sits at a low 5 Ω, which makes it uncritical about load impedance and allows almost any setting from 100 Ω upwards. The Micro-Ridge profile at 5 × 120 µm precisely traces the groove walls, while the bruyère body takes out the artificial hardness. Voices and acoustic instruments gain a bloom that still doesn't tire after three hours.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output MC with 0.26 mV that belongs on a low-noise MC phono stage, complete with an individual measurement protocol. Bruyère body, copper cross-coil, 5 Ω internal impedance, load from 100 Ω, tracking force between 1.8 and 2.2 g. At 9 g the Reference S is among the lighter Benz cartridges, which suits medium-heavy tonearms as well as some lighter ones. We're happy to handle mounting and alignment for you on request.\u003c\/p\u003e\n\u003ch3\u003eWho is the Reference S suited for?\u003c\/h3\u003e\n\u003cp\u003eStraight talk: the Reference S is for listeners who put naturalness above clinical sharpness. At 0.26 mV it belongs on a genuinely low-noise MC preamp – on a tightly-budgeted standard input it sounds flat, and that would be a shame. If you're after maximum punch and attack, you'll find louder arguments elsewhere. Its low weight, on the other hand, makes it unusually flexible when choosing a tonearm; with very light carbon arms we work out the resonance frequency beforehand.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Reference S is one of those cartridges you don't buy for a single trait, but for the sum of them. The bruyère body takes out hardness, the 9 g open up an unusually wide choice of tonearms, and the low 5 Ω make matching to the phono stage relaxed. Just don't skimp on gain – then it plays stubbornly above its class.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e copper-wound cross-coil (cross-armature), low impedance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.26 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 5 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 100 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e modified boron rod\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e bruyère wood (root wood)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.2 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 9 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptimal operating temperature:\u003c\/strong\u003e 23 °C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat phono stage does the Reference S need?\u003c\/h3\u003e\n\u003cp\u003eA low-noise MC phono stage. With 0.26 mV output voltage, the Reference S is a decidedly quiet cartridge – an MM input alone isn't enough. Thanks to its low internal impedance of 5 Ω, it also works well with step-up transformers. We're happy to work out which combination suits your chain.\u003c\/p\u003e\n\u003ch3\u003eWhat load impedance is ideal for the Reference S?\u003c\/h3\u003e\n\u003cp\u003eBenz Micro specifies more than 100 Ω. Because of the low internal resistance of 5 Ω, the Reference S is uncritical about the load and works with many MC phono stages. We find the value with the most natural balance together, on your phono stage.\u003c\/p\u003e\n\u003ch3\u003eDoes the Reference S suit light tonearms?\u003c\/h3\u003e\n\u003cp\u003eAt only 9 g it's one of the lighter Benz cartridges and therefore flexible. It runs well on medium-heavy arms as well as some lighter ones. With very light carbon arms you should check the resonance frequency beforehand – tell us your turntable and we'll work it out for you.\u003c\/p\u003e\n\u003ch3\u003eHow high should the tracking force be?\u003c\/h3\u003e\n\u003cp\u003eBenz Micro specifies a range of 1.8 to 2.2 g. Within that range you'll find the point with the best balance of tracking and openness; too little tracking force doesn't save a record, it costs it. We're happy to do the fine adjustment with a scale and test record.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Reference S at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge of this class lives on alignment. Our experienced team mounts the Reference S, sets tracking force, VTA and azimuth, and matches it to tonearm and phono stage – and at HD Zürisee in Wädenswil that also includes the honest word if a combination simply doesn't work. Reach us at 044 680 22 00, via WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls) or at shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA matching turntable is under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e, the low-noise amplification behind it under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono preamplifiers\u003c\/a\u003e. More cartridges are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e overview, brushes, scales and cleaning under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490856272,"sku":null,"price":1900.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-reference-s-mc-tonabnehmer-schraegansicht.jpg?v=1785439178"},{"product_id":"benzmicrorubyz","title":"Benz Micro Ruby Z MC Cartridge, Low Output","description":"\u003cp\u003eThe Benz Micro Ruby Z is a handcrafted Swiss moving-coil cartridge with low output voltage, a zebrano wood body and an iron-free ruby square-rod generator.\u003c\/p\u003e\n\u003cp\u003eIt sits at the top of Benz Micro's Ruby line: a body machined from zebrano, a ruby square plate as the coil former, and a Micro-Ridge diamond on a boron cantilever. Each unit is handmade and comes with its own measurement protocol.\u003c\/p\u003e\n\u003ch2\u003eWhy the Ruby Z?\u003c\/h2\u003e\n\u003cp\u003eBecause it brings together two things that rarely come together: calm and resolution. The zebrano body absorbs micro-vibrations before they return as hardness in the treble. The ruby core is non-magnetic and light, keeping moving mass low and the cartridge fast on transients. The Micro-Ridge profile at 5 × 120 µm sits deep in the groove and pulls substance rather than sibilance even out of the inner grooves.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output MC with 0.35 mV that demands a strong, low-noise MC phono stage: Benz specifies over 60 dB of gain and a load from 400 Ω. Add 10.2 g of self-weight and a compliance of 15 µm\/mN – a combination that works cleanly on medium-heavy 9- to 12-inch-class tonearms. On request we handle mounting and alignment completely: tracking force, VTA, azimuth, overhang.\u003c\/p\u003e\n\u003ch3\u003eWho is the Ruby Z suited for?\u003c\/h3\u003e\n\u003cp\u003eStraight talk: the Ruby Z is for people who want to hear detail musically integrated rather than dissected. If your rack only holds a phono stage with modest gain, invest there first – otherwise the best of this cartridge disappears into the noise floor. If you have a stage in the 50 to 60 dB range and don't want to rebuild, you're simply better served by the louder Ruby ZH. And the wooden housing likes a stable room climate: right above the radiator is not a good spot.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Ruby Z is one of those cartridges after which, two record sides in, you stop paying attention to the technology. Voices and acoustic instruments stand firmly in the room without anyone artificially sharpening their contours. The equation only works out with a matching phono stage, though – that's not fussiness with a low-output MC, it's physics.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat the trade press says:\u003c\/em\u003e \"The Ruby Z not only delivers on the excellence suggested by its cost, but also outperforms its predecessor in every way, with improvements extending to tracking, musicality, and soundstaging.\" – TONEAudio Magazine, Lawrence Devoe, 2012.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby square-rod (ruby plate as coil former)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.35 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended phono gain:\u003c\/strong\u003e \u0026gt; 60 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e zebrano wood\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.2 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat phono stage does the Ruby Z need?\u003c\/h3\u003e\n\u003cp\u003eA low-noise MC phono stage with more than 60 dB of gain, according to Benz Micro. With 0.35 mV output voltage, the Ruby Z is a classic low-output MC: too little gain costs you dynamics and adds noise. Alternatively, a step-up transformer in front of an MM input works.\u003c\/p\u003e\n\u003ch3\u003eWhat load resistance does the Ruby Z need?\u003c\/h3\u003e\n\u003cp\u003eBenz Micro specifies more than 400 Ω, open-ended upward. In practice, the most coherent balance of soundstage width and bass weight often sits between 500 and 1000 Ω. The exact value depends on your phono stage – we'll set it for you on request.\u003c\/p\u003e\n\u003ch3\u003eHow long do I need to break in the Ruby Z?\u003c\/h3\u003e\n\u003cp\u003eExpect around 40 hours of playing time. In this period the damping elements loosen up and the treble opens fully. Fresh out of the box the cartridge can sound a bit reserved and taut in the bass – that settles on its own, no action needed.\u003c\/p\u003e\n\u003ch3\u003eDoes the Ruby Z suit my tonearm?\u003c\/h3\u003e\n\u003cp\u003eAt 10.2 g and 15 µm\/mN compliance, the Ruby Z fits most medium-heavy arms in the 9- to 12-inch class, for example from Rega, SME or Jelco. It only gets tricky with very light arms. Tell us your turntable and we'll work out the resonance frequency.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Ruby Z at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause an MC cartridge lives on setup, not on the datasheet. At HD Zürisee in Wädenswil we mount the Ruby Z, adjust tracking force, VTA and azimuth, and match load and gain to your phono stage. Call us at 044 680 22 00, write via WhatsApp to \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls), or to shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right turntable is under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e, the phono stage you need under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono preamplifiers\u003c\/a\u003e. More cartridges from the brand are in the \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e overview, everything for the black groove under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490889040,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-ruby-z-mc-tonabnehmer-schraegansicht.jpg?v=1785439179"},{"product_id":"benzmicrorubyzh","title":"Benz Micro Ruby ZH MC Cartridge, High Output","description":"\u003cp\u003eThe Benz Micro Ruby ZH is a handcrafted Swiss moving-coil cartridge with a boosted output voltage of 0.7 mV, a zebrano wood body and an iron-free ruby square-rod generator.\u003c\/p\u003e\n\u003cp\u003eTechnically the ZH is the twin of the Ruby Z – same body, same ruby square plate, same Micro-Ridge diamond. The difference lies in the winding: more turns, double the output voltage. That makes the ZH suited to phono stages in the 50 to 60 dB gain range, typically tube phono stages.\u003c\/p\u003e\n\u003ch2\u003eWhy the Ruby ZH?\u003c\/h2\u003e\n\u003cp\u003eBecause in practice the level question decides the sound more often than any sound description. If your phono stage lacks the headroom for a low-output MC, you get noise instead of resolution – and no ruby plate in the world will un-hear that. The ZH solves it at the source: 0.7 mV gives your stage enough to work with without overdriving it. The rest is the same mechanism as the Z – zebrano damps, the iron-free core keeps overtones clean, the boron cantilever transmits every impulse without detour.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA high-output MC for phono stages with 50 to 60 dB gain, with its own individual measurement protocol from the factory. Zebrano body, ruby generator, Micro-Ridge profile at 5 × 120 µm, load from 400 Ω. At 10.2 g and 15 µm\/mN compliance, the ZH is a case for medium-heavy tonearms. Mounting, alignment and matching to your chain, we handle completely on request.\u003c\/p\u003e\n\u003ch3\u003eWho is the Ruby ZH suited for?\u003c\/h3\u003e\n\u003cp\u003eHonestly: the ZH is the right choice if your phono stage is a tube stage or a moderately amplifying MC stage and you don't want to add a step-up transformer. One important point to note: with Benz, \"High Output\" means 0.7 mV – noticeably quieter than an MM cartridge's usual 4 to 5 mV. On an ordinary MM input with around 40 dB you'll therefore be short on level. If, on the other hand, you have a high-gain MC stage above 60 dB, you'll get the last bit of resolution out of the quieter Ruby Z.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe ZH isn't a compromise, it's an adaptation to the reality of many systems. If you own a good tube phono stage and want to keep it, this gets you the full Ruby mechanism without rebuilding the electronics. There's one condition: the input must be low-noise. If it is, the ZH plays with the same composure as its quieter sibling – and you save yourself the step-up transformer.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), High Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby square-rod (ruby plate as coil former)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.7 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended phono gain:\u003c\/strong\u003e 50 – 60 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e zebrano wood\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.2 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhich phono stage suits the Ruby ZH?\u003c\/h3\u003e\n\u003cp\u003eA phono stage with 50 to 60 dB of gain, according to Benz Micro – typically tube phono stages and MC stages with moderate gain. The load should be above 400 Ω. Tell us your device and we'll tell you whether level and load match up.\u003c\/p\u003e\n\u003ch3\u003eCan I connect the Ruby ZH to a normal MM input?\u003c\/h3\u003e\n\u003cp\u003eGenerally not optimally. A standard MM input delivers around 40 dB and is designed for 4 to 5 mV – the ZH's 0.7 mV stays noticeably too quiet there. You need a stage with 50 to 60 dB gain or a switchable phono preamp with an MC setting.\u003c\/p\u003e\n\u003ch3\u003eWhat's the difference between Ruby Z and Ruby ZH?\u003c\/h3\u003e\n\u003cp\u003eOnly the output voltage, and therefore the matching phono stage. Body, ruby generator, Micro-Ridge diamond, weight and compliance are identical. The Z delivers 0.35 mV and wants over 60 dB of gain, the ZH delivers 0.7 mV and feels at home between 50 and 60 dB.\u003c\/p\u003e\n\u003ch3\u003eHow long does the Ruby ZH take to break in?\u003c\/h3\u003e\n\u003cp\u003eAbout 40 hours of operation. By then the suspension loosens up, the bass gets deeper, and the treble loses the last trace of hardness. You don't need to do anything special for this – just play records and don't judge the cartridge after the first side.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Ruby ZH at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause with the ZH, level matching decides whether the cartridge shows its potential. We at HD Zürisee in Wädenswil check your phono stage, mount and align the cartridge, and match load and gain. Get in touch at 044 680 22 00, via WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls), or at shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right amplification is under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono preamplifiers\u003c\/a\u003e, the turntable to go with it under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e. More cartridges are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e overview, care and alignment tools under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490921808,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-ruby-zh-mc-tonabnehmer-schraegansicht.jpg?v=1785439179"},{"product_id":"clearaudioartistv2","title":"Clearaudio Artist V2 Moving Magnet Cartridge","description":"\u003cp\u003eThe Clearaudio Artist V2 is an upper-mid-range moving magnet (MM) cartridge in a hand-polished ebony body, with an elliptical diamond on an aluminium cantilever.\u003c\/p\u003e\n\u003cp\u003eIn the V2 MM line, the Artist sits above the Concept and Performer and below the Virtuoso, Maestro and Charisma. It shares its cantilever and stylus profile with the smaller models – the difference here is the tighter selection and pairing of components.\u003c\/p\u003e\n\u003ch2\u003eWhy the Artist V2?\u003c\/h2\u003e\n\u003cp\u003eClearaudio measures, analyses and selects its V2 cartridges by hand. For the Artist V2 that means over 28 dB channel separation and channel balance under 0.6 dB – each one step tighter than the Performer V2. On top of that comes around 3.8 mV output voltage, which delivers plenty of level into any MM phono stage with a 47 kΩ load.\u003c\/p\u003e\n\u003ch2\u003eWhat you'll hear\u003c\/h2\u003e\n\u003cp\u003eA mature, finely resolved presentation with natural warmth. The Artist V2 layers the soundstage neatly, keeps the treble silky and gives voices substance. The more precise imaging compared to the smaller models is most noticeable with densely arranged music.\u003c\/p\u003e\n\u003ch3\u003eWho is the Artist V2 for?\u003c\/h3\u003e\n\u003cp\u003eFor vinyl listeners who want to move into the upper MM world without an MC phono stage. Plain talk: if you're after the best in the elliptical class, the Virtuoso V2 with 4.0 mV, 90 µm tracking ability and 30 dB channel separation is the more consistent choice. And if you really want finer resolution, there's no way around a boron cantilever – that only starts with the Maestro and Charisma. The Artist V2 is the balanced middle ground, and that's rarely the worst place to be.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Artist V2 is the point where the V2 MM line grows up: same stylus as below, noticeably cleaner measurements, the same lack of fuss. Which level suits your arm and phono stage is something we're happy to work out with you at HD Zürisee on Lake Zurich.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: moving magnet (MM), high output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: approx. 3.8 mV (1 kHz \/ 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eStylus profile: elliptical\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium\u003c\/li\u003e\n\u003cli\u003eBody: ebony, hand-polished\u003c\/li\u003e\n\u003cli\u003eFrequency response: 24 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 28 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eChannel balance: \u0026lt; 0.6 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eTracking ability: 80 µm\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.2 g, range 2.0–2.5 g\u003c\/li\u003e\n\u003cli\u003eCoil impedance: 0.67 kΩ (1 kHz)\u003c\/li\u003e\n\u003cli\u003eCoil inductance: 0.40 H\u003c\/li\u003e\n\u003cli\u003eLoad: 47 kΩ \/ 100 pF\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 8.4 g\u003c\/li\u003e\n\u003cli\u003eMount: ½ inch standard\u003c\/li\u003e\n\u003cli\u003eStylus replacement: factory only, cartridge must be sent in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhere does the Artist V2 sit in the Clearaudio MM line?\u003c\/h3\u003e\n\u003cp\u003eAbove the Concept and Performer, below the Virtuoso, Maestro and Charisma. It uses the range's low-resonance ebony body with an elliptical diamond on an aluminium cantilever. The step up from the Performer V2 lies in the tighter selection: more channel separation, smaller channel deviation.\u003c\/p\u003e\n\u003ch3\u003eCan I replace the stylus on the Artist V2 myself?\u003c\/h3\u003e\n\u003cp\u003eNo. The stylus on Clearaudio's V2 cartridges can't be swapped by the customer. The cartridge is sent in, fitted with a new stylus assembly at the factory, and sent back. A re-alignment in the tonearm is then essential – we're happy to take care of that part for you.\u003c\/p\u003e\n\u003ch3\u003eIs the Artist V2 an MM or an MC?\u003c\/h3\u003e\n\u003cp\u003eA moving magnet cartridge with around 3.8 mV output voltage. It runs on any MM phono stage with a 47 kΩ load and needs neither an MC input nor a step-up transformer – that's the convenience advantage over moving coil cartridges.\u003c\/p\u003e\n\u003ch3\u003eDo I need a special tonearm for the Artist V2?\u003c\/h3\u003e\n\u003cp\u003eNo. At around 8.4 g and with medium stylus compliance, the Artist V2 suits the vast majority of tonearms with medium effective mass. Tell us your turntable and arm and we'll check the combination in advance.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Artist V2 from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause we don't just sell cartridges – we mount, align and tune them to your system. We'll tell you honestly when the step up to the next level is worth the extra cost and when it isn't – and as an authorised Clearaudio dealer, the warranty is handled properly.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right electronics and foundation among our \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e. Care and alignment tools are under \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eturntable accessories\u003c\/a\u003e, and more cartridges to compare are under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989498261840,"sku":null,"price":650.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-artist-v2-moving-magnet-tonabnehmer-schraegansicht.jpg?v=1785846749"},{"product_id":"clearaudiocharismav2","title":"Clearaudio Charisma V2 Moving Magnet Cartridge","description":"\u003cp\u003eThe Clearaudio Charisma V2 is a moving magnet (MM) cartridge and the flagship of Clearaudio's MM range – with a diamond-coated boron cantilever, double-polished Gyger S stylus profile, and a hand-polished ebony body with a nickel-silver inlay.\u003c\/p\u003e\n\u003cp\u003eClearaudio itself calls it the new pinnacle of its moving magnet cartridges, above the Concept V2, Performer V2, Artist V2, Virtuoso V2 and Maestro V2. In short: an MM that's picked up manners from the very top.\u003c\/p\u003e\n\u003ch2\u003eWhy the Charisma V2?\u003c\/h2\u003e\n\u003cp\u003eThe deciding axis of this range is the cantilever and the stylus profile – and the Charisma V2 sits at the top end of both. While the elliptical models up to the Virtuoso V2 use aluminium and the Maestro V2 combines boron with a Micro HD stylus, the Charisma gets the diamond-coated boron cantilever with the fine, double-polished Gyger S profile. Add to that the nickel-silver inlay in the ebony body, which provides defined mass and calm tracking. At around 3.6 mV output voltage, it nonetheless remains an uncomplicated high-output system.\u003c\/p\u003e\n\u003ch2\u003eWhat you'll hear\u003c\/h2\u003e\n\u003cp\u003eA warm, colourful midrange with stable imaging, plus open treble without harshness and a bass that has contour rather than just punch. 90 µm tracking ability and 0.2 dB channel matching translate into a soundstage that doesn't collapse even on densely pressed passages. The kind of cartridge that has you putting on one more record in the evening than you'd actually planned.\u003c\/p\u003e\n\u003ch3\u003eWho is the Charisma V2 for?\u003c\/h3\u003e\n\u003cp\u003eIdeal if you have a good MM input and want the maximum out of the moving magnet world without investing in MC technology and a matching preamp. Plain talk: the Gyger S profile is a line-contact profile and demands careful alignment of VTA, azimuth and tracking force – if you never want to touch your setup again, you'll be happier with the elliptical Virtuoso V2. And if you already run a high-quality MC with its own MC stage, this isn't an upgrade you're buying, but a different character: warmer, more forgiving.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe flagship of the MM range – a moving magnet that borrows its cantilever and stylus profile from Clearaudio's upper moving coil class, pleasantly blurring the line between MM convenience and MC resolution. If you want to take the comfortable route and still end up right at the top, this is your destination.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat the trade press says:\u003c\/em\u003e “This cartridge genuinely sets the absolute benchmark for musicality to date.” – Georg-Cölestin Jatta, FIDELITY, 2018\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: moving magnet (MM), high output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: approx. 3.6 mV (1 kHz \/ 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eStylus profile: Gyger S, double-polished (line contact)\u003c\/li\u003e\n\u003cli\u003eCantilever: boron, diamond-coated\u003c\/li\u003e\n\u003cli\u003eBody: ebony, hand-polished, with nickel-silver inlay\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eChannel separation: 30 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eChannel matching: 0.2 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eTracking ability: 90 µm\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.4 g (± 0.3 g)\u003c\/li\u003e\n\u003cli\u003eStylus compliance: 17 µm\/mN\u003c\/li\u003e\n\u003cli\u003eCoil impedance: 0.66 kΩ (1 kHz)\u003c\/li\u003e\n\u003cli\u003eCoil inductance: 400 mH\u003c\/li\u003e\n\u003cli\u003eLoad: 47 kΩ \/ 100 pF\u003c\/li\u003e\n\u003cli\u003eWeight: 9.0 g (± 1 g)\u003c\/li\u003e\n\u003cli\u003eMount: ½ inch standard\u003c\/li\u003e\n\u003cli\u003eStylus replacement: factory only, cartridge must be sent in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eDo I need an MC phono stage for the Charisma V2?\u003c\/h3\u003e\n\u003cp\u003eNo. The Charisma V2 is a moving magnet with around 3.6 mV output voltage and runs on any normal MM phono input with a 47 kΩ \/ 100 pF load. An MC stage or a step-up transformer aren't needed – that saves money and a potential source of error.\u003c\/p\u003e\n\u003ch3\u003eCan I replace the stylus on the Charisma V2 myself?\u003c\/h3\u003e\n\u003cp\u003eNo. On Clearaudio's MM cartridges in this range, the stylus can't be swapped by the customer. The cartridge is sent in, the stylus assembly is renewed at the factory, and the cartridge is sent back. A re-alignment is then essential – all the more so with the Gyger S profile. We handle that for you properly.\u003c\/p\u003e\n\u003ch3\u003eWhat's the difference between the Charisma V2 and the Maestro V2?\u003c\/h3\u003e\n\u003cp\u003eMainly the cantilever and stylus profile. The Maestro V2 uses boron with a Micro HD stylus, the Charisma V2 a diamond-coated boron cantilever with a double-polished Gyger S profile. On top of that, the Charisma has the nickel-silver inlay in the ebony body and a higher cartridge weight of around 9 grams.\u003c\/p\u003e\n\u003ch3\u003eWhat tracking force should I set?\u003c\/h3\u003e\n\u003cp\u003eClearaudio recommends 2.4 g with ± 0.3 g of leeway. We precisely set tracking force, azimuth and VTA during mounting – so the boron cantilever works cleanly and the stylus lasts. A tonearm scale really is basic equipment here.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Charisma V2 from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge only sounds as good as its mounting. Our technician Mauri aligns the system properly for you here in Wädenswil, and we tell you honestly whether the Charisma suits your arm, your phono stage and your taste – from experience, not from the data sheet.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right foundation and electronics among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. Scales, templates and record care are under \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eturntable accessories\u003c\/a\u003e, everything else under \u003ca href=\"\/en-ch\/collections\/zubehor\"\u003eAll accessories\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989498425680,"sku":null,"price":1900.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-charisma-v2-moving-magnet-tonabnehmer-schraegansicht.jpg?v=1785846749"},{"product_id":"clearaudioconceptmcbl","title":"Clearaudio Concept MC Moving Coil Cartridge, Black","description":"\u003cp\u003eThe Clearaudio Concept MC is a moving coil cartridge that marks the entry point into Clearaudio's MC range – here in the black housing.\u003c\/p\u003e\n\u003cp\u003eA moving coil generates its voltage through moving coils rather than a moving magnet. That usually brings finer resolution, but calls for an MC-capable phono stage. At 0.4 mV, the Concept MC puts out considerably more level than many of its peers – so your phono stage doesn't need to go into overdrive.\u003c\/p\u003e\n\u003ch2\u003eWhy the Concept MC?\u003c\/h2\u003e\n\u003cp\u003eMicro-line diamond on a boron cantilever: two components you rarely find together at this level. The line-contact profile reads the groove more finely than a spherical one, and the stiff boron cantilever passes the motion on to the coils with little loss. Add to that a body made of aluminium-magnesium alloy with a ceramic coating, which keeps resonance away from the generator.\u003c\/p\u003e\n\u003ch2\u003eWhat you'll hear\u003c\/h2\u003e\n\u003cp\u003eMore light and air than the MM cartridges in the Concept family: finer treble detail, more stable imaging, a tidier space between instruments. The Concept MC still stays musical rather than over-analytical though – an honest first moving coil, not a keener that throws every poorly pressed record in your face.\u003c\/p\u003e\n\u003ch3\u003eWho is the Concept MC for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone moving from MM to moving coil who has an MC-capable phono stage, or is planning one in. Plain talk: nothing works here without an MC input – with only an MM input you're better off with a Concept MM, or upgrading the phono stage first. And if you like changing the stylus yourself, you should know: on an MC that's not possible in principle, more on that below.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe gateway into Clearaudio's moving coil world, with a spec sheet that's rare at this level. Whether your phono stage plays along is something we can clarify at HD Zürisee in Wädenswil in a two-minute phone call – better beforehand than after.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eType:\u003c\/strong\u003e moving coil (MC)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.4 mV (5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 28 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro Line\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCantilever:\u003c\/strong\u003e boron\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTracking ability:\u003c\/strong\u003e 80 µm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.2 g (± 0.2 g)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 11 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 9 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCoil material:\u003c\/strong\u003e copper\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBody:\u003c\/strong\u003e aluminium-magnesium alloy with ceramic coating, black\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 8.0 g\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMount:\u003c\/strong\u003e ½ inch standard\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWarranty:\u003c\/strong\u003e 2 years (if registered within 14 days)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eDoes the Concept MC need an MC phono stage?\u003c\/h3\u003e\n\u003cp\u003eYes. With 0.4 mV output voltage and 11 Ω internal impedance, it belongs on an MC input – a plain MM input is too insensitive. The good news: 0.4 mV is a lot of level for a moving coil, so a solid MC stage is enough, no special device with maximum gain required.\u003c\/p\u003e\n\u003ch3\u003eCan I change the stylus on the Concept MC myself?\u003c\/h3\u003e\n\u003cp\u003eNo. On a moving coil cartridge, the cantilever is fixed to the generator, so there's no plug-in replacement stylus like on MM cartridges, as a matter of principle. Once the diamond wears out after some years, that's handled through an exchange cartridge or retipping – you hand in the old cartridge, we arrange the replacement.\u003c\/p\u003e\n\u003ch3\u003eHow long does the diamond last?\u003c\/h3\u003e\n\u003cp\u003eClearaudio states up to 8000 hours for its diamonds, with careful handling and correct alignment. If you listen to records for an hour a day, that's many years' use. Cleaning the stylus regularly from back to front and playing clean records extends its life noticeably.\u003c\/p\u003e\n\u003ch3\u003eWhat's the difference between the black and silver versions?\u003c\/h3\u003e\n\u003cp\u003eOnly the finish. Black and silver are technically and sonically identical: same generator, same stylus, same measurements. You choose based on taste and what visually suits your turntable and tonearm – you're not giving anything up sonically.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Concept MC from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause mounting and aligning an MC is a craft, and we'll tell you honestly whether your phono stage is up to it. As an authorised Clearaudio dealer, we handle the warranty properly. Call us on +41 44 680 22 00, message us on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls) or write to shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right electronics among our \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e, and the right foundation among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e. To compare, take a look at all our \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989498491216,"sku":null,"price":950.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-concept-mc-moving-coil-tonabnehmer-schwarz-schraegansicht.jpg?v=1785846750"},{"product_id":"clearaudioconceptmcsi","title":"Clearaudio Concept MC Moving Coil Cartridge, Silver","description":"\u003cp\u003eThe Clearaudio Concept MC is a moving coil cartridge and the most affordable entry into Clearaudio's MC range – here in silver finish.\u003c\/p\u003e\n\u003cp\u003eWhile an MM cartridge moves a magnet, a moving coil moves the coils themselves. That's usually noticeable as finer detail, but it requires an MC-capable phono input. At 0.4 mV, the Concept MC delivers a decent level for that – unusually forgiving for a moving coil.\u003c\/p\u003e\n\u003ch2\u003eWhy the Concept MC?\u003c\/h2\u003e\n\u003cp\u003eThe ingredient list reads a class too high: micro-line diamond, boron cantilever, a body made of aluminium-magnesium alloy with a ceramic coating. The line-contact profile digs deeper into the groove than a spherical one and pulls out details an entry-level cartridge would otherwise leave behind. The housing keeps resonance away from the generator.\u003c\/p\u003e\n\u003ch2\u003eWhat you'll hear\u003c\/h2\u003e\n\u003cp\u003eNoticeably more resolution and space than the MM models: finer treble, precise imaging, a quiet background. Yet the Concept MC never sounds cool or clinical. It shows you the music, not the measurement lab.\u003c\/p\u003e\n\u003ch3\u003eWho is the Concept MC for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone moving from MM to MC whose phono stage has an MC input, or is getting one. Plain talk: on a plain MM input it plays far too quietly – then it's worth upgrading the phono stage first. If you already have a good MC on your arm, the Concept MC won't be a big step up; it's the start of the journey, not the destination.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eA lot of genuine MC technology at an entry-level price, pleasantly understated in its silver housing. Which phono stage does it justice is something we'll tell you at HD Zürisee on Lake Zurich without beating around the bush – even when the answer is “yours is already enough”.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eType:\u003c\/strong\u003e moving coil (MC)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.4 mV (5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 28 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro Line\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCantilever:\u003c\/strong\u003e boron\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTracking ability:\u003c\/strong\u003e 80 µm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.2 g (± 0.2 g)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 11 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 9 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCoil material:\u003c\/strong\u003e copper\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBody:\u003c\/strong\u003e aluminium-magnesium alloy with ceramic coating, silver\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 8.0 g\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMount:\u003c\/strong\u003e ½ inch standard\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWarranty:\u003c\/strong\u003e 2 years (if registered within 14 days)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eDoes the Concept MC fit any phono input?\u003c\/h3\u003e\n\u003cp\u003eNo, it needs an MC input. At 0.4 mV and 11 Ω internal impedance, it's too quiet for an MM input. The output that's high for a moving coil makes it unfussy though: a good MC stage in the mid gain range is entirely sufficient.\u003c\/p\u003e\n\u003ch3\u003eCan the stylus on the Concept MC be replaced?\u003c\/h3\u003e\n\u003cp\u003eNo. Unlike MM cartridges, a moving coil's cantilever is permanently attached to the generator – there's no removable replacement stylus. Once the diamond is worn out, an exchange cartridge or a retipping service is the way forward. We handle that for you rather than leaving you to deal with it alone.\u003c\/p\u003e\n\u003ch3\u003eHow long does a diamond like this last?\u003c\/h3\u003e\n\u003cp\u003eClearaudio states up to 8000 hours, provided alignment and care are right. At an hour of music a day, that's many years. Clean records, correct tracking force and a stylus brush always guided from back to front matter most.\u003c\/p\u003e\n\u003ch3\u003eDoes the silver version sound different from the black one?\u003c\/h3\u003e\n\u003cp\u003eNo. Silver and black share the generator, stylus and all measurements – only the housing finish differs. The choice is purely a matter of taste and usually follows the turntable and tonearm.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Concept MC from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause we mount, align and tune an MC properly to your arm – and because we check beforehand whether your phono stage is sufficient. As an authorised Clearaudio dealer, the warranty is handled correctly too. Reach us on +41 44 680 22 00, WhatsApp \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls) or shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right amplification under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e, turntables and arms among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e. Cleaning and alignment aids are under \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eturntable accessories\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989498523984,"sku":null,"price":950.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-concept-mc-moving-coil-tonabnehmer-silber-schraegansicht.jpg?v=1785846748"},{"product_id":"clearaudioconceptmcsignaturebl","title":"Clearaudio Concept MC Signature Moving Coil Cartridge, Black","description":"\u003cp\u003eThe Clearaudio Concept MC Signature is a moving coil cartridge and the more closely selected upgrade of the Concept MC – here in the black body of aluminium-magnesium alloy with a ceramic coating.\u003c\/p\u003e\n\u003cp\u003eTechnically it shares its generator, boron cantilever, micro-line diamond and 0.4 mV output voltage with the Concept MC. The difference lies in the selection: Clearaudio states better channel separation and a noticeably tighter channel balance for the Signature. Sounds like a minor detail, but it's exactly what makes for a stable centre.\u003c\/p\u003e\n\u003ch2\u003eWhy the Concept MC Signature?\u003c\/h2\u003e\n\u003cp\u003eThe aluminium-magnesium body with its ceramic layer damps excellently and keeps resonance away from the generator. The boron cantilever is significantly stiffer than aluminium and transfers the finest groove information to the coils with little loss. And a channel balance under 0.3 dB is otherwise something you'd need a magnifying glass to find at this price point.\u003c\/p\u003e\n\u003ch2\u003eWhat you'll hear\u003c\/h2\u003e\n\u003cp\u003eFast, clean, with a surprisingly fluid midrange and fine resolution. The Concept MC Signature separates voices and instruments clearly without sounding analytical, and holds its ground confidently even when the groove tightens towards the end of a record.\u003c\/p\u003e\n\u003ch3\u003eWho is the Concept MC Signature for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone who doesn't want to buy the MC entry point twice, and who owns an MC-capable phono stage with around 60–66 dB of gain. Plain talk: on a plain MM input it plays too quietly, and if you can't decide between the Concept MC and the Signature – the extra cost buys selection, not a different design. Tell us what's in your rack and we'll sort that out beforehand.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Concept MC, thought through to the end: more closely selected, quieter, more finely drawn. At HD Zürisee in Wädenswil we mount and align it so that this selection actually reaches you.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eType:\u003c\/strong\u003e moving coil (MC)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.4 mV (5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 30 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.3 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro Line\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCantilever:\u003c\/strong\u003e boron\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTracking ability:\u003c\/strong\u003e 80 µm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.2 g (± 0.2 g)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 11 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 9 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCoil material:\u003c\/strong\u003e copper\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBody:\u003c\/strong\u003e aluminium-magnesium alloy with ceramic coating, black\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 8.0 g\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMount:\u003c\/strong\u003e ½ inch standard\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWarranty:\u003c\/strong\u003e 2 years (if registered within 14 days)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhat's the difference between the Concept MC Signature and the Concept MC?\u003c\/h3\u003e\n\u003cp\u003eThe selection. The generator, boron cantilever, micro-line diamond and 0.4 mV are identical. But Clearaudio states channel separation of more than 30 dB and channel balance under 0.3 dB for the Signature – for the Concept MC it's more than 28 dB and under 0.5 dB.\u003c\/p\u003e\n\u003ch3\u003eWhich phono stage do I need?\u003c\/h3\u003e\n\u003cp\u003eAn MC-capable phono stage with around 60 to 66 dB of gain. The internal impedance is 11 Ω, and the cartridge is uncritical about the loading resistance. Clearaudio's own stages such as the Nano Phono V2 or Smart Phono V2 suit it well, as do many other MC inputs.\u003c\/p\u003e\n\u003ch3\u003eCan the stylus on the Concept MC Signature be replaced?\u003c\/h3\u003e\n\u003cp\u003eNo. On moving coil cartridges, the cantilever is permanently attached to the generator; there's no plug-in replacement stylus like on MM cartridges, as a matter of principle. Once the diamond's service life ends, an exchange cartridge or a retipping service helps – get in touch and we'll organise it.\u003c\/p\u003e\n\u003ch3\u003eBlack or silver – are there sonic differences?\u003c\/h3\u003e\n\u003cp\u003eNo, the colour is purely cosmetic. Both versions are built technically identically and selected the same way. Choose the finish that suits your turntable – this model is the black version.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Concept MC Signature from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause we don't just sell you the cartridge – we make it sing: a matching phono stage, clean alignment by our technician, and honest advice in Wädenswil. Call us on +41 44 680 22 00, message us on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls) or write to shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right foundation and electronics among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. More cartridges to compare are under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989498556752,"sku":null,"price":1400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-concept-mc-signature-moving-coil-tonabnehmer-schwarz-schraegansicht.jpg?v=1785846749"},{"product_id":"clearaudioconceptmcsignaturesi","title":"Clearaudio Concept MC Signature Moving Coil Cartridge, Silver","description":"\u003cp\u003eThe Clearaudio Concept MC Signature is a moving coil cartridge and the more closely selected upgrade of the Concept MC – here in the silver body of aluminium-magnesium alloy with a ceramic coating.\u003c\/p\u003e\n\u003cp\u003eIt shares its generator, boron cantilever, micro-line diamond and 0.4 mV output voltage with the Concept MC. The difference lies in the selection: Clearaudio states higher channel separation and a tighter channel balance for the Signature. Two numbers you'd overlook on the data sheet and rediscover in your listening chair.\u003c\/p\u003e\n\u003ch2\u003eWhy the Concept MC Signature?\u003c\/h2\u003e\n\u003cp\u003eThe boron cantilever is stiffer than aluminium and passes the groove motion on to the coils without detours. The micro-line diamond sits in the groove with a narrow line contact and reads cleanly even at the end of the record. The damped aluminium-magnesium body with its ceramic layer ensures none of that gets blurred by resonance.\u003c\/p\u003e\n\u003ch2\u003eWhat you'll hear\u003c\/h2\u003e\n\u003cp\u003eCalm. The background turns black, voices stand firmly centred, instruments get clear outlines. The Concept MC Signature draws finely without becoming thin or clinical – it takes music seriously, but not itself.\u003c\/p\u003e\n\u003ch3\u003eWho is the Concept MC Signature for?\u003c\/h3\u003e\n\u003cp\u003eFor vinyl listeners with an MC-capable phono stage (around 60–66 dB) who want to get their entry into the moving coil world right from the start. Plain talk: a plain MM input isn't enough, and if you're already running a reference-class cartridge, you won't hear an improvement here. For everyone in between, it's exactly right.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eMore closely selected, quieter, more finely drawn – and in silver, the more understated of the two variants. Which phono stage does it justice is something we're happy to tell you in advance at HD Zürisee on Lake Zurich, so the selection doesn't fizzle out in a tangle of cables.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eType:\u003c\/strong\u003e moving coil (MC)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.4 mV (5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 30 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.3 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro Line\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCantilever:\u003c\/strong\u003e boron\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTracking ability:\u003c\/strong\u003e 80 µm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.2 g (± 0.2 g)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 11 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 9 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCoil material:\u003c\/strong\u003e copper\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBody:\u003c\/strong\u003e aluminium-magnesium alloy with ceramic coating, silver\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 8.0 g\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eMount:\u003c\/strong\u003e ½ inch standard\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWarranty:\u003c\/strong\u003e 2 years (if registered within 14 days)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eIs the extra cost over the Concept MC worth it?\u003c\/h3\u003e\n\u003cp\u003eThat depends on your chain. Both cartridges are technically identical in construction; the Signature is more closely selected and reaches over 30 dB channel separation and under 0.3 dB channel balance. On a good arm with clean alignment, you'll hear that as a more stable image.\u003c\/p\u003e\n\u003ch3\u003eWhich phono stage suits the Concept MC Signature?\u003c\/h3\u003e\n\u003cp\u003eAn MC-capable stage with around 60 to 66 dB of gain. The internal impedance is 11 Ω, and the loading resistance is uncritical. Clearaudio's Nano Phono V2 or Smart Phono V2 pair well, as do most other decent MC inputs.\u003c\/p\u003e\n\u003ch3\u003eIs there a replacement stylus for the Concept MC Signature?\u003c\/h3\u003e\n\u003cp\u003eNo. On a moving coil, the cantilever is permanently attached to the generator, which is why we don't offer replacement styli for MC cartridges the way we do for MM ones. Once the diamond is worn out, an exchange cartridge or a retipping service is the answer – get in touch and we'll take care of it.\u003c\/p\u003e\n\u003ch3\u003eSilver or black – are there sonic differences?\u003c\/h3\u003e\n\u003cp\u003eNo, the colour is purely cosmetic. Construction, selection and measurements are the same for both finishes. Choose the version that suits your turntable – this model is the silver version.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Concept MC Signature from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a selected cartridge only plays as well as its alignment – and we do that by hand in Wädenswil, including an honest assessment of your phono stage. Reach us on +41 44 680 22 00, via WhatsApp \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls) or shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right foundation and electronics among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. For care and alignment, \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eturntable accessories\u003c\/a\u003e will help.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989498589520,"sku":null,"price":1400.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-concept-mc-signature-moving-coil-tonabnehmer-silber-schraegansicht.png?v=1785846750"},{"product_id":"clearaudioconceptv2","title":"Clearaudio Concept V2 Moving Magnet Cartridge","description":"\u003cp\u003eThe Clearaudio Concept V2 is a moving magnet (MM) cartridge with an elliptical diamond on an aluminium cantilever, and the most affordable entry point into the V2 range.\u003c\/p\u003e\n\u003cp\u003eOriginally developed for the Concept turntable, it's the only V2 MM with an aluminium body instead of wood. That keeps it affordable – yet you can still hear the family resemblance: clean, rounded, no chasing after effects.\u003c\/p\u003e\n\u003ch2\u003eWhy the Concept V2?\u003c\/h2\u003e\n\u003cp\u003eAt around 3.3 mV output voltage it runs on any normal MM phono input. No MC stage, no step-up transformer, no loading guesswork – plug in, 47 kΩ, done. The elliptical diamond on an aluminium cantilever is uncomplicated to align and forgives a setup that isn't dialled in to the last tenth of a degree.\u003c\/p\u003e\n\u003ch2\u003eWhat you'll hear\u003c\/h2\u003e\n\u003cp\u003eA warm, mid-focused sound with pleasantly rounded bass and a treble that never turns harsh. 80 µm tracking ability and a good 20 dB channel separation are entry-level figures – the Concept V2 doesn't try to dazzle with a fireworks of detail, it just wants records to sound good.\u003c\/p\u003e\n\u003ch3\u003eWho is the Concept V2 for?\u003c\/h3\u003e\n\u003cp\u003eIdeal for vinyl beginners, Concept owners and anyone with a classic MM phono stage. Plain talk: the range is staged by cantilever, stylus profile and body material – if you want more calm and a tighter channel balance, you'll find it from the Performer V2 upward in its ebony body, and things only get truly fine with the boron cantilever in the Maestro and Charisma. The Concept V2 is the honest, enjoyable cartridge, not the microscope.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe most affordable way to a genuine Clearaudio – and for many beginners, the last cartridge they'll need for a long time. If you want more later, HD Zürisee in Wädenswil knows where the journey goes next.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: moving magnet (MM), high output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: approx. 3.3 mV (1 kHz \/ 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eStylus profile: elliptical\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium\u003c\/li\u003e\n\u003cli\u003eBody: aluminium\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 20 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eChannel balance: ≤ 2 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eTracking ability: 80 µm\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.2 g (± 0.3 g)\u003c\/li\u003e\n\u003cli\u003eCoil impedance: 0.66 kΩ (1 kHz)\u003c\/li\u003e\n\u003cli\u003eCoil inductance: 0.42 H\u003c\/li\u003e\n\u003cli\u003eLoad: 47 kΩ \/ 100 pF\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 8.4 g\u003c\/li\u003e\n\u003cli\u003eMount: ½ inch standard\u003c\/li\u003e\n\u003cli\u003eStylus replacement: factory only, cartridge must be sent in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eDoes the Concept V2 need an MC phono stage?\u003c\/h3\u003e\n\u003cp\u003eNo. The Concept V2 is a moving magnet cartridge with approx. 3.3 mV output voltage and runs on any normal MM phono input with a 47 kΩ load. A separate MC stage or a step-up transformer aren't needed.\u003c\/p\u003e\n\u003ch3\u003eCan I change the stylus on the Concept V2 myself?\u003c\/h3\u003e\n\u003cp\u003eNo. On Clearaudio's V2 cartridges, the stylus can't be swapped by the customer. If it's worn or damaged, the whole cartridge is sent in and the stylus assembly is renewed at the factory. A re-alignment in the tonearm is then essential – we're happy to handle that on request.\u003c\/p\u003e\n\u003ch3\u003eWhat's the correct tracking force?\u003c\/h3\u003e\n\u003cp\u003eClearaudio recommends 2.2 g with ± 0.3 g of leeway. It's best set with a tonearm scale and kept within the recommended range – that protects the stylus and the record, and sounds the most balanced. Tracking too light, by the way, is more harmful than a touch too heavy.\u003c\/p\u003e\n\u003ch3\u003eDoes the Concept V2 also fit other turntables?\u003c\/h3\u003e\n\u003cp\u003eYes. It has the usual ½-inch mount and so fits practically any tonearm with a standard headshell, not just the Concept. At around 8.4 grams, it also stays within the usual weight window for medium-mass arms.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Concept V2 from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause we live and breathe vinyl and know which cartridge suits which arm and budget. We mount and align on request, advise honestly on the sensible next step, and handle the warranty correctly as an authorised Clearaudio dealer.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right electronics and foundation among our \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e. Scale, brush and alignment templates are under \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eturntable accessories\u003c\/a\u003e, more cartridges to compare are under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989498622288,"sku":null,"price":250.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-concept-v2-moving-magnet-tonabnehmer-schraegansicht.jpg?v=1785846777"},{"product_id":"clearaudioconcertov2","title":"Clearaudio Concerto V2 Moving Coil Cartridge","description":"\u003cp\u003eThe Clearaudio Concerto V2 is a moving coil cartridge with a satiné wood body, and it's the entry point into Clearaudio's reference MC class – the same line that's also home to the Stradivari, da Vinci, Titanium and Goldfinger.\u003c\/p\u003e\n\u003cp\u003eFully symmetrical V2 motor, boron cantilever, Prime Line diamond and 24-karat gold coils: the Concerto V2 brings the technology of Clearaudio's flagship MCs into a still-affordable league. At 7 g weight and 15 µm\/mN stylus compliance, it also fits almost any decent tonearm.\u003c\/p\u003e\n\u003ch2\u003eWhy the Concerto V2?\u003c\/h2\u003e\n\u003cp\u003eThe satiné wood gives the sound a touch of warmth without blurring the virtues of Clearaudio's reference models: focus, resolution, speed, an open top end. The fully symmetrical construction – mechanical, magnetic and electrical – is Clearaudio's signature and delivers stable imaging. The 24-karat gold coils aren't here for decoration, but for their conductivity.\u003c\/p\u003e\n\u003ch2\u003eWhat you'll hear\u003c\/h2\u003e\n\u003cp\u003eA large, three-dimensional soundstage, precise transients and a midrange with real body. Voices feel tangible, acoustic instruments get room to breathe. The Concerto V2 sounds mature and never nervous – a cartridge that keeps you on the sofa longer than the evening actually had planned.\u003c\/p\u003e\n\u003ch3\u003eWho is the Concerto V2 for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone ready to move up from a good MM or entry-level MC to genuine reference-class technology. Plain talk: with 0.5 mV output and 50 Ω internal resistance, the Concerto V2 needs a proper MC phono stage – on a weak onboard phono input, you're just giving away its potential. And if you already have a Stradivari or higher in your arm, you're better off staying there.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eReference technology at a still sensible price: the Concerto V2 is the point in the V2 range where good vinyl becomes great vinyl. The trade press has followed it for years, and FIDELITY reviewed it again in 2024.\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eType:\u003c\/strong\u003e moving coil (MC)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.5 mV (5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel separation:\u003c\/strong\u003e 25–30 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eTracking ability:\u003c\/strong\u003e 80 µm\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStylus profile:\u003c\/strong\u003e clearaudio Prime Line\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCantilever:\u003c\/strong\u003e boron\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.8 g (± 0.2 g)\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCartridge impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eRecommended load:\u003c\/strong\u003e 300 Ω\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eCoil:\u003c\/strong\u003e 24-karat gold, fully symmetrical\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBody:\u003c\/strong\u003e satiné wood\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 7.0 g\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWarranty:\u003c\/strong\u003e 2 years (with registration within 14 days)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFAQ\u003c\/h2\u003e\n\u003ch3\u003eWhich phono stage suits the Concerto V2?\u003c\/h3\u003e\n\u003cp\u003eAn MC-capable stage with around 60 to 66 dB of gain. The internal resistance is 50 Ω, and a load of around 300 Ω is recommended, which can be set on many devices. We match the gain and load to your system.\u003c\/p\u003e\n\u003ch3\u003eWhat does the Concerto V2 offer over the Concept MC?\u003c\/h3\u003e\n\u003cp\u003eThe fully symmetrical V2 reference motor with 24-karat gold coils, Prime Line diamond and noticeably higher stylus compliance. In practice that means more resolution, a bigger soundstage and finer dynamics – the entry into Clearaudio's upper MC league.\u003c\/p\u003e\n\u003ch3\u003eCan the stylus be replaced on the Concerto V2?\u003c\/h3\u003e\n\u003cp\u003eNo. On moving coil systems the cantilever is fixed to the generator, so there's no plug-in replacement stylus like on MM systems. That's why we don't carry replacement styli for MC systems. If the diamond is worn, a replacement cartridge or a retipping service is the way forward – we organise that for you.\u003c\/p\u003e\n\u003ch3\u003eWill the Concerto V2 fit my tonearm?\u003c\/h3\u003e\n\u003cp\u003eIn most cases, yes. At 7.0 g weight and 15 µm\/mN stylus compliance, it gets along well with light to medium-mass tonearms. The tracking force is 2.8 g. Tell us your arm, and we'll quickly work out the resonance frequency.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Concerto V2 from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause high-end MC technology demands proper setup. Our technician Mauri precisely dials in tracking force, azimuth, VTA and antiskating in Wädenswil, and we give you honest advice on the right phono stage. Questions? +41 44 680 22 00, WhatsApp \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls) or shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find a matching foundation and electronics among the \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. Everything around the record itself is gathered under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eall things vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989498720592,"sku":null,"price":2900.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-concerto-v2-moving-coil-tonabnehmer-schraegansicht.jpg?v=1785846777"},{"product_id":"clearaudiodavinciv2","title":"Clearaudio da Vinci V2 Moving Coil Cartridge","description":"\u003cp\u003eThe Clearaudio da Vinci V2 is a moving coil cartridge with a ceramic-coated aluminium body, sitting one step above the Stradivari V2 in Clearaudio's reference MC range.\u003c\/p\u003e\n\u003cp\u003eAbout 30 micrometres of ceramic on the aluminium body damp resonances extremely effectively. Inside, a perfectly pivot-symmetrical motor works with coils made from 24-karat gold, paired with a boron cantilever and Micro-HD diamond stylus. Remarkably sophisticated technology packed into seven grams.\u003c\/p\u003e\n\u003ch2\u003eWhy the da Vinci V2?\u003c\/h2\u003e\n\u003cp\u003eThe ceramic-coated aluminium body combines low mass with high rigidity and excellent self-damping — the combination that cartridge designers struggle hardest to achieve. At around 7 g and with a dynamic range up to 90 dB, the da Vinci V2 brings modern materials research into a classic format.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eDynamics and fine detail in one: fast, colourful transients, precise imaging and a resolution that reveals the finest structures without sounding cold. The da Vinci V2 plays boldly and musically at the same time — not an analyst, but a musician with very sharp eyes.\u003c\/p\u003e\n\u003ch3\u003eWho is the da Vinci V2 for?\u003c\/h3\u003e\n\u003cp\u003eFor ambitious analogue listeners who run a first-class chain and want dynamics combined with fine resolution. To be blunt: the da Vinci V2 is no fix for a weak chain — it rewards a good tonearm and a high-quality MC phono stage, and only then does it pull ahead of the Stradivari. If you don't have both yet, it's better to put the money into the arm and phono stage first.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eDynamics meets fine detail: the da Vinci V2 is the point where the V2 range gets serious. On a well-matched chain, a companion for many years — and many records.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the trade press says:\u003c\/strong\u003e \"A mature, finely tuned top-tier cartridge that, however, allows no compromise when it comes to tonearm, turntable and phono stage.\" — stereoplay 12\/2016, 88 out of 100 points.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Moving Coil (MC)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.6 mV (at 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 100 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range:\u003c\/strong\u003e up to 90 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 30 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e Boron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus tip:\u003c\/strong\u003e Micro-HD diamond\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil:\u003c\/strong\u003e 24-karat gold, perfectly pivot-symmetrical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load resistance:\u003c\/strong\u003e 300 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.8 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e Aluminium with approx. 30 µm ceramic coating\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 7 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat defines the body of the da Vinci V2?\u003c\/h3\u003e\n\u003cp\u003eAluminium with a roughly 30 µm thick, extremely hard ceramic coating. This combination damps resonances very effectively and delivers a quiet, clean run — the foundation for the high resolution.\u003c\/p\u003e\n\u003ch3\u003eWhich phono stage and which arm suit it?\u003c\/h3\u003e\n\u003cp\u003eA high-quality MC stage with around 60–66 dB of gain and a load of around 300 Ω at 50 Ω system impedance, plus a precise tonearm of medium effective mass. We check the resonance point and match the stage to your chain.\u003c\/p\u003e\n\u003ch3\u003eCan you replace the stylus on the da Vinci V2 yourself?\u003c\/h3\u003e\n\u003cp\u003eNo. On an MC system, the stylus is permanently connected to the generator by design and cannot be replaced. Instead, Clearaudio exchanges worn or defective systems on trade-in terms, as an upgrade too if you like. This runs through your dealer — we handle it for you.\u003c\/p\u003e\n\u003ch3\u003eIs the extra cost over the Stradivari V2 worth it?\u003c\/h3\u003e\n\u003cp\u003eOn a truly good chain, yes: more dynamics, more fine detail, more coherence. On an average system, the difference is smaller — so we'll give you an honest assessment beforehand of whether the step makes sense for you.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the da Vinci V2 from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a system in this class stands or falls with clean set-up. Mauri sets up your da Vinci precisely in Wädenswil, and we make sure your arm, phono stage and turntable all match. Questions? +41 44 680 22 00, WhatsApp \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls) or shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right foundation and electronics among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. More cartridges for comparison are available under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989498753360,"sku":null,"price":5900.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-da-vinci-v2-moving-coil-tonabnehmer-schraegansicht.jpg?v=1785846777"},{"product_id":"clearaudiodiamondjubileemc","title":"Clearaudio Diamond Jubilee MC Moving Coil System","description":"\u003cp\u003eThe Clearaudio Diamond Jubilee MC is a moving coil cartridge with a zirconium oxide body and the brand's absolute flagship — a special edition limited to 45 units worldwide to mark the company's 45th anniversary.\u003c\/p\u003e\n\u003cp\u003eZirconium oxide is one of the hardest and most stable materials in the industry; Clearaudio manufactures the body to a tolerance of 0.001 mm. This damps unwanted resonances to a minimum. Technologies from the Goldfinger Statement V2.1 feature here in refined form — from the ultra-thin 24-karat gold wire to the integrated RF shielding.\u003c\/p\u003e\n\u003ch2\u003eWhy the Diamond Jubilee MC?\u003c\/h2\u003e\n\u003cp\u003eBecause everything Clearaudio has learned in 45 years of analogue technology comes together here. The newly angled boron cantilever improves tracking accuracy, the Prime Line PLUS diamond reads even the finest groove structures, and the optimised coil and magnet system delivers excellent channel separation. A channel balance under 0.15 dB and separation above 35 dB speak for themselves.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eWhen the chain allows it: imaging of surgical precision combined with vast spatial scale. Clarity, dynamics and richness of detail at a level that retells every familiar recording anew — calm, colourful and completely free of harshness.\u003c\/p\u003e\n\u003ch3\u003eWho is the Diamond Jubilee MC for?\u003c\/h3\u003e\n\u003cp\u003eFor collectors and uncompromising analogue listeners with a chain at the very highest level. To be blunt: the Diamond Jubilee MC is a statement, not an everyday tool — on a mid-range arm or an average phono stage it simply won't show its worth. And it's strictly limited: once the edition sells out, it's gone.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003e45 years of analogue experience, distilled into 45 units. There's no more Clearaudio than this — and there never was.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Moving Coil (MC)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdition:\u003c\/strong\u003e limited to 45 units worldwide (45th anniversary)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.6–0.65 mV (at 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 35 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.15 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking ability:\u003c\/strong\u003e ≤ 100 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e Boron (newly angled)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus tip:\u003c\/strong\u003e clearaudio Prime Line PLUS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil:\u003c\/strong\u003e ultra-thin 24-karat gold wire, perfectly pivot-symmetrical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpecial feature:\u003c\/strong\u003e integrated RF shielding (inherited from the Goldfinger Statement)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 18 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.8 g (± 0.2 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e Zirconium oxide (manufacturing tolerance 0.001 mm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 9.25 g (± 2 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e cartridge in glass pyramid case, instruction manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat makes the zirconium oxide body so special?\u003c\/h3\u003e\n\u003cp\u003eZirconium oxide is extremely hard and resonance-stable. Combined with the 0.001 mm manufacturing tolerance, the body keeps unwanted resonances out — the foundation for this system's extraordinary calm and precision.\u003c\/p\u003e\n\u003ch3\u003eHow many units exist?\u003c\/h3\u003e\n\u003cp\u003eThe Diamond Jubilee MC is limited to 45 units worldwide, marking Clearaudio's 45th anniversary. It's supplied in a glass pyramid case. If you're interested, we'll check current availability with the importer right away.\u003c\/p\u003e\n\u003ch3\u003eCan the stylus on the Diamond Jubilee MC be replaced?\u003c\/h3\u003e\n\u003cp\u003eNo. On moving coil systems, the diamond is permanently connected to the generator, so a stylus swap is impossible by design. Instead, Clearaudio exchanges MC systems on trade-in terms. For a limited edition, we clarify the terms with the manufacturer beforehand — so you know exactly where you stand.\u003c\/p\u003e\n\u003ch3\u003eWhat chain does the Diamond Jubilee MC need?\u003c\/h3\u003e\n\u003cp\u003eA top-class turntable and tonearm, plus an uncompromising MC phono stage with a low-noise input. With a system in this class, the whole chain has a say in the result — we advise you specifically on the right combination.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Diamond Jubilee MC from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge in this class demands expertise and experience. Mauri sets up your Diamond Jubilee in Wädenswil with the precision it needs, and we support the build of the entire chain. Contact: +41 44 680 22 00 or shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right foundation among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e, and the amplification among our \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. More reference cartridges are available under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e, and the full analogue range under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989498786128,"sku":null,"price":25000.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-diamond-jubilee-mc-moving-coil-system-schraegansicht.jpg?v=1788527895"},{"product_id":"clearaudiogoldfingerstatement","title":"Clearaudio Goldfinger Statement V2.1 MC Cartridge","description":"\u003cp\u003eThe Clearaudio Goldfinger Statement V2.1 is a moving coil cartridge and the brand's flagship — with a body made of solid 14-karat gold and half a carat of diamond on the front.\u003c\/p\u003e\n\u003cp\u003eAccording to the manufacturer, the Goldfinger Statement was the first cartridge with integrated shielding against high-frequency interference. Eight selected magnets form a homogeneous field, and the dual coils are wound from ultra-pure 24-karat gold around an air core — with no ferromagnetic mass.\u003c\/p\u003e\n\u003ch2\u003eWhy the Goldfinger Statement V2.1?\u003c\/h2\u003e\n\u003cp\u003eThe gold body delivers high mass and excellent resonance damping, the boron cantilever with an optimised angle improves tracking accuracy, and the shielding keeps interference out. Yes, it's also a piece of jewellery — but every gram of it has a technical justification.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eWhen the chain allows it: the speed and resolution of a top-tier MC, combined with tonal neutrality and tracking ability up to 90 µm. Deep, well-defined bass, a widely spread soundstage, and a calm that reveals even the finest details.\u003c\/p\u003e\n\u003ch3\u003eWho is the Goldfinger Statement V2.1 for?\u003c\/h3\u003e\n\u003cp\u003eFor uncompromising analogue listeners with a chain at the very highest level — a top-class turntable and tonearm and a first-rate MC phono stage. To be blunt: on anything less, the Goldfinger won't show its worth, and the expense doesn't make sense. Honestly — this is a destination, not a starting point.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eClearaudio's opus magnum — uncompromising, consistent, definitive. Whoever arrives here isn't looking any further.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the trade press says:\u003c\/strong\u003e \"In moving coils, it is my current favorite.\" — Jonathan Valin, The Absolute Sound, 2023. And further: \"If you crave the speed, detail, and soundstaging of a moving coil but also hunger for the tonal neutrality and tracking of a good mm, the Goldfinger V2.1 may be exactly what you're looking for.\"\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Moving Coil (MC)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.5–0.6 mV (at 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 32 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.2 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking ability:\u003c\/strong\u003e 90 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e Boron (optimised angle)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus tip:\u003c\/strong\u003e clearaudio Prime Line\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil:\u003c\/strong\u003e 24-karat gold (air core), 8 selected magnets, perfectly pivot-symmetrical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpecial feature:\u003c\/strong\u003e integrated RF shielding; ½-karat diamond on the front\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.8 g (± 0.2 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e 14-karat gold\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 15 g (± 2 g)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhich tonearm suits the 15 g Goldfinger?\u003c\/h3\u003e\n\u003cp\u003eBecause of its high weight of around 15 g, the Goldfinger belongs on a tonearm of higher effective mass with sufficient counterweight reserve. We check the resonance point and arm compatibility individually for your chain before you order.\u003c\/p\u003e\n\u003ch3\u003eWhat does the integrated RF shielding mean?\u003c\/h3\u003e\n\u003cp\u003eAccording to the manufacturer, the Goldfinger Statement was the first MC system with built-in shielding against high-frequency interference. In today's radio-saturated living rooms, this keeps interference away from the generator and preserves signal purity.\u003c\/p\u003e\n\u003ch3\u003eCan the Goldfinger's diamond be renewed later?\u003c\/h3\u003e\n\u003cp\u003eA stylus swap like on an MM system is not possible by design on MC cartridges; the diamond is permanently fixed to the generator. Instead, Clearaudio offers an exchange on trade-in terms, as an upgrade if you like. This is handled through the authorised dealer — we take care of it.\u003c\/p\u003e\n\u003ch3\u003eWhat phono stage is appropriate?\u003c\/h3\u003e\n\u003cp\u003eAn uncompromising MC phono stage with a low-noise input and clean gain at 50 Ω system impedance. With a system in this class, the stage has a major say in the result — we advise you specifically on the right combination.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Goldfinger Statement V2.1 from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge in this class demands expertise. Mauri sets up your Goldfinger in Wädenswil with the precision it needs, and we support the build of the entire chain. Talk to us: +41 44 680 22 00, WhatsApp \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls), shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eTurntables and arms at a matching level are available among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e, the necessary amplification among our \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. More reference cartridges are available under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989498884432,"sku":null,"price":15000.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-goldfinger-statement-v2-1-mc-tonabnehmer-schraegansicht.jpg?v=1785846777"},{"product_id":"clearaudiojubileemc","title":"Clearaudio Jubilee MC Moving Coil System","description":"\u003cp\u003eThe Clearaudio Jubilee MC is a moving coil cartridge that Clearaudio launched to mark the company's 40th anniversary — the brand's first MC with a Panzerholz housing.\u003c\/p\u003e\n\u003cp\u003eIt takes on the distinctive \"Flower Top\" design and the long, exposed boron cantilever of the top-tier MCs all the way up to the Goldfinger Statement. What's special lies in the material: instead of metal or ebony, the generator sits in Panzerholz, a laminated wood pressed under high pressure.\u003c\/p\u003e\n\u003ch2\u003eWhy the Jubilee MC?\u003c\/h2\u003e\n\u003cp\u003eThe ingredients come from Clearaudio's upper class: a 24-karat gold coil in a perfectly pivot-symmetrical arrangement, a clearaudio Prime Line diamond on a boron cantilever, and channel separation above 32 dB. It's hand-made in Erlangen; violin makers in neighbouring Bubenreuth handle the lacquering and polishing of the housing — craftsmanship you wouldn't normally expect from a cartridge.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eA large, calm soundstage with fine resolution and surprising body. The Panzerholz lends the sound a sense of composure and a deep black background — high-end refinement without harshness, even after the third side in a row.\u003c\/p\u003e\n\u003ch3\u003eWho is the Jubilee MC for?\u003c\/h3\u003e\n\u003cp\u003eFor high-end vinyl listeners with a decent MC stage, and for collectors who appreciate the anniversary model. To be blunt: 0.5 mV and 50 Ω internal resistance call for a good MC phono stage — on a weak input, you're giving away its potential. If, on the other hand, you want the Goldfinger's Flower Top principle for a fraction of the price, this is exactly the right choice.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eAn anniversary MC that bundles top-tier technology and a unique housing at a price that's reasonable for this league; FIDELITY and HiFi \u0026amp; RECORDS have followed it, most recently FIDELITY in October 2024. At HD Zürisee in Wädenswil, we mount and align it to the millimetre and tell you honestly which phono stage does it justice.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Moving Coil (MC)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.5 mV (5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 32 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking ability:\u003c\/strong\u003e 80 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus tip:\u003c\/strong\u003e clearaudio Prime Line\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e Boron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.8 g (± 0.2 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil arrangement:\u003c\/strong\u003e perfectly pivot-symmetrical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil material:\u003c\/strong\u003e 24-karat gold\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHousing:\u003c\/strong\u003e Panzerholz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 7.5 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e ½ inch standard\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 2 years (with return of the warranty card within 14 days)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat makes the Jubilee MC special?\u003c\/h3\u003e\n\u003cp\u003eIt's Clearaudio's first MC with a Panzerholz housing and carries the Flower Top design of the flagship models. Add to that a 24-karat gold coil in a pivot-symmetrical arrangement and a Prime Line diamond on a boron cantilever. It's hand-made in Erlangen, and violin makers in Bubenreuth handle the polishing.\u003c\/p\u003e\n\u003ch3\u003eWhat phono stage does the Jubilee MC need?\u003c\/h3\u003e\n\u003cp\u003eA good MC phono stage. With 0.5 mV output voltage and 50 Ω internal resistance, it's one of the classic moving coils — a clean MC input with around 60 to 66 dB of gain and a matching load is essential. We're happy to advise you on the ideal setting.\u003c\/p\u003e\n\u003ch3\u003eIs there a replacement stylus for the Jubilee MC?\u003c\/h3\u003e\n\u003cp\u003eNo. On a moving coil system, the cantilever is permanently connected to the generator — a replaceable stylus like on MM systems simply doesn't exist by design. If the diamond wears out after many years, it's handled through an exchange system or a retipping service — we take care of that for you.\u003c\/p\u003e\n\u003ch3\u003eWhat is Panzerholz?\u003c\/h3\u003e\n\u003cp\u003eAn extremely dense laminated wood pressed under high pressure, so hard and heavy that it sinks in water. Clearaudio also uses it in its finest turntables — in a cartridge, this low-resonance material damps the housing body and keeps the background quiet.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Jubilee MC from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause an MC in this class deserves alignment down to the millimetre — and that's exactly what we deliver. We tune it to your arm, advise you honestly on the phono stage, and, as an authorised Clearaudio dealer, handle the warranty correctly. Contact: +41 44 680 22 00, WhatsApp \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls), shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right foundation and electronics among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. More cartridges for comparison are available under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989499015504,"sku":null,"price":4900.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-jubilee-mc-moving-coil-system-schraegansicht.jpg?v=1785846909"},{"product_id":"clearaudiojubileemm","title":"Clearaudio Jubilee MM Moving Magnet System","description":"\u003cp\u003eThe Clearaudio Jubilee MM is a moving magnet cartridge (MM) with an elliptical diamond on an aluminium cantilever, which Clearaudio launched to mark the company's 40th anniversary.\u003c\/p\u003e\n\u003cp\u003eIts special feature lies in the housing: instead of ebony, the Jubilee MM uses Panzerholz — an extremely dense laminated wood pressed under high pressure, which Clearaudio otherwise fits only in its finest turntables. This lowers the noise floor and gives the sound calm and substance.\u003c\/p\u003e\n\u003ch2\u003eWhy the Jubilee MM?\u003c\/h2\u003e\n\u003cp\u003ePanzerholz is hard, heavy and low in resonance — an ideal foundation for a clean, high-contrast sound. Technically, the Jubilee sticks with the proven elliptical combination of aluminium cantilever and diamond, delivers around 3.6 mV of output voltage, and tracks at 90 µm — more than the series' smaller elliptical models. Like every Clearaudio MM, it's measured, selected and matched by hand.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eA warm, finely contoured reproduction with a calm background. Bass is well-defined, voices full and natural. The Jubilee MM sounds a touch more mature and composed than its spec sheet suggests — that's down to the Panzerholz, not the anniversary engraving.\u003c\/p\u003e\n\u003ch3\u003eWho is the Jubilee MM for?\u003c\/h3\u003e\n\u003cp\u003eFor vinyl listeners looking for a characterful MM with a special housing — and for collectors who appreciate the anniversary model. To be blunt: on pure spec figures, the Virtuoso V2 comes out ahead (4.0 mV, over 30 dB channel separation versus 26 dB for the Jubilee), and anyone after finer groove tracking needs the boron cantilever of the Maestro V2 or Charisma V2 anyway. The Jubilee's appeal lies in its material, its calm, and the special occasion.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eAn MM with history and a housing otherwise known from Clearaudio's high-end turntables. If you're after a warm, calm cartridge with a character of its own, this is the right choice. Whether it suits your arm better than a Virtuoso V2 is something we're happy to work out with you over the phone at HD Zürisee in Wädenswil.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Moving Magnet (MM), high output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: approx. 3.6 mV (1 kHz \/ 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eStylus tip: elliptical\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium\u003c\/li\u003e\n\u003cli\u003eHousing: Panzerholz\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eChannel separation: 26 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eChannel balance: ≤ 0.4 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eTracking ability: 90 µm\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.2 g (± 0.3 g)\u003c\/li\u003e\n\u003cli\u003eStylus compliance: 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003eCoil impedance: 0.66 kΩ (1 kHz)\u003c\/li\u003e\n\u003cli\u003eCoil inductance: 400 mH\u003c\/li\u003e\n\u003cli\u003eLoad: 47 kΩ \/ 100 pF\u003c\/li\u003e\n\u003cli\u003eWeight: 8.8 g (± 0.4 g)\u003c\/li\u003e\n\u003cli\u003eMounting: ½ inch standard\u003c\/li\u003e\n\u003cli\u003eStylus replacement: factory only, system sent in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat is Panzerholz?\u003c\/h3\u003e\n\u003cp\u003eAn extremely dense laminated wood pressed under high pressure, so hard and heavy that it sinks in water. Clearaudio uses it in its finest turntables. In a cartridge, this low-resonance material lowers the noise floor and delivers a calm, high-contrast sound.\u003c\/p\u003e\n\u003ch3\u003eCan I replace the stylus on the Jubilee MM myself?\u003c\/h3\u003e\n\u003cp\u003eNo. As with the other Clearaudio MM systems, the stylus can't be swapped by the customer. The cartridge is sent in, the stylus unit renewed at the factory, and the system sent back. It then needs to be realigned in the tonearm — we handle that step professionally for you.\u003c\/p\u003e\n\u003ch3\u003eIs the Jubilee MM an MM or an MC?\u003c\/h3\u003e\n\u003cp\u003eA moving magnet system with around 3.6 mV of output voltage. It runs on any MM phono stage with 47 kΩ and 100 pF and needs neither an MC input nor a step-up transformer. So you keep the full convenience of a high-output system.\u003c\/p\u003e\n\u003ch3\u003eHow does the Jubilee MM differ from the Virtuoso V2?\u003c\/h3\u003e\n\u003cp\u003eBoth are elliptical high-output MMs with an aluminium cantilever and 90 µm tracking ability. The Virtuoso V2 sits in an ebony housing and measures better: 4.0 mV and over 30 dB channel separation versus 3.6 mV and 26 dB. The Jubilee MM instead relies on the heavier Panzerholz — more a matter of character than of class.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Jubilee MM from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause we don't just sell you the model — we mount it professionally and set it up to match your system. We advise you honestly on whether the Jubilee or another MM suits your setup better — and, as an authorised Clearaudio dealer, handle the warranty for you.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right foundation and electronics among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. Scales, brushes and alignment aids are available under \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eturntable accessories\u003c\/a\u003e, and more cartridges for comparison under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989499048272,"sku":null,"price":800.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-jubilee-mm-moving-magnet-system-schraegansicht.jpg?v=1785846909"},{"product_id":"clearaudiomaestrov2","title":"Clearaudio Maestro V2 Moving Magnet Cartridge","description":"\u003cp\u003eThe Clearaudio Maestro V2 is a moving magnet cartridge (MM) and the first model in the series to swap the aluminium cantilever for boron with a Micro-HD line-contact stylus.\u003c\/p\u003e\n\u003cp\u003eThis is exactly where the series leaves the elliptical world behind: a line-contact diamond on a stiff, lightweight boron cantilever — a combination borrowed from Clearaudio's expensive moving coil systems. In a low-resonance ebony housing, this makes the Maestro V2 an MM that packs MC virtues into a high-output, uncomplicated shell. Only the flagship Charisma V2 sits above it in the MM range.\u003c\/p\u003e\n\u003ch2\u003eWhy the Maestro V2?\u003c\/h2\u003e\n\u003cp\u003eThe Micro-HD stylus sits in the groove with a longer contact area than an elliptical grind, extracting more fine detail and space as a result. Boron stiffens the cantilever at minimal mass. Measurably, this shows up as a channel balance of 0.2 dB — the tightest figure in the series — with over 30 dB of channel separation. And yet it stays a high-output MM at around 3.6 mV for any MM phono stage.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eResolution and depth of image you'd hardly expect from an MM: fine treble definition, precise imaging, plus a full, colourful tonal foundation. The Maestro V2 easily plays on equal terms with many cheaper MC systems — just without their list of accessories.\u003c\/p\u003e\n\u003ch3\u003eWho is the Maestro V2 for?\u003c\/h3\u003e\n\u003cp\u003eFor MM listeners who want the maximum, and for MC sceptics who'd rather skip the loading hassle. To be blunt: a line-contact grind needs more careful alignment than an elliptical one — VTA and azimuth need to be right, or you're giving away exactly what you paid for. If you never want to touch your arm, you'll be happier with the Virtuoso V2. And if you already own a first-rate MC preamp, you should compare it against a Clearaudio MC.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Maestro V2 is the point where a moving magnet stops thinking of itself as a moving magnet. If you want MC-level resolution without MC-level hassle, there's hardly a way around it.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat the trade press says:\u003c\/em\u003e \"As musical as they come, the Maestro V2 Ebony should be required listening for moving-magnet and moving-coil fans alike.\" — Neil Gader, The Absolute Sound, 2013\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Moving Magnet (MM), high output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: approx. 3.6 mV (1 kHz \/ 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eStylus tip: Micro HD (line contact)\u003c\/li\u003e\n\u003cli\u003eCantilever: Boron\u003c\/li\u003e\n\u003cli\u003eHousing: ebony, hand-polished\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 30 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eChannel balance: ≤ 0.2 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eTracking ability: 90 µm\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.2 g (± 0.3 g), range 1.8–2.6 g\u003c\/li\u003e\n\u003cli\u003eCoil impedance: 0.66 kΩ (1 kHz)\u003c\/li\u003e\n\u003cli\u003eCoil inductance: 0.42 H\u003c\/li\u003e\n\u003cli\u003eLoad: 47 kΩ \/ 100 pF\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 8.4 g\u003c\/li\u003e\n\u003cli\u003eMounting: ½ inch standard\u003c\/li\u003e\n\u003cli\u003eStylus replacement: factory only, system sent in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat sets the Maestro V2 apart from the smaller MM systems?\u003c\/h3\u003e\n\u003cp\u003eThe cantilever and stylus grind. The Concept, Performer, Artist and Virtuoso use an elliptical diamond on aluminium; the Maestro V2 combines boron with a Micro-HD line-contact stylus, the type Clearaudio fits all the way up to the Goldfinger Statement. This noticeably lifts resolution and tracking.\u003c\/p\u003e\n\u003ch3\u003eCan I replace the stylus on the Maestro V2 myself?\u003c\/h3\u003e\n\u003cp\u003eNo. On the Clearaudio V2 systems, the stylus can't be swapped by the customer. The cartridge is sent in, the stylus unit renewed at the factory, and the system sent back. Realignment in the tonearm is then essential — especially with a line-contact grind. We handle that professionally.\u003c\/p\u003e\n\u003ch3\u003eIs the Maestro V2 worth it over an MC system?\u003c\/h3\u003e\n\u003cp\u003eIf you don't have an MC phono stage, or want to spare yourself the loading and step-up transformer: yes. The Maestro delivers MC-like resolution on any MM stage. If you already own a good MC preamp, you should compare it against a Clearaudio MC — we're happy to set that up for you.\u003c\/p\u003e\n\u003ch3\u003eWhat phono stage does the Maestro V2 need?\u003c\/h3\u003e\n\u003cp\u003eA standard MM phono stage with 47 kΩ and 100 pF is enough. At around 3.6 mV output voltage, it's a classic high-output MM; an MC stage or step-up transformer isn't necessary and would overload the input.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Maestro V2 from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a line-contact grind deserves a clean alignment — and that's exactly what we deliver. We mount it to the millimetre, tune it to your arm, and advise you honestly on the right phono stage. As an authorised Clearaudio dealer, your warranty is handled correctly.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right electronics and foundation among our \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e. Alignment aids, scales and record care are available under \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eturntable accessories\u003c\/a\u003e, the rest of the range under \u003ca href=\"\/en-ch\/collections\/zubehor\"\u003eAll Accessories\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989499081040,"sku":null,"price":1200.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-maestro-v2-moving-magnet-tonabnehmer-schraegansicht.jpg?v=1785846909"},{"product_id":"clearaudioperformerv2","title":"Clearaudio Performer V2 Moving Magnet Cartridge","description":"\u003cp\u003eThe Clearaudio Performer V2 is a moving magnet (MM) cartridge and the first model in the V2 series with a low-resonance ebony body.\u003c\/p\u003e\n\u003cp\u003eThat makes it the real entry point into the wood family: the same elliptical diamond on an aluminium cantilever as the Concept V2, but housed in a hand-polished ebony body with an inset damping plate instead of the aluminium housing. The result is a touch more calm and body.\u003c\/p\u003e\n\u003ch2\u003eWhy the Performer V2?\u003c\/h2\u003e\n\u003cp\u003eHigh MM output voltage of around 3.6 mV, the classic 47 kΩ loading, forgiving alignment – it runs on any MM phono stage. Compared to the Concept V2 it steps up measurably: over 26 dB channel separation instead of around 20, and channel balance under 0.8 dB instead of 2 dB. Those two figures are exactly what you perceive as tighter imaging.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eA warm, grounded presentation with pleasant tonal richness. Voices and acoustic instruments sound natural, the bass is dry rather than woolly. Not an analytical scalpel – rather a cartridge that invites you to listen to records instead of measuring them.\u003c\/p\u003e\n\u003ch3\u003eWho is the Performer V2 for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone moving up from a bundled cartridge to a proper MM without investing in MC territory. Straight talk: the series steps up through selection, cantilever and stylus grind – the Artist and Virtuoso extract a bit more channel separation from the same elliptical diamond, and anyone wanting genuine fine resolution needs the boron cantilever of the Maestro or Charisma. The Performer V2 wins on warmth and composure, not on polish.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe sensible first \"proper\" Clearaudio: more substance than the Concept V2 without getting expensive. An honest recommendation for anyone who wants to fall in love with their record collection all over again – and yes, that happens more often than the calendar allows.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Moving Magnet (MM), high output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: approx. 3.6 mV (1 kHz \/ 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eStylus grind: elliptical\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium\u003c\/li\u003e\n\u003cli\u003eBody: ebony, hand-polished, with integrated damping plate\u003c\/li\u003e\n\u003cli\u003eFrequency response: 23 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u003e 26 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eChannel balance: \u003c 0.8 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eTracking ability: 80 µm\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.2 g (± 0.3 g), range 2.0–2.5 g\u003c\/li\u003e\n\u003cli\u003eCoil impedance: 0.66 kΩ (1 kHz)\u003c\/li\u003e\n\u003cli\u003eCoil inductance: 0.40 H\u003c\/li\u003e\n\u003cli\u003eLoad: 47 kΩ \/ 100 pF\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 8.4 g\u003c\/li\u003e\n\u003cli\u003eMounting: ½ inch standard\u003c\/li\u003e\n\u003cli\u003eStylus replacement: factory only, cartridge must be sent in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat's the difference to the Concept V2?\u003c\/h3\u003e\n\u003cp\u003eThe Performer V2 sits in a hand-polished ebony body instead of the Concept V2's aluminium, and is more tightly selected: over 26 dB channel separation and under 0.8 dB channel balance versus around 20 dB and 2 dB. The stylus and cantilever are identical on both – elliptical diamond on aluminium.\u003c\/p\u003e\n\u003ch3\u003eCan I replace the Performer V2's stylus myself?\u003c\/h3\u003e\n\u003cp\u003eNo. On Clearaudio's V2 cartridges the stylus isn't customer-replaceable. The cartridge is sent in, the stylus assembly is renewed at the factory, and the cartridge is sent back. After that the cartridge needs to be realigned in the tonearm – we'll take care of that properly for you.\u003c\/p\u003e\n\u003ch3\u003eWhich phono stage does the Performer V2 work with?\u003c\/h3\u003e\n\u003cp\u003eAny MM phono stage with 47 kΩ input impedance. Thanks to its roughly 3.6 mV output voltage, it needs neither an MC stage nor a step-up transformer. Practically any integrated amp with a phono input, and any separate phono box, will work.\u003c\/p\u003e\n\u003ch3\u003eWhat stylus shape does the Performer V2 have?\u003c\/h3\u003e\n\u003cp\u003eAn elliptical diamond on an aluminium cantilever. The elliptical grind traces the groove more finely than a spherical one while staying straightforward to align – a good compromise between sound and everyday practicality.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Performer V2 at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause there's someone on the phone who listens to records themselves and knows which cartridge suits your arm. We'll mount and align it properly on request, and we're an authorised Clearaudio dealer with correct warranty handling.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eFind the right foundation and electronics among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. Cleaning products, scales and alignment aids are in \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eturntable accessories\u003c\/a\u003e, more cartridges under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989499310416,"sku":null,"price":390.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-performer-v2-moving-magnet-tonabnehmer-schraegansicht.jpg?v=1785846909"},{"product_id":"clearaudiostradivariv2","title":"Clearaudio Stradivari V2 Moving Coil Cartridge","description":"\u003cp\u003eThe Clearaudio Stradivari V2 is a moving coil cartridge with a body of dark brown ebony wood with a metal inlay, and sits in Clearaudio's reference MC line one step above the Concerto V2.\u003c\/p\u003e\n\u003cp\u003eAn absolutely pivot-symmetrical motor, boron cantilever, Micro-HD diamond and 24-carat gold coils meet a total weight of just 7 g. The name is no coincidence: in violin making too, the wood has a say.\u003c\/p\u003e\n\u003ch2\u003eWhy the Stradivari V2?\u003c\/h2\u003e\n\u003cp\u003eEbony has outstanding resonance properties – dense, hard, internally calm. The inlaid metal adds mass in exactly the right spot, so that spurious resonances are broken down instead of building up inside the body. You hear that as silence between the notes.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eA flowing, effortless gait with rich tonality, good tracking and little audible groove noise. The Stradivari V2 combines warmth and detail, control and ease, without sacrificing tonal neutrality. A cartridge for anyone who loves voices and acoustic instruments.\u003c\/p\u003e\n\u003ch3\u003eWho is the Stradivari V2 for?\u003c\/h3\u003e\n\u003cp\u003eIdeal if you want the last bit of musicality from a high-resolution turntable and a good MC phono stage. Plain talk: on a mediocre arm or a weak phono stage, the extra cost over the Concerto evaporates – the chain stays the bottleneck, not the cartridge. Get the chain right, and the step up is worth it.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eCalm, warmth, fine detail – the Stradivari V2 is the musical heart of the V2 line. A cartridge you buy to hear music, not gear.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Moving Coil (MC)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.6 mV (at 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 100 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range:\u003c\/strong\u003e approx. 85 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 30 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e boron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-HD diamond\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil:\u003c\/strong\u003e 24-carat gold, absolutely pivot-symmetrical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load resistance:\u003c\/strong\u003e 300 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.8 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge body:\u003c\/strong\u003e ebony with metal inlay\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 7 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat sets the Stradivari V2 apart from the Concerto V2?\u003c\/h3\u003e\n\u003cp\u003eSame V2 reference motor, different body: the Stradivari uses ebony with a metal inlay for an especially calm running behaviour. Sonically that means an extra step of warmth, poise and fine resolution at the same 7 g weight.\u003c\/p\u003e\n\u003ch3\u003eWhat phono stage do I need?\u003c\/h3\u003e\n\u003cp\u003eAn MC-capable stage with around 60–66 dB of gain and a load around 300 Ω; the system impedance is 50 Ω. Tell us which phono stage you're running, and we'll match gain and loading to your system.\u003c\/p\u003e\n\u003ch3\u003eDoes the light 7 g cartridge suit my tonearm?\u003c\/h3\u003e\n\u003cp\u003eAt just 7 g and medium stylus compliance, the Stradivari V2 is flexible and works well with many arms of medium effective mass. Give us your model and we'll calculate the resonance frequency in advance – that saves disappointment after purchase.\u003c\/p\u003e\n\u003ch3\u003eCan the stylus of the Stradivari V2 be replaced?\u003c\/h3\u003e\n\u003cp\u003eNo, on MC cartridges the diamond is permanently attached to the generator. Clearaudio therefore doesn't repair MC cartridges but exchanges them under trade-in terms, optionally as an upgrade to a current model too. That's handled through the specialist dealer – that is, through us.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Stradivari V2 from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge of this class deserves precise setup. Mauri fine-tunes your Stradivari in Wädenswil to the point, and we advise you on the right combination of arm, phono stage and turntable. Call us on +41 44 680 22 00 or write to shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe matching turntable and electronics are found under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamplifiers\u003c\/a\u003e. Alternatives for direct comparison are under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e, everything about the record under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eEverything Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989501014352,"sku":null,"price":4000.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-stradivari-v2-moving-coil-tonabnehmer-schraegansicht.jpg?v=1785846910"},{"product_id":"clearaudiotalismannv2gold","title":"Clearaudio Talismann V2 Gold Moving Coil Cartridge","description":"\u003cp\u003eThe Clearaudio Talismann V2 Gold is a moving coil cartridge in a hand-polished ebony body and forms the entry point into Clearaudio's V2 MC generation.\u003c\/p\u003e\n\u003cp\u003eInside sits the full Clearaudio technology: an absolutely pivot-symmetrical motor with eight super-neodymium magnets, 24-carat gold coils, a boron cantilever and a Micro-HD diamond. \"Entry\" here just means there's nothing below it.\u003c\/p\u003e\n\u003ch2\u003eWhy the Talismann V2 Gold?\u003c\/h2\u003e\n\u003cp\u003eWith eight magnets of especially strong material, the coils work in a markedly stronger field – noticeably lifting efficiency and dynamics. The hand-polished ebony body gives the sound body and calm without holding back resolution. So you get true V2 reference technology at the bottom of the range.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eRichness and body, paired with the typical Clearaudio speed and wide dynamics. The Talismann V2 Gold plays warm and orderly, with fine detail and stable imaging. A cartridge that surprisingly often makes you flip to \"just one more\" B-side.\u003c\/p\u003e\n\u003ch3\u003eWho is the Talismann V2 Gold for?\u003c\/h3\u003e\n\u003cp\u003eThe ideal entry into Clearaudio's wood-body MCs, if you have an MC-capable phono stage and want more than an entry-level MC. Plain talk: at 0.5 mV, a decent MC stage is part of the deal – on the weak onboard phono of an integrated amp, its potential is left on the table. Tell us what you're running, and it fits right from the start.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe entry point into Clearaudio's wood-body world – and for many, the point where the search ends. Once you've heard the V2 motor, you understand why.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat the trade press says:\u003c\/strong\u003e \"There are edge cases where the Talismann V2 falls slightly short of the 'big ones' – but that's fine, because the musicality, clarity and drive of the whole family are fully present in the new Talismann too.\" – Klang \u0026amp; Ton 7\/2010.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Moving Coil (MC)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.5 mV (at 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 100 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 30 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e boron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-HD diamond\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil:\u003c\/strong\u003e 24-carat gold, absolutely pivot-symmetrical, 8 magnets (super-neodymium)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load resistance:\u003c\/strong\u003e 300 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.8 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge body:\u003c\/strong\u003e hand-polished ebony\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.8 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat sets the Talismann V2 Gold apart from the Concerto V2?\u003c\/h3\u003e\n\u003cp\u003eBoth use the V2 motor with 24-carat gold coils. The Talismann is the entry point of the wood-body MCs, with ebony and 10.8 g, while the Concerto steps it up with a different body and just 7 g. In character, the Talismann plays a touch fuller and warmer.\u003c\/p\u003e\n\u003ch3\u003eWhat phono stage do I need?\u003c\/h3\u003e\n\u003cp\u003eAn MC-capable stage with around 60–66 dB of gain and a load around 300 Ω at 50 Ω system impedance. Many separate phono preamplifiers can do this, whereas the built-in phono input of many integrated amps often can't. We check this for your system.\u003c\/p\u003e\n\u003ch3\u003eDoes the 10.8 g cartridge suit my tonearm?\u003c\/h3\u003e\n\u003cp\u003eAt 10.8 g, the Talismann V2 Gold works well with arms of medium to higher effective mass. Give us your arm and we'll check the resonance frequency in advance – that saves surprises later with tracking behaviour.\u003c\/p\u003e\n\u003ch3\u003eCan the stylus of the Talismann V2 Gold be swapped?\u003c\/h3\u003e\n\u003cp\u003eNo. On a moving coil cartridge, the diamond is fixed to the generator, so a stylus swap like on an MM cartridge isn't possible by design. Clearaudio offers an exchange under trade-in terms instead, optionally as an upgrade too. We handle this for you through the manufacturer.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Talismann V2 Gold from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause we know from experience which cartridge suits which arm and which phono stage – and because Mauri sets the whole thing up cleanly for you in Wädenswil. Get in touch on +41 44 680 22 00, on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls) or at shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe matching foundation is found under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e, the necessary gain under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamplifiers\u003c\/a\u003e. Further cartridges are under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e, care and cleaning under \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eturntable accessories\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989501047120,"sku":null,"price":1900.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-talismann-v2-gold-moving-coil-tonabnehmer-schraegansicht.jpg?v=1785846910"},{"product_id":"clearaudiotitaniumv2","title":"Clearaudio Titanium V2 Moving Coil Cartridge","description":"\u003cp\u003eThe Clearaudio Titanium V2 is a moving coil cartridge with a body of solid titanium and sits in Clearaudio's reference MC line one step above the da Vinci V2 – directly below the Goldfinger flagship.\u003c\/p\u003e\n\u003cp\u003eThe titanium body breaks down spurious resonances extremely effectively. Add to that a boron cantilever, a Micro-HD diamond and 24-carat gold coils in the absolutely pivot-symmetrical V2 motor – with channel separation of over 40 dB.\u003c\/p\u003e\n\u003ch2\u003eWhy the Titanium V2?\u003c\/h2\u003e\n\u003cp\u003eTitanium combines high rigidity with excellent resonance control, and that's exactly what a generator needs if it's to extract the last few percent from the groove. The result is a transparency and resolution that come close to the flagship – at a markedly lower price than the Goldfinger.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eHigh linearity and transparency, a broadly spread stage and a dynamic range that renders even the finest gradations cleanly. The Titanium V2 sounds precise and composed without ever coming across as analytical or cold. High end with poise, not with a raised finger.\u003c\/p\u003e\n\u003ch3\u003eWho is the Titanium V2 for?\u003c\/h3\u003e\n\u003cp\u003eFor listeners with a first-class chain who want reference sound just below the Goldfinger. Plain talk: you don't play the Titanium V2 on a mid-range arm – it demands a very good tonearm and a high-quality MC phono stage, otherwise a considerable part of its potential goes unused. This model is a special-order product; we're happy to clarify the delivery time up front.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eReference sound just below the flagship – for anyone who wants the maximum without investing in gold. Literally.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Moving Coil (MC)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.6 mV (at 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz – 100 kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDynamic range:\u003c\/strong\u003e approx. 95 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 40 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.3 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e boron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-HD diamond\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCoil:\u003c\/strong\u003e 24-carat gold, absolutely pivot-symmetrical\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem impedance:\u003c\/strong\u003e 50 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load resistance:\u003c\/strong\u003e 300 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus compliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended tracking force:\u003c\/strong\u003e 2.8 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge body:\u003c\/strong\u003e solid titanium\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e approx. 9 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat does the titanium body add?\u003c\/h3\u003e\n\u003cp\u003eTitanium is extremely rigid and damps resonances outstandingly well. That gives the generator a very calm running behaviour and thereby the foundation for transparency and dynamics – measurable too in the channel separation of over 40 dB.\u003c\/p\u003e\n\u003ch3\u003eWhere does the Titanium V2 sit in the V2 line?\u003c\/h3\u003e\n\u003cp\u003eOne step above the da Vinci V2 and directly below the Goldfinger Statement V2.1. If you want reference sound without investing in the flagship, this is the right place – provided the arm and phono stage play along.\u003c\/p\u003e\n\u003ch3\u003eCan the stylus of the Titanium V2 be replaced?\u003c\/h3\u003e\n\u003cp\u003eNo. On moving coil cartridges the diamond is permanently attached to the generator and therefore can't be swapped. Clearaudio doesn't repair MC cartridges but exchanges them under trade-in terms, optionally as an upgrade. This is handled through the specialist dealer, that is, through us.\u003c\/p\u003e\n\u003ch3\u003eIs the Titanium V2 available immediately?\u003c\/h3\u003e\n\u003cp\u003eIt's a special-order product. We check the current delivery time for you with the importer before you decide – honestly and without false promises. Just get in touch, and we usually have the answer within a working day.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Titanium V2 from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge of this class needs precise setup and a well-matched chain. Mauri fine-tunes your Titanium in Wädenswil to the point, and we advise you on a matching phono stage and arm. Contact: +41 44 680 22 00 or shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right foundation is found under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e, the gain under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamplifiers\u003c\/a\u003e. Further cartridges for comparison are under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e, the whole analogue range under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eEverything Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989501079888,"sku":null,"price":8700.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-titanium-v2-moving-coil-tonabnehmer-schraegansicht.jpg?v=1785846930"},{"product_id":"clearaudiovirtuosov2","title":"Clearaudio Virtuoso V2 Moving Magnet Cartridge","description":"\u003cp\u003eThe Clearaudio Virtuoso V2 is a moving magnet cartridge (MM) and the flagship model of the V2 series, with an elliptical diamond on an aluminium cantilever.\u003c\/p\u003e\n\u003cp\u003eWithin the series it's the most tightly selected elliptical cartridge – only the Maestro V2 and Charisma V2 sit above it, switching to a boron cantilever and finer cuts. In practice that means high precision combined with typical MM good nature.\u003c\/p\u003e\n\u003ch2\u003eWhy the Virtuoso V2?\u003c\/h2\u003e\n\u003cp\u003eClearaudio measures and matches the V2 cartridges by hand. For the Virtuoso this yields over 30 dB channel separation, channel balance under 0.4 dB and 90 µm tracing ability – a step above the Artist V2 on all three counts. Add to that a robust 4.0 mV output voltage, which even a modest phono stage handles with ease.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eClean, precise imaging with a stable stage and a fine, never edgy top end. The Virtuoso V2 sorts out complex passages effortlessly, without tipping into the analytical. For many, it's the end of the line for MM – and a thoroughly satisfying one.\u003c\/p\u003e\n\u003ch3\u003eWho is the Virtuoso V2 suited for?\u003c\/h3\u003e\n\u003cp\u003eFor discerning MM listeners who want to get the most out of a classic MM phono stage. Plainly put: the step up from here is not a matter of selection but of materials – the Maestro V2 and Charisma V2 bring the stiffer boron cantilever and a line-contact cut that reaches deeper into the groove. That costs noticeably more and wants a cleanly aligned arm. Anyone who values robustness and an uncritical setup is well served staying with the Virtuoso.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Virtuoso V2 is the sensible peak of the elliptical MM world: balanced, built for the long haul, relaxed to set up. Whether the step to a boron cantilever is worth it for you depends on your arm, phono stage and record collection – call us at HD Zürisee in Wädenswil and we'll go through it together.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: moving magnet (MM), high output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: approx. 4.0 mV (1 kHz \/ 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eStylus cut: elliptical\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium\u003c\/li\u003e\n\u003cli\u003eBody: ebony, hand-polished, with integrated damping plate\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 20 kHz\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u0026gt; 30 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eChannel balance: \u0026lt; 0.4 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eTracing ability: 90 µm\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.4 g, range 2.0–2.5 g\u003c\/li\u003e\n\u003cli\u003eCoil impedance: 0.68 kΩ (1 kHz)\u003c\/li\u003e\n\u003cli\u003eCoil inductance: 0.40 H\u003c\/li\u003e\n\u003cli\u003eLoad: 47 kΩ \/ 100 pF\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 8.4 g\u003c\/li\u003e\n\u003cli\u003eMounting: ½ inch standard\u003c\/li\u003e\n\u003cli\u003eStylus replacement: factory only, cartridge must be sent in\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat sets the Virtuoso V2 apart from the Maestro V2?\u003c\/h3\u003e\n\u003cp\u003eThe Virtuoso V2 uses an aluminium cantilever with an elliptical diamond, the Maestro V2 a boron cantilever with a Micro-HD line-contact stylus from Clearaudio's upper MC class. The Maestro therefore resolves more finely and reaches a channel balance of 0.2 dB; the Virtuoso in turn has the higher output level.\u003c\/p\u003e\n\u003ch3\u003eCan I replace the stylus on the Virtuoso V2 myself?\u003c\/h3\u003e\n\u003cp\u003eNo. On the Clearaudio V2 cartridges the stylus cannot be replaced by the customer. The cartridge is sent in, the stylus unit renewed at the factory, and the cartridge returned. Realignment in the tonearm is then essential – that's what we're here for.\u003c\/p\u003e\n\u003ch3\u003eHow critical is alignment on the Virtuoso V2?\u003c\/h3\u003e\n\u003cp\u003eLess critical than with line-contact cartridges. The elliptical cut responds less sensitively to small VTA deviations than a Micro-HD or Gyger cut. A clean basic setup of tracking force, azimuth and overhang is enough – we'll take care of that for you on request.\u003c\/p\u003e\n\u003ch3\u003eIs a normal MM phono stage enough for the Virtuoso V2?\u003c\/h3\u003e\n\u003cp\u003eYes. With around 4.0 mV output voltage and a 47 kΩ load, it's a classic high-output MM – in fact one of the strongest-output cartridges in the series. Any decent MM phono stage is sufficient; an MC stage or a step-up transformer is not required.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Virtuoso V2 at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause matching cartridge, tonearm and phono stage is our craft. Our technician Mauri aligns it to the millimetre, and we give you an honest opinion on whether the step to a boron cantilever is worth it for you – as an authorised Clearaudio dealer with our own workshop on site.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the matching electronics and foundation among our \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamps\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003eTonearms\u003c\/a\u003e. Alignment tools, scales and record care are under \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eTurntable Accessories\u003c\/a\u003e, more cartridges under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Clearaudio","offers":[{"title":"Default Title","offer_id":52989502194000,"sku":null,"price":990.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/clearaudio-virtuoso-v2-moving-magnet-tonabnehmer-schraegansicht.jpg?v=1785846930"},{"product_id":"denondl103em","title":"Denon DL-103 MC Cartridge (Low Output), Black","description":"\u003cp\u003eThe Denon DL-103 is a low-output moving-coil cartridge that has been built almost unchanged since 1964 and is considered the benchmark for honest, powerful analogue sound.\u003c\/p\u003e\u003cp\u003eOriginally developed for Japanese broadcasting, it has remained a reference to this day: precisely wound coils, a robust housing and a conical spherical stylus with a 16.5 µm radius. The sound is warm, engaging and dynamic – not an analytical scalpel, but a mature, calm sound that gives substance even to older records. In Swiss and European distribution it runs under the order code DL-103EM; the cartridge behind it is the classic Denon DL-103.\u003c\/p\u003e\u003ch2\u003eWhy the DL-103?\u003c\/h2\u003e\u003cp\u003eBecause it has worked for six decades and stayed down-to-earth the whole time. The conical stylus is tolerant of alignment and forgiving of grooves that weren't pressed perfectly, and the 40-ohm internal resistance ensures a clean, low-noise signal. A classic that pricier systems still have to measure up to today – and surprisingly often don't win as clearly as the brochure promises.\u003c\/p\u003e\u003ch2\u003eWhat you hear\u003c\/h2\u003e\u003cp\u003eThe DL-103 goes for substance over effect: voices and acoustic instruments sit in the room with presence and calm, the bass is dry and controlled, and the treble stays smooth rather than sharp. Add to that the famous tracking stability – the robust spherical stylus is forgiving even of older pressings. The result is music with flow and character, not clinical dissection.\u003c\/p\u003e\u003ch3\u003eWho is the DL-103 suited to?\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003ePlain talk:\u003c\/strong\u003e At 0.3 mV, the DL-103 is a low-output MC – it absolutely needs an MC-capable phono stage with plenty of gain, or a step-up transformer. On a plain MM input it stays clearly too quiet. Because of its low compliance of 5 × 10⁻⁶ cm\/dyn, it feels most at home on medium-mass to heavy tonearms. If you want the very last trace of treble resolution, go for a fine-line or Shibata stylus; if you want dynamics, calm and character, this is exactly right.\u003c\/p\u003e\u003ch2\u003eOur verdict\u003c\/h2\u003e\u003cp\u003eThe DL-103 is one of the greatest classics in analogue history – in the line-up since 1964, copied countless times and still the benchmark for honest MC sound today. If you're after that characterful, dynamic tone and have the matching chain, you get an extraordinary amount of substance here. Honestly: in an analogue chain, getting the phono stage and tonearm properly matched usually brings more than the next upgrade – and that's exactly where HD Zürisee in Wädenswil can help you.\u003c\/p\u003e\u003ch2\u003eTechnical data\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eType: Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 0.3 mV (1 kHz, 50 mm\/s)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 45,000 Hz\u003c\/li\u003e\n\u003cli\u003eInternal resistance (coil impedance): 40 ohms ± 20% (1 kHz)\u003c\/li\u003e\n\u003cli\u003eRecommended load resistance: 100 ohms or more (or via transformer)\u003c\/li\u003e\n\u003cli\u003eChannel separation: at least 25 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eChannel balance: max. 1 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eStylus tip: conical spherical stylus, 16.5 µm, solid diamond\u003c\/li\u003e\n\u003cli\u003eStylus compliance: 5 × 10⁻⁶ cm\/dyn (100 Hz)\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.5 g (± 0.3 g)\u003c\/li\u003e\n\u003cli\u003eWeight: 8.5 g\u003c\/li\u003e\n\u003cli\u003eMounting: standard 1\/2-inch spacing, 4-pin connection\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eIs the DL-103EM the same model as the DL-103?\u003c\/strong\u003e\u003cbr\u003eYes. \"EM\" is the order code under which distribution in Switzerland and Europe lists the Denon DL-103. Technically it's exactly the same cartridge Denon has built since 1964 – same stylus, same coils, same specs, same manufacturing in Japan.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDo I need a special phono stage?\u003c\/strong\u003e\u003cbr\u003eYes. At 0.3 mV the DL-103 is a low-output MC and needs an MC-capable phono stage with high gain, or a step-up transformer. The recommended load is 100 ohms or more. On a plain MM input it stays clearly too quiet.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhich tonearm suits the DL-103?\u003c\/strong\u003e\u003cbr\u003eBecause of its low compliance of 5 × 10⁻⁶ cm\/dyn, it works best with medium-mass to heavy tonearms. On very light arms, the resonance frequency shifts too high, and bass and tracking stability suffer noticeably.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs the conical stylus a disadvantage?\u003c\/strong\u003e\u003cbr\u003eNo, more a character trait. The 16.5 µm spherical stylus is robust, tolerant of alignment and musical. A fine-line or Shibata stylus brings out a bit more of the very finest treble detail – in return, the DL-103 scores with dynamics, tracking stability and forgiveness of well-used records.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy buy the Denon DL-103 from HD Zürisee?\u003c\/strong\u003e\u003cbr\u003eBecause an MC cartridge lives or dies with the chain it's part of. At HD Zürisee in Wädenswil, our years of experience tell you which phono stage and which tonearm really suit it, and we mount and align the cartridge properly. Call us (044 680 22 00) or message us on WhatsApp (\u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e, text only, no calls).\u003c\/p\u003e\u003ch2\u003eGoes well with\u003c\/h2\u003e\u003cp\u003eYou'll find more cartridges in our \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e collection, matching MC gain under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamplifiers\u003c\/a\u003e, and turntables under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e. The whole brand is in the \u003ca href=\"\/en-ch\/collections\/denon\"\u003eDenon\u003c\/a\u003e overview.\u003c\/p\u003e","brand":"Denon","offers":[{"title":"Default Title","offer_id":52989504487760,"sku":null,"price":329.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/denon-dl-103-mc-tonabnehmer-schraegansicht.jpg?v=1785852350"},{"product_id":"denondl103rem","title":"Denon DL-103R MC Cartridge (Low Output), Black","description":"\u003cp\u003eThe Denon DL-103R is a low-output moving-coil cartridge whose coils are wound from ultra-pure 6N copper (99.9999%), giving the DL-103 character a finer, more open resolution.\u003c\/p\u003e\u003cp\u003eFor the R, Denon reworked the electrics and left the rest of the legend as it was: the same housing, the same conical 16.5 µm spherical stylus, the same tracking force, the same weight. What's new is the 6N copper coils and a significantly lower internal resistance of 14 instead of 40 ohms – that makes it more rewarding on a transformer and brings audibly more air up top. In Swiss and European distribution it's listed under the order code DL-103REM.\u003c\/p\u003e\u003ch2\u003eWhy the DL-103R?\u003c\/h2\u003e\u003cp\u003eBecause it keeps the unmistakable DL-103 tone while drawing a notch finer. No new concept, no marketing overhaul – just better coil material exactly where it counts. The robust housing and the straightforward spherical stylus remain, and with them the longevity the original is known for.\u003c\/p\u003e\u003ch2\u003eWhat you get\u003c\/h2\u003e\u003cp\u003eThe R keeps the warm, powerful base tone but adds detail resolution and airiness: treble sounds more open, spaces wider, fine details come through more clearly – without losing the dynamic core. Anyone who knows the DL-103 hears the same honest tone, just with a bit more resolution up top. Not a different cartridge, but the same cartridge with its homework better done.\u003c\/p\u003e\u003ch3\u003eWho is the DL-103R suited to?\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003ePlain talk:\u003c\/strong\u003e At 0.25 mV, the R delivers even less voltage than the original – a genuinely low-noise MC phono stage or a good transformer is mandatory here, not a nice-to-have. Recommended is 100 ohms or more, or around 40 ohms via transformer. Like the original, it favours medium-mass to heavy tonearms. If you're stuck with a tight phono stage, you're better off with the standard DL-103; if you have headroom, you'll get noticeably more out of this one.\u003c\/p\u003e\u003ch2\u003eOur verdict\u003c\/h2\u003e\u003cp\u003eThe DL-103R is the finer reading of a legend: the same robust character, more resolution thanks to 6N copper, the same unfussy everyday use. An honest upgrade rather than a reinvention – there are fewer of those in the analogue world than the brochures suggest. The quickest way to find out whether your phono stage has the necessary headroom is to talk to us at HD Zürisee in Wädenswil.\u003c\/p\u003e\u003ch2\u003eTechnical data\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eType: Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 0.25 mV (1 kHz, 50 mm\/s)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 45,000 Hz\u003c\/li\u003e\n\u003cli\u003eInternal resistance (coil impedance): 14 ohms ± 20% (1 kHz)\u003c\/li\u003e\n\u003cli\u003eRecommended load resistance: 100 ohms or more (approx. 40 ohms when run via a transformer)\u003c\/li\u003e\n\u003cli\u003eCoil material: 6N copper (99.9999%)\u003c\/li\u003e\n\u003cli\u003eChannel separation: at least 25 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eChannel balance: max. 1 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eStylus tip: conical spherical stylus, 16.5 µm, solid diamond\u003c\/li\u003e\n\u003cli\u003eStylus compliance: 5 × 10⁻⁶ cm\/dyn (100 Hz)\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.5 g (± 0.3 g)\u003c\/li\u003e\n\u003cli\u003eWeight: 8.5 g\u003c\/li\u003e\n\u003cli\u003eMounting: standard 1\/2-inch spacing, 4-pin connection\u003c\/li\u003e\n\u003cli\u003eColour: Black\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eIs the DL-103REM the same model as the DL-103R?\u003c\/strong\u003e\u003cbr\u003eYes. \"REM\" is the order code under which European and Swiss distribution lists the Denon DL-103R. Same cartridge, same technical data, same manufacturing – just a different label on the order list.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhat's the difference from the regular DL-103?\u003c\/strong\u003e\u003cbr\u003eThe R uses 6N copper coils and has a significantly lower internal resistance of 14 instead of 40 ohms; output voltage is 0.25 instead of 0.3 mV. Stylus, housing, tracking force and weight are identical. Sonically it resolves finer and more openly.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDoes it suit a step-up transformer (SUT)?\u003c\/strong\u003e\u003cbr\u003eYes, and it benefits from one. On a transformer, around 40 ohms of loading is recommended; on an active MC stage, 100 ohms or more. Thanks to its low internal resistance of 14 ohms, it's easier to match than the original with its 40 ohms.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy buy the Denon DL-103R from HD Zürisee?\u003c\/strong\u003e\u003cbr\u003eBecause with a low-output MC, the phono stage decides between joy and disappointment. Our experienced team in Wädenswil checks whether your phono stage has enough headroom, mounts the cartridge and aligns it to your arm. Get in touch by phone, email or WhatsApp – we take the time.\u003c\/p\u003e\u003ch2\u003eGoes well with\u003c\/h2\u003e\u003cp\u003eYou'll find the matching MC gain under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamplifiers\u003c\/a\u003e, more cartridges under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e, and turntables under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e. Everything from \u003ca href=\"\/en-ch\/collections\/denon\"\u003eDenon\u003c\/a\u003e is in the brand overview.\u003c\/p\u003e","brand":"Denon","offers":[{"title":"Default Title","offer_id":52989504520528,"sku":null,"price":390.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/denon-dl-103r-mc-tonabnehmer-schraegansicht.jpg?v=1785852350"},{"product_id":"denondl110em","title":"Denon DL-110 MC Cartridge (High Output), Red","description":"\u003cp\u003eThe Denon DL-110 is a high-output moving-coil cartridge that delivers enough voltage at 1.6 mV to run directly into a standard MM phono input.\u003c\/p\u003e\u003cp\u003eHere Denon lifts an MC cartridge's output voltage to MM level. You get the transparency and liveliness of a moving-coil cartridge without needing an MC phono stage or a transformer: 47 kOhm loading, exactly what every standard phono input offers, and that's it. The special elliptical stylus tracks finely, and the light 4.8 g body suits most tonearms. In Swiss and European distribution it runs under the order code DL-110EM.\u003c\/p\u003e\u003ch2\u003eWhy the DL-110?\u003c\/h2\u003e\u003cp\u003eBecause it makes the most demanding part of an MC system unnecessary: the search for the right MC phono stage. Plug it into the MM input, set the tracking force, done – and it still sounds like moving coil: open, agile, detailed. It's handmade at Denon's Shirakawa Audio Works in Japan.\u003c\/p\u003e\u003ch2\u003eWhat you hear\u003c\/h2\u003e\u003cp\u003eThe DL-110 brings the typical MC liveliness: open, airy treble, an agile base tone and a fine elliptical tracing that draws out details cleanly. Despite the high-output principle, it doesn't sound like a compromise but like genuine moving coil – just without extra electronics in front of it. The two-piece aluminium cantilever keeps moving mass low, which you can hear in its tracking ability.\u003c\/p\u003e\u003ch3\u003eWho is the DL-110 suited to?\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003ePlain talk:\u003c\/strong\u003e A low-output MC can, in theory, resolve a touch finer – but then you also need the electronics to go with it, and those rarely play in the same league as the cartridge in front of them. With a compliance of 8 × 10⁻⁶ cm\/dyn and 4.8 g of weight, the DL-110 suits light to medium-mass tonearms; on a very heavy arm it's not the first choice. If you have an MM input and want MC sound without rebuilding half your chain, this is exactly right.\u003c\/p\u003e\u003ch2\u003eOur verdict\u003c\/h2\u003e\u003cp\u003eThe DL-110 is the most uncomplicated route to genuine MC sound: handmade in Japan, ready to go straight on an MM input, and still open and dynamic. Anyone who wants MC tone without a dedicated phono stage can't go wrong here – and saves themselves the cost of an MC stage too. HD Zürisee in Wädenswil will help you work out whether it suits your tonearm and how to get it sitting properly.\u003c\/p\u003e\u003ch2\u003eTechnical data\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eType: Moving Coil (MC), High Output – suitable for MM phono inputs\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 1.6 mV (1 kHz, 50 mm\/s)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20 Hz – 45,000 Hz\u003c\/li\u003e\n\u003cli\u003eInternal resistance (coil impedance): 160 ohms\u003c\/li\u003e\n\u003cli\u003eRecommended load resistance: 47 kOhm or more (standard MM input)\u003c\/li\u003e\n\u003cli\u003eChannel separation: at least 25 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eChannel balance: max. 1 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eStylus tip: special elliptical stylus, solid diamond, 0.1 × 0.2 mm\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium, two-piece (dual construction)\u003c\/li\u003e\n\u003cli\u003eStylus compliance: 8 × 10⁻⁶ cm\/dyn\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 1.8 g (± 0.3 g), range 1.5–2.1 g\u003c\/li\u003e\n\u003cli\u003eWeight: 4.8 g\u003c\/li\u003e\n\u003cli\u003eMounting: standard 1\/2-inch spacing, 4-pin connection\u003c\/li\u003e\n\u003cli\u003eColour: Red\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\u003cp\u003e\u003cstrong\u003eDoes the DL-110 run on a standard MM phono input?\u003c\/strong\u003e\u003cbr\u003eYes. With an output voltage of 1.6 mV and a load resistance of 47 kOhm, it's built exactly for that: you plug it into the same phono input as an MM cartridge. An MC phono stage or a step-up transformer is neither necessary nor useful.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIs the DL-110EM the same model as the DL-110?\u003c\/strong\u003e\u003cbr\u003eYes. \"EM\" is the order code under which European and Swiss distribution lists the Denon DL-110. The cartridge behind it is identical – same stylus, same technical data, same handmade production in Japan.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHigh output or low output – which is better?\u003c\/strong\u003e\u003cbr\u003eBoth have their appeal. A low-output MC can, in theory, resolve more finely, but demands a high-gain MC stage or a transformer. High output like the DL-110 brings MC sound straight to an MM input – the more uncomplicated solution for most systems.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWill it suit my tonearm?\u003c\/strong\u003e\u003cbr\u003eWith a weight of 4.8 g and a compliance of 8 × 10⁻⁶ cm\/dyn, it suits light to medium-mass tonearms – in other words, the great majority of common turntables. On very heavy arms, the resonance frequency drops too far.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWhy buy the Denon DL-110 from HD Zürisee?\u003c\/strong\u003e\u003cbr\u003eBecause even an uncomplicated cartridge needs to sit properly to deliver what it promises. At HD Zürisee in Wädenswil, we mount it, align overhang and azimuth, and tell you honestly whether it suits your arm. Message us or call (044 680 22 00).\u003c\/p\u003e\u003ch2\u003eGoes well with\u003c\/h2\u003e\u003cp\u003eYou'll find more cartridges under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e and turntables under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e. If your amplifier has no phono input at all, you'll find what you need under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamplifiers\u003c\/a\u003e. The whole brand is in the \u003ca href=\"\/en-ch\/collections\/denon\"\u003eDenon\u003c\/a\u003e overview.\u003c\/p\u003e","brand":"Denon","offers":[{"title":"Default Title","offer_id":52989504553296,"sku":null,"price":299.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/denon-dl-110-mc-tonabnehmer-rot-schraegansicht.jpg?v=1785852350"},{"product_id":"goldnotedavinci","title":"Gold Note Da Vinci MC Cartridge","description":"\u003cp\u003eThe Gold Note Da Vinci is a low-output moving-coil cartridge, made in Tuscany with a Micro Elliptical diamond, aluminium cantilever and Duralumin 7000 body.\u003c\/p\u003e\n\u003cp\u003eIt answers an old question: how much genuine high-end tracking is possible before the chain gets more expensive than the record collection? The Da Vinci takes vinyl the way it was pressed – fast, honest and without any softening filter.\u003c\/p\u003e\n\u003ch2\u003eWhy the Da Vinci?\u003c\/h2\u003e\n\u003cp\u003eThe Micro Elliptical cut sits closer against the groove walls than a simple elliptical diamond, extracting more information cleanly – especially in the critical inner grooves, where many cartridges start to struggle. The lightweight aluminium cantilever and the case machined from solid Duralumin 7000 keep resonance out of the signal, while the copper coils deliver over 30 dB of channel separation.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003ePace and texture. The bass is dry and well-defined, the midrange is open, voices gain body, and the treble stays refined rather than sharp. The soundstage is stable and widely spread: you can point to exactly where the triangle sits, rather than just sensing it.\u003c\/p\u003e\n\u003ch3\u003eWho is the Da Vinci suited for – and who isn't it for?\u003c\/h3\u003e\n\u003cp\u003eFor vinyl listeners taking the step to genuine moving coil and who bring along a decent chain for it. Plain talk: at 0.4 mV the Da Vinci is a low-output MC and absolutely needs a phono stage with an MC input and enough gain; on a plain MM input it stays too quiet. And it's honest – it won't flatter battered pressings. Anyone looking for a forgiving softener for flea-market finds is in the wrong place here.\u003c\/p\u003e\n\u003ch3\u003eOur verdict\u003c\/h3\u003e\n\u003cp\u003eThe Da Vinci plays well above what you'd expect from an entry-level low-output cartridge – provided the turntable base, tonearm and phono stage keep pace. That's exactly where we come in: at HD Zürisee in Wädenswil we mount and align it properly and match the loading to your phono stage.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat the press says:\u003c\/em\u003e \"It is excellent value for money and I highly recommend it.\" – Chris Frankland, The Ear, October 2024.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: moving coil (MC), low output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 0.4 mV\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 4 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load impedance: 47 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.0 g\u003c\/li\u003e\n\u003cli\u003eStylus profile (diamond): Micro Elliptical\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium\u003c\/li\u003e\n\u003cli\u003eCompliance: 12 × 10⁻⁶ cm\/dyn\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–35,000 Hz\u003c\/li\u003e\n\u003cli\u003eChannel separation: over 30 dB\u003c\/li\u003e\n\u003cli\u003eCoil wire: copper\u003c\/li\u003e\n\u003cli\u003eBody: Duralumin 7000, machined from solid\u003c\/li\u003e\n\u003cli\u003eWeight: 10 g\u003c\/li\u003e\n\u003cli\u003eScope of delivery: cartridge, mounting screws, installation and alignment accessories, manual, storage box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eDo I need an MC phono stage for the Da Vinci?\u003c\/h3\u003e\n\u003cp\u003eYes. The Da Vinci is a low-output MC with 0.4 mV and needs a phono stage with an MC input and enough gain. On a plain MM input it stays far too quiet. Gold Note specifies 47 Ω as the loading – a phono stage with adjustable loading is worth its weight in gold here.\u003c\/p\u003e\n\u003ch3\u003eWhich tonearm does the Da Vinci fit?\u003c\/h3\u003e\n\u003cp\u003eOn medium-mass arms with a half-inch mount. At 10 g of its own weight and a compliance of 12, it sits within the classic window. Clean overhang, azimuth and VTA values matter, plus a tracking force of 2.0 g – we'll set all of that up for you precisely.\u003c\/p\u003e\n\u003ch3\u003eCan the stylus on the Da Vinci be replaced?\u003c\/h3\u003e\n\u003cp\u003eNo. On a moving-coil cartridge, the diamond is fixed to the cantilever, which is connected to the coils – there's no plug-in stylus assembly like on MM cartridges, by design. Gold Note doesn't offer a replacement stylus unit for the MC models either. If it wears out, we'll clarify the options with the distributor.\u003c\/p\u003e\n\u003ch3\u003eWhat distinguishes the Da Vinci from the Giotto?\u003c\/h3\u003e\n\u003cp\u003eCantilever and cut. The Da Vinci works with an aluminium cantilever and Micro Elliptical diamond, delivers 0.4 mV and wants 47 Ω loading. The Giotto uses a stiffer boron cantilever with an Ultra Micro Elliptical cut, puts out 0.35 mV and is loaded at 100 Ω.\u003c\/p\u003e\n\u003ch3\u003eDoes the Da Vinci forgive worn records?\u003c\/h3\u003e\n\u003cp\u003eOnly to a limited extent. The precise Micro Elliptical cut lays bare exactly what's in the groove – including wear and weak pressings. On well-kept vinyl, it rewards you in return with a great deal of detail and a quiet background. Good record cleaning pays off doubly here.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Gold Note Da Vinci from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge only sounds as good as its mounting. We fit the Da Vinci properly onto your tonearm, align it to the millimetre and match it to your phono stage. As an experienced specialist team in Wädenswil, we'll give you an honest recommendation on which cartridge fits your setup – call us or drop us a message.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA stable \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearm\u003c\/a\u003e and a high-quality \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable base\u003c\/a\u003e give the Da Vinci its foundation, and an MC-capable stage from our \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e provides the gain. For clean grooves it's worth a look at \u003ca href=\"\/en-ch\/collections\/platten-reinigung\"\u003erecord cleaning\u003c\/a\u003e, and further cartridges can be found under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Gold Note","offers":[{"title":"Default Title","offer_id":52989508813136,"sku":"304396","price":1590.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/gold-note-da-vinci-mc-tonabnehmer-schraegansicht.jpg?v=1785925253"},{"product_id":"goldnotedonatellogold","title":"Gold Note Donatello Gold MC Cartridge","description":"\u003cp\u003eThe Gold Note Donatello Gold is a low-output moving-coil cartridge that, at just 7 grams, carries a Micro-Elliptical diamond on an aluminium cantilever inside a titanium sleeve.\u003c\/p\u003e\n\u003cp\u003eSeven grams sounds like a footnote, but it's the real trick: hardly any MC cartridge is this light, and that's exactly why the Donatello Gold can be balanced cleanly on almost any tonearm – even ones that would struggle with heavier heavyweights.\u003c\/p\u003e\n\u003ch2\u003eWhy the Donatello Gold?\u003c\/h2\u003e\n\u003cp\u003eBecause Gold Note deliberately invested here in the places you actually hear. The Micro-Elliptical diamond was developed together with Adamant-Namiki, the aluminium cantilever sits inside a telescopic titanium tube for extra stiffness, and the copper coils work over a samarium-cobalt magnet. Long, gold-plated connector pins ensure secure contact with the tonearm cables, while the solid duralumin body keeps resonances away from the generator.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003ePace, precision and a very quiet background. The Donatello Gold tracks fast and honestly, draws the stage cleanly and pulls details out of the groove you'd previously overheard. It's not a warm flatterer: rock and electronic music get just as much drive as a string quartet gets air.\u003c\/p\u003e\n\u003ch3\u003eWho is the Donatello Gold suited for – and who isn't it for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone making the jump to moving coil who has, or wants to get, an MC-capable phono stage. Plain talk: at 0.5 mV it's a low-output MC and belongs on an MC input with around 470 Ω loading, or on a step-up transformer. If you only have an MM input, go for the Donatello Red instead. And it wants a smoothly running turntable – on a wobbly attic find you'd be wasting its talent.\u003c\/p\u003e\n\u003ch3\u003eOur verdict\u003c\/h3\u003e\n\u003cp\u003eA surprisingly mature MC cartridge: fast, honest and, thanks to its 7 grams, uncomplicated when it comes to tonearm choice. The rest is down to setup – we at HD Zürisee in Wädenswil mount it, align overhang, azimuth, tracking force and VTA, and match your phono stage's loading to it.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat the trade press says:\u003c\/em\u003e \"It's an excellent cartridge.\" – Greg Simmons, Stereo Times, 2020.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePrinciple: Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 0.5 mV\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 40 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load impedance: 470 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 1.8–2.1 g\u003c\/li\u003e\n\u003cli\u003eStylus (diamond): Micro Elliptical, developed with Adamant-Namiki\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium in a telescopic titanium sleeve\u003c\/li\u003e\n\u003cli\u003eCompliance: 12 × 10⁻⁶ cm\/dyn\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–40,000 Hz\u003c\/li\u003e\n\u003cli\u003eChannel separation: 24 dB · channel balance under 1 dB\u003c\/li\u003e\n\u003cli\u003eCoil wire: copper · Magnet: samarium-cobalt\u003c\/li\u003e\n\u003cli\u003eConnection: long, gold-plated pins\u003c\/li\u003e\n\u003cli\u003eMounting: standard 1\/2 inch, 9 mm hole spacing\u003c\/li\u003e\n\u003cli\u003eBody: duralumin, gold finish with black logo\u003c\/li\u003e\n\u003cli\u003eWeight: 7 g\u003c\/li\u003e\n\u003cli\u003eScope of delivery: cartridge, mounting screws, installation and alignment accessories, data sheet with serial number, storage case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eCan I run the Donatello Gold on an MM input?\u003c\/h3\u003e\n\u003cp\u003eNo. The Gold is the low-output variant with 0.5 mV and needs an MC phono input with around 470 Ω loading, or a step-up transformer. For direct use on a 47 kΩ MM input, Gold Note offers the Donatello Red – also an MC, just with a higher output level.\u003c\/p\u003e\n\u003ch3\u003eWhat really distinguishes Donatello Gold from Donatello Red?\u003c\/h3\u003e\n\u003cp\u003eOnly the generator tuning. Stylus profile, cantilever, compliance, tracking force and weight are identical. The Gold outputs 0.5 mV at 40 Ω and reaches up to 40,000 Hz, the Red 1.8 mV at 140 Ω up to 35,000 Hz. Add the body colour – and that's it.\u003c\/p\u003e\n\u003ch3\u003eWhich tonearms does the Donatello Gold fit?\u003c\/h3\u003e\n\u003cp\u003eThanks to its 7-gram weight and standard half-inch mounting with 9 mm hole spacing, it fits almost any tonearm, including light ones. What matters is clean alignment of overhang, azimuth and tracking force between 1.8 and 2.1 grams – we take care of that for you.\u003c\/p\u003e\n\u003ch3\u003eCan the stylus of the Donatello Gold be replaced?\u003c\/h3\u003e\n\u003cp\u003eNo. On an MC cartridge the cantilever is permanently connected to the coils; a plug-in stylus assembly like on MM cartridges simply doesn't exist by design. Gold Note also doesn't list a replacement stylus for the MC models. If the diamond wears out, we'll sort out the options with the distributor.\u003c\/p\u003e\n\u003ch3\u003eDoes the Donatello Gold need a break-in period?\u003c\/h3\u003e\n\u003cp\u003eYes, and not a short one. In a 2024 TNT-Audio review, the Gold Note cartridges needed around 150 to 200 hours before showing their full potential. At first the Donatello can sound a bit reserved – give it time and don't judge it after the first side.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Donatello Gold from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge stands or falls with its setup. We mount the Donatello professionally on your tonearm, align it to the millimetre, and set gain and loading on your phono stage correctly. In Wädenswil we give you honest advice and, with our own technician, we're there for you even after the purchase.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA precisely adjustable \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearm\u003c\/a\u003e and a quiet-running \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e form the basis, and an MC-capable stage from our \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamplifiers\u003c\/a\u003e provides the right gain. Find everything around the groove under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAlles Vinyl\u003c\/a\u003e, and more cartridges under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eTonabnehmer\u003c\/a\u003e.\u003c\/p\u003e","brand":"Gold Note","offers":[{"title":"Default Title","offer_id":52989508845904,"sku":"304397","price":1090.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/gold-note-donatello-gold-mc-tonabnehmer-schraegansicht.jpg?v=1785925292"},{"product_id":"goldnotedonatellored","title":"Gold Note Donatello Red MC Cartridge","description":"\u003cp\u003eThe Gold Note Donatello Red is a high-output moving-coil cartridge that, with 1.8 mV, works directly on a normal MM phono input – without a step-up transformer and without a separate MC stage.\u003c\/p\u003e\n\u003cp\u003eThat's the pragmatic side of the Donatello: the mechanics of its big brother, but a generator loud enough for the phono input you probably already have. Upgrading without rebuilding half your system.\u003c\/p\u003e\n\u003ch2\u003eWhy the Donatello Red?\u003c\/h2\u003e\n\u003cp\u003eBecause technically it remains a full moving coil and only compromises on level for the sake of practicality. The Micro-Elliptical diamond comes from the development work with Adamant-Namiki, the aluminium cantilever sits in a telescopic titanium sleeve, and copper coils work above a samarium-cobalt magnet. With 140 Ω internal impedance it's designed for the usual 47 kΩ on an MM input, and at 7 grams it remains a lightweight.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eThe fast, airy character of an MC – on a system you already own. The Red plays precisely, openly and with clean layering, with contoured rather than bloated bass. Anyone coming from a simple MM cartridge notices one thing immediately above all: more calm between the notes.\u003c\/p\u003e\n\u003ch3\u003eWho is the Donatello Red suited for – and who isn't it for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone who wants MC quality but wants to keep their amplifier's MM phono stage – no extra device, no cable clutter. Plain talk: if you already have a good MC stage in the rack, the low-output Donatello Gold gets you a touch more fine detail. And the Red isn't a bass-slamming party speaker feed – it's tuned for precision and wants well-kept vinyl.\u003c\/p\u003e\n\u003ch3\u003eOur verdict\u003c\/h3\u003e\n\u003cp\u003eThe simplest route to genuine MC sound, without rethinking your phono chain. For it to show what it can do, setup is what counts – we take care of that at HD Zürisee in Wädenswil and align it to the millimetre on your tonearm.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePrinciple: Moving Coil (MC), High Output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 1.8 mV\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 140 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load impedance: 47 kΩ (standard MM input)\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 1.8–2.1 g\u003c\/li\u003e\n\u003cli\u003eStylus (diamond): Micro Elliptical, developed with Adamant-Namiki\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium in a telescopic titanium sleeve\u003c\/li\u003e\n\u003cli\u003eCompliance: 12 × 10⁻⁶ cm\/dyn\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–35,000 Hz\u003c\/li\u003e\n\u003cli\u003eChannel separation: 24 dB · channel balance under 1 dB\u003c\/li\u003e\n\u003cli\u003eCoil wire: copper · Magnet: samarium-cobalt\u003c\/li\u003e\n\u003cli\u003eConnection: long, gold-plated pins\u003c\/li\u003e\n\u003cli\u003eMounting: standard 1\/2 inch, 9 mm hole spacing\u003c\/li\u003e\n\u003cli\u003eBody: duralumin, red finish with white logo\u003c\/li\u003e\n\u003cli\u003eWeight: 7 g\u003c\/li\u003e\n\u003cli\u003eScope of delivery: cartridge, mounting screws, installation and alignment accessories, stylus guard, data sheet with serial number\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eDo I need an MC preamplifier for the Donatello Red?\u003c\/h3\u003e\n\u003cp\u003eNo. At 1.8 mV the Red is a high-output MC designed for the normal 47 kΩ MM phono input. You connect it to the phono input your amplifier or phono stage already has – a separate MC preamplifier or step-up transformer isn't necessary.\u003c\/p\u003e\n\u003ch3\u003eDoes that make the Donatello Red an MM cartridge?\u003c\/h3\u003e\n\u003cp\u003eNo. It's a true moving coil, just with a more powerfully designed generator. It's still the coils that move, not a magnet. This delivers the typically fast MC character – but it costs you the plug-in stylus assembly typical of MM cartridges.\u003c\/p\u003e\n\u003ch3\u003eDonatello Gold or Donatello Red – which suits me?\u003c\/h3\u003e\n\u003cp\u003eThat's decided by your phono input. If you only have MM with 47 kΩ, go for the Red. If you have a good MC stage with 470 Ω loading, the Gold plays a touch finer and reaches up to 40,000 Hz. Mechanically both are built identically.\u003c\/p\u003e\n\u003ch3\u003eDoes the Donatello Red fit older tonearms from Rega, Dual or Thorens?\u003c\/h3\u003e\n\u003cp\u003eAs a rule, yes. At 7 grams and with standard half-inch mounting at 9 mm hole spacing, it's compatible with most common tonearms. We set up tracking force, overhang and anti-skate cleanly for you – with older arms in particular, that's doubly worthwhile.\u003c\/p\u003e\n\u003ch3\u003eCan I change the stylus of the Donatello Red myself?\u003c\/h3\u003e\n\u003cp\u003eNo. Even as the high-output variant, it remains an MC cartridge where the cantilever and coils form one unit. There's no replacement stylus assembly for it either. If the diamond wears out after many hours of use, we'll clarify with the distributor what solution Gold Note offers.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Donatello Red from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause the best cartridge is worthless if it sits crooked. We mount and align the Red professionally and tell you honestly whether Red or Gold suits your system better. As a specialist shop in Wädenswil with our own technician, we're there for you even after the purchase – just get in touch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA solid \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearm\u003c\/a\u003e and a quiet-running \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e get the most out of the Red. If you want to switch to an MC stage later, you'll find one under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamplifiers\u003c\/a\u003e. More cartridges and accessories are available under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eTonabnehmer\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAlles Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"Gold Note","offers":[{"title":"Default Title","offer_id":52989508878672,"sku":"304398","price":850.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/gold-note-donatello-red-mc-tonabnehmer-schraegansicht.jpg?v=1785925253"},{"product_id":"goldnotegiotto","title":"Gold Note Giotto MC Cartridge","description":"\u003cp\u003eThe Gold Note Giotto is a low-output moving-coil cartridge that guides an ultra-fine polished diamond on a boron cantilever – the most uncompromising design in the Gold Note MC range below the flagship models.\u003c\/p\u003e\n\u003cp\u003eIt's made in Tuscany, where Gold Note has done practically everything in-house for over 25 years: the coils are wound there, the diamond and cantilever come from the Japanese specialists Adamant-Namiki and Ogura, and the body is machined from a solid block of Duralumin 7000.\u003c\/p\u003e\n\u003ch2\u003eWhy the Giotto?\u003c\/h2\u003e\n\u003cp\u003eBecause two elaborate ingredients come together here that you rarely find in the same price class. Boron is lighter and considerably stiffer than aluminium, and the Ultra Micro Elliptical grind at 5 × 150 µm sits deep and precisely in the groove. That gives a linear response from 10 to 40,000 Hz with controlled bass, natural mids and open, never harsh treble. Copper coils and a samarium-cobalt magnet system deliver the wiry dynamics good MC cartridges are known for.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eCalm and space. The Giotto tracks even the innermost grooves cleanly, separates instruments clearly and builds a believable, three-dimensional soundstage without ever sounding cold or analytical. Vocals and acoustic instruments gain body, and the over 30 dB of channel separation keeps the image stable – detailed, but never fatiguing.\u003c\/p\u003e\n\u003ch3\u003eWho is the Giotto for – and who isn't it for?\u003c\/h3\u003e\n\u003cp\u003eFor vinyl listeners with a fully grown-up chain who want to get the maximum out of a good turntable and tonearm. Straight talk: at 0.35 mV, the Giotto is a low-output MC and absolutely needs an MC-capable phono stage or a step-up transformer – an MM input isn't enough. And on an entry-level deck with a wobbly plastic arm, it's simply wasted; it belongs on a stable, finely adjustable arm.\u003c\/p\u003e\n\u003ch3\u003eOur verdict\u003c\/h3\u003e\n\u003cp\u003eOne of Gold Note's most mature MC cartridges: boron, a fine diamond and a solid Duralumin body keep detail and musicality in a rare balance. We at HD Zürisee in Wädenswil mount and align it properly – tracking force, VTA, azimuth and loading at your phono stage – so it plays correctly from the very first groove.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat the specialist press says:\u003c\/em\u003e \"At the same time, it has a beautifully rounded tonality, offering greater subtlety and poise than the Da Vinci.\" – Chris Frankland, The Ear, October 2024.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePrinciple: moving coil (MC), low output\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 0.35 mV\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 8 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load impedance: 100 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.0 g\u003c\/li\u003e\n\u003cli\u003eStylus grind (diamond): Ultra Micro Elliptical, 5 × 150 µm\u003c\/li\u003e\n\u003cli\u003eCantilever: boron\u003c\/li\u003e\n\u003cli\u003eCompliance: 12 × 10⁻⁶ cm\/dyn\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–40,000 Hz\u003c\/li\u003e\n\u003cli\u003eChannel separation: over 30 dB\u003c\/li\u003e\n\u003cli\u003eCoil wire: copper · Magnet: samarium-cobalt\u003c\/li\u003e\n\u003cli\u003eMounting: standard 1\/2 inch\u003c\/li\u003e\n\u003cli\u003eBody: Duralumin 7000, machined from solid\u003c\/li\u003e\n\u003cli\u003eWeight: 10 g\u003c\/li\u003e\n\u003cli\u003eScope of delivery: cartridge, mounting hardware, stylus guard\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eDo I need a special phono stage for the Giotto?\u003c\/h3\u003e\n\u003cp\u003eYes. The Giotto is a low-output MC with 0.35 mV and 8 Ω internal impedance and needs an MC-capable phono preamp or a step-up transformer. Gold Note specifies 100 Ω as the load; some data sheets also mention 220 Ω. A stage with adjustable loading gives you room to fine-tune here.\u003c\/p\u003e\n\u003ch3\u003eWhat does the boron cantilever offer over aluminium?\u003c\/h3\u003e\n\u003cp\u003eBoron is stiffer and lighter. The cantilever flexes less under groove movement and transfers it to the coils with lower losses. Audibly, that shows up as finer resolution, more precise transients and a more stable spatial image, especially in the treble – the main reason for the gap to the Da Vinci.\u003c\/p\u003e\n\u003ch3\u003eGiotto or Da Vinci – what's the difference?\u003c\/h3\u003e\n\u003cp\u003eBoth are low-output MCs, but built differently. The Da Vinci uses aluminium and a Micro Elliptical diamond, outputs 0.4 mV and wants 47 Ω. The Giotto uses boron and an Ultra Micro Elliptical grind, delivers 0.35 mV at 100 Ω and reaches up to 40,000 Hz.\u003c\/p\u003e\n\u003ch3\u003eWill the Giotto fit my tonearm?\u003c\/h3\u003e\n\u003cp\u003eWith the standardised half-inch mount, it fits practically any high-quality tonearm. At 10 grams of weight, 2 grams tracking force and a compliance of 12, the arm should be cleanly balanceable and finely adjustable – we check and set that during mounting.\u003c\/p\u003e\n\u003ch3\u003eCan the stylus on the Giotto be replaced?\u003c\/h3\u003e\n\u003cp\u003eNo. The boron cantilever is permanently bonded to the coils, as with any moving-coil system – there's no plug-in stylus insert like on MM cartridges, and Gold Note doesn't offer one for its MC models either. If the diamond wears out, we'll clarify with the distributor what's possible.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Gold Note Giotto at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge in this class lives or dies by its mounting. We fit the Giotto properly, align tracking force, VTA and azimuth, and match the loading to your phono stage. As an experienced team in Wädenswil, we give you honest advice – call, write, or ask us on WhatsApp.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA quiet \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e and a finely adjustable \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearm\u003c\/a\u003e are a must with the Giotto, and an MC stage with adjustable loading can be found under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono preamps\u003c\/a\u003e. Matching setup and care accessories are under \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eTurntable accessories\u003c\/a\u003e, more cartridges under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Gold Note","offers":[{"title":"Default Title","offer_id":52989509173584,"sku":"304395","price":2590.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/gold-note-giotto-mc-tonabnehmer-schraegansicht.jpg?v=1785925253"},{"product_id":"goldnotepianosawalnutvasari","title":"Gold Note Pianosa Turntable, Walnut incl. Vasari Shibata","description":"\u003cp\u003eThe Gold Note Pianosa set is a completely ready-to-play vinyl package from Italy: the high-quality Pianosa turntable in walnut, combined with the pre-matched Gold Note Vasari Shibata cartridge. Unbox, set up, drop the needle.\u003c\/p\u003e\n\u003cp\u003eYou save yourself the search for a matching system – the deck, the 9-inch tonearm and the cartridge are matched to each other. The curved plinth in Italian walnut also makes the set a visual eye-catcher.\u003c\/p\u003e\n\u003ch2\u003eWhy the Pianosa set?\u003c\/h2\u003e\n\u003cp\u003eBecause everything here comes from a single source and fits together. The Pianosa brings a lot of flagship technology: the electronics of the 12-volt synchronous motor come from Gold Note's top models, and the “Quadral-Core” microcontroller suppresses vibrations and delivers clean torque. Then there's the Vasari Shibata – a cartridge with a fine Shibata cut that pulls more detail out of the groove than a simple elliptical cut. You choose the speed (33⅓ and 45) electronically, and the setting stays saved.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eThe Pianosa turntable with the 9-inch B-5.1 tonearm already fitted and wired, the Vasari Shibata cartridge, a transparent dust cover with removable hinges, plus a record clamp, belt and counterweight. In short: everything you need to get started – except a phono stage and a few good records.\u003c\/p\u003e\n\u003ch3\u003eWho it's for\u003c\/h3\u003e\n\u003cp\u003eFor anyone who wants a first-class turntable without sifting through cartridge tables for hours. \u003cstrong\u003eBottom line:\u003c\/strong\u003e if you already have a favourite cartridge in mind or want to run a pricier MC, you're better off buying the Pianosa alone and combining freely. The set is for anyone who values a coherent, ready-made solution.\u003c\/p\u003e\n\u003ch3\u003eWhat does the Vasari's Shibata cut bring?\u003c\/h3\u003e\n\u003cp\u003eThe Shibata diamond has a larger contact area with the groove than an elliptical cut. That means finer highs, better tracking and generally less wear – ideal for getting the most out of the Pianosa's potential.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Pianosa set is the convenient route to grown-up Italian vinyl sound: a first-class deck with a matching cartridge, matched and ready to go. Come by in Wädenswil and listen for yourself – we'll set up the set on site down to the millimetre.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: turntable set (belt drive) with fitted tonearm and cartridge\u003c\/li\u003e\n\u003cli\u003eCartridge: Gold Note Vasari Shibata (moving magnet, Shibata cut) – included in the set\u003c\/li\u003e\n\u003cli\u003eTonearm: Gold Note B-5.1, 9 inches, gimbal-mounted, cable included\u003c\/li\u003e\n\u003cli\u003eMotor: 12-volt synchronous motor with high torque, decoupled\u003c\/li\u003e\n\u003cli\u003eDrive: Quadral-Core microcontroller power supply (external), rectified NBR belt (70 Shore)\u003c\/li\u003e\n\u003cli\u003eSpeeds: 33⅓ and 45 rpm, electronic, ±0.1%, with fine adjustment\u003c\/li\u003e\n\u003cli\u003ePlatter: 23 mm damped poly-vinyl platter\u003c\/li\u003e\n\u003cli\u003eBearing\/spindle: split-spindle clamping system, hardened chrome-steel spindle, 5 mm chrome-steel ball bearing\u003c\/li\u003e\n\u003cli\u003ePlinth: curved Catenary construction, Italian walnut, 20 mm MDF + 3 mm stainless-steel plate\u003c\/li\u003e\n\u003cli\u003eWow \u0026 flutter: 0.1%\u003c\/li\u003e\n\u003cli\u003eRumble: –77 dB\u003c\/li\u003e\n\u003cli\u003eScope of delivery: turntable, Vasari Shibata cartridge, tonearm fitted, dust cover, record clamp, belt, counterweight\u003c\/li\u003e\n\u003cli\u003eDimensions (W×H×D): 425 × 200 × 360 mm\u003c\/li\u003e\n\u003cli\u003eWeight: 13.5 kg (deck)\u003c\/li\u003e\n\u003cli\u003eFinish: Walnut (Italian walnut)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eIs the cartridge already fitted?\u003c\/h3\u003e\n\u003cp\u003eOn request, we mount and align the Vasari Shibata fully ready for you before you collect the set or have it delivered – including tracking force, anti-skate and azimuth. That way the Pianosa plays correctly from the very first moment.\u003c\/p\u003e\n\u003ch3\u003eDo I additionally need a phono stage?\u003c\/h3\u003e\n\u003cp\u003eYes. The Vasari is an MM cartridge and needs a phono input – either built into the amplifier or as a separate phono stage such as the Gold Note PH-10. Ask us what suits your system.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Gold Note Pianosa set at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a turntable only sounds good when the cartridge and tonearm are set up exactly right. With the set, we take care of exactly that for you, and we're there for you in Wädenswil even after the purchase. From CHF 190 we ship free of charge throughout Switzerland.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGoes well with:\u003c\/strong\u003e further \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e, \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearms\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e.\u003c\/p\u003e","brand":"Gold Note","offers":[{"title":"Default Title","offer_id":52989510156624,"sku":"304523","price":3980.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/gold-note-pianosa-plattenspieler-walnuss-inkl-vasari-shibata-frontansicht.jpg?v=1785926670"},{"product_id":"goldnotevasarigold","title":"Gold Note Vasari Gold MM Cartridge","description":"\u003cp\u003eThe Gold Note Vasari Gold is a moving-magnet cartridge with an elliptically ground diamond, an aluminium cantilever and a duralumin body, made in Italy.\u003c\/p\u003e\n\u003cp\u003eWithin the Vasari series it's the middle tier – the step up from a solid entry point to real fine detail, without you having to touch the rest of your phono chain. If you already have an MM input, this upgrade needs nothing more than a screwdriver and a steady hand. Or us.\u003c\/p\u003e\n\u003ch2\u003eWhy the Vasari Gold?\u003c\/h2\u003e\n\u003cp\u003eTwo components make the difference from the Vasari Red. First, the elliptical cut at 7.5 × 15.5 µm: it sits narrower against the groove wall than a spherical cut and so catches high-frequency information that a conical diamond rides over. Second, the duralumin body instead of resin – highly rigid, well damped and heavier, which keeps the generator system calmer. Add copper coils and an Alnico magnet: proven technology, cleanly executed.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eMore air and more contour than the Red, with the same easy-going nature. Cymbals sound like metal instead of noise, voices sit more precisely in the soundstage, the bass stays dry. With 4 mV and channel separation above 22 dB, it's uncomplicated to run and tracks accurately – a cartridge you can listen to for hours without it wearing you out.\u003c\/p\u003e\n\u003ch3\u003eWho is the Vasari Gold for – and who isn't it for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone who wants more resolution from a decent deck and deliberately stays with MM. Bottom line: on a very basic entry-level deck without an adjustable tonearm, it can't show its potential – the Red does the job just as well there. And if you're after the very last bit of top-end finesse, look straight to the Vasari Shibata instead.\u003c\/p\u003e\n\u003ch3\u003eOur verdict\u003c\/h3\u003e\n\u003cp\u003eThe Vasari Gold is the sensible sweet spot of the series: audibly finer than the Red, without the effort of an MC system. We at HD Zürisee in Wädenswil fit it cleanly, set tracking force, azimuth and anti-skate, and tell you honestly whether the step up is really worth it on your deck.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat the trade press says:\u003c\/em\u003e “The clear winner in terms of value is the Vasari.” – Henry Venema, TNT-Audio, 2024.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePrinciple: moving magnet (MM)\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 4 mV\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 1000 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load impedance: 47 kΩ\u003c\/li\u003e\n\u003cli\u003eInductance: 500 mH\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.0 g\u003c\/li\u003e\n\u003cli\u003eStylus cut (diamond): elliptical, 7.5 × 15.5 µm\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium\u003c\/li\u003e\n\u003cli\u003eCompliance: 10 × 10⁻⁶ cm\/dyn\u003c\/li\u003e\n\u003cli\u003eFrequency response: 15–25,000 Hz\u003c\/li\u003e\n\u003cli\u003eChannel separation: over 22 dB\u003c\/li\u003e\n\u003cli\u003eCoil wire: copper · Magnet: Alnico\u003c\/li\u003e\n\u003cli\u003eMounting: standard 1\/2 inch, 9 mm hole spacing\u003c\/li\u003e\n\u003cli\u003eStylus insert: replaceable (Gold Note Vasari Gold TIP)\u003c\/li\u003e\n\u003cli\u003eBody: duralumin, black with gold logo\u003c\/li\u003e\n\u003cli\u003eWeight: 9.5 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat's the difference between the Vasari Gold and the Vasari Red?\u003c\/h3\u003e\n\u003cp\u003eThe cut and the body. The Gold has an elliptical diamond and a duralumin body weighing 9.5 grams, the Red a conical diamond in a photopolymer body weighing 7 grams. Output voltage, impedance, load, compliance and tracking force are identical for both.\u003c\/p\u003e\n\u003ch3\u003eCan the Vasari Gold's stylus be replaced?\u003c\/h3\u003e\n\u003cp\u003eYes. Gold Note offers a matching replacement stylus insert for the Vasari Gold, the Vasari Gold TIP. So you keep the body and only replace the worn part – one of the practical advantages of an MM system over an MC. We'll order it for you and check the alignment at the same time.\u003c\/p\u003e\n\u003ch3\u003eDo I need a special phono stage for the Vasari Gold?\u003c\/h3\u003e\n\u003cp\u003eNo. With 4 mV output voltage and a 47 kΩ load, it's a classic MM system and runs on any MM phono input – whether built into the amplifier or as a separate stage. An MC-capable preamplifier or a step-up transformer is explicitly not required.\u003c\/p\u003e\n\u003ch3\u003eDoes the Vasari Gold fit my turntable?\u003c\/h3\u003e\n\u003cp\u003eIf your tonearm has a standard half-inch mount with 9 mm hole spacing and is designed for around 9.5 grams of cartridge weight, it fits. On very light tonearms it's worth a quick look at the counterweight – just ask us, we'll check that in advance.\u003c\/p\u003e\n\u003ch3\u003eVasari Gold or Vasari Shibata – which is worth it?\u003c\/h3\u003e\n\u003cp\u003eThe Shibata resolves finer highs, separates the channels better and reaches up to 30,000 Hz instead of 25,000 Hz. In return, its cut reacts more sensitively to imprecise alignment. On a well-adjustable arm the Shibata is worth it; on a simple arm the Gold is the safer choice.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Gold Note Vasari Gold at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge only shows what it can do once it's correctly mounted and aligned. We fit the Vasari cleanly, set tracking force, azimuth and anti-skate, and advise you on the right phono stage. In Wädenswil you have your own in-house technician for this – even after the purchase.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA cleanly adjustable \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearm\u003c\/a\u003e on the matching \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e is half the battle. If your amplifier still needs a phono input, you'll find one under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamplifiers\u003c\/a\u003e. For clean grooves, \u003ca href=\"\/en-ch\/collections\/platten-reinigung\"\u003erecord cleaning\u003c\/a\u003e is worthwhile, and further cartridges are listed under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Gold Note","offers":[{"title":"Default Title","offer_id":52989510386000,"sku":"304400","price":420.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/gold-note-vasari-gold-mm-tonabnehmer-schraegansicht.jpg?v=1785925333"},{"product_id":"goldnotevasarired","title":"Gold Note Vasari Red MM Cartridge","description":"\u003cp\u003eThe Gold Note Vasari Red is a moving-magnet cartridge with a conical diamond, an aluminium cantilever and a body made of highly damped photopolymer resin, made in Italy.\u003c\/p\u003e\n\u003cp\u003eIt's the entry point into the Vasari series and makes no secret of that: no boron, no exotic stylus cut, but instead an easy-going, stable tracker that works on practically any turntable straight away. Sometimes that's exactly the right answer.\u003c\/p\u003e\n\u003ch2\u003eWhy the Vasari Red?\u003c\/h2\u003e\n\u003cp\u003eThe body made of special photopolymer resin damps strongly and keeps resonances away from the generator – an approach you'd otherwise find more in pricier systems. The conical diamond at 15.5 µm on a rigid aluminium cantilever is the most robust cut in the series: less sensitive to small alignment errors, and correspondingly forgiving in everyday use. At 7 grams, the Red is also the lightweight of the Vasari line.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eA warm, powerful and pleasantly direct sound that doesn't analyse but makes music. Bass and midrange have substance, the top end stays restrained – exactly what lets badly pressed vinyl sound forgivable. With 4 mV output voltage and a 47 kΩ load, it runs on any MM input.\u003c\/p\u003e\n\u003ch3\u003eWho is the Vasari Red for – and who isn't it for?\u003c\/h3\u003e\n\u003cp\u003eFor beginners and for anyone looking for a reliable all-rounder on an entry-level to mid-range deck – also for a collection that's already been through a lot. Bottom line: if you're chasing the last bit of resolution and top-end finesse, go straight for the elliptical Vasari Gold or the Shibata version instead. The Red wants to play music, not dissect grooves.\u003c\/p\u003e\n\u003ch3\u003eOur verdict\u003c\/h3\u003e\n\u003cp\u003eAn honest entry point with plenty of music: easy-going, long-lived and exactly the right thing to make a good deck sound decent in the first place. We at HD Zürisee in Wädenswil fit it cleanly for you and tell you honestly if your deck actually calls for more.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePrinciple: moving magnet (MM)\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 4 mV\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 1000 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load impedance: 47 kΩ\u003c\/li\u003e\n\u003cli\u003eInductance: 500 mH\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2.0 g\u003c\/li\u003e\n\u003cli\u003eStylus cut (diamond): conical, 15.5 µm\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium\u003c\/li\u003e\n\u003cli\u003eCompliance: 10 × 10⁻⁶ cm\/dyn\u003c\/li\u003e\n\u003cli\u003eFrequency response: 15–25,000 Hz\u003c\/li\u003e\n\u003cli\u003eChannel separation: over 20 dB\u003c\/li\u003e\n\u003cli\u003eCoil wire: copper · Magnet: Alnico\u003c\/li\u003e\n\u003cli\u003eMounting: standard 1\/2 inch, 9 mm hole spacing\u003c\/li\u003e\n\u003cli\u003eStylus insert: replaceable (Gold Note Vasari Red TIP)\u003c\/li\u003e\n\u003cli\u003eBody: photopolymer resin, black with red logo\u003c\/li\u003e\n\u003cli\u003eWeight: 7 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat's the difference between the Vasari Red and the Vasari Gold?\u003c\/h3\u003e\n\u003cp\u003eThe Red tracks with a conical diamond and sits in a light, 7-gram synthetic resin body; the Gold uses an elliptical cut in a 9.5-gram duralumin body and separates the channels a little better. Output level, load, compliance and tracking force are identical.\u003c\/p\u003e\n\u003ch3\u003eCan I replace the stylus on the Vasari Red myself?\u003c\/h3\u003e\n\u003cp\u003eYes. As an MM system, the Vasari Red has a replaceable stylus insert; Gold Note lists it as the Vasari Red TIP. Once the diamond is worn out after a few hundred hours, the body stays on the tonearm and only the insert gets replaced. We'll order it for you and check the alignment.\u003c\/p\u003e\n\u003ch3\u003eIs my amplifier's phono input enough for the Vasari Red?\u003c\/h3\u003e\n\u003cp\u003eYes, as long as it's an MM input. With 4 mV the Red delivers plenty of level and wants to see the usual 47 kΩ. If your amplifier has no phono input at all, you'll need a separate MM phono stage – an MC-capable stage is not required for it.\u003c\/p\u003e\n\u003ch3\u003eDoes the Vasari Red fit my turntable?\u003c\/h3\u003e\n\u003cp\u003eOn a standard half-inch tonearm with 9 mm hole spacing it fits without any issue, and at just 7 grams it also gets along well with the light arms of older decks. We're happy to take care of fitting, tracking force and anti-skate – especially handy for your first own cartridge.\u003c\/p\u003e\n\u003ch3\u003eDoes the Vasari Red forgive older or well-worn records?\u003c\/h3\u003e\n\u003cp\u003eBetter than the finer cuts in the series. A conical diamond rides higher in the groove and there hits wear marks less often, marks that an elliptical or Shibata cut reproduces mercilessly. For flea-market finds and well-used collections, that's a real advantage.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Gold Note Vasari Red at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge wants to be correctly fitted and aligned, even the most affordable one. We fit the Vasari cleanly, set tracking force, azimuth and anti-skate, and advise you on the right phono stage. In Wädenswil you can reach us by phone, email or WhatsApp – even after the purchase.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe Red looks good on a solid \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e with an adjustable \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearm\u003c\/a\u003e. If you're missing a phono input, you'll find one under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamplifiers\u003c\/a\u003e. Brushes, scales and alignment aids are listed under \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eturntable accessories\u003c\/a\u003e, further cartridges under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Gold Note","offers":[{"title":"Default Title","offer_id":52989510418768,"sku":"304401","price":250.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/gold-note-vasari-red-mm-tonabnehmer-schraegansicht.jpg?v=1785925333"},{"product_id":"goldnotevbasarishibata","title":"Gold Note Vasari Shibata MM Cartridge","description":"\u003cp\u003eThe Gold Note Vasari Shibata is the top of the Vasari MM series: a moving-magnet cartridge made in Italy with a duralumin body, an aluminium cantilever and a high-resolution Shibata diamond.\u003c\/p\u003e\n\u003cp\u003eThe Shibata cut is the most demanding stylus shape in the series – it sits in the groove with a larger, more precise contact area and so extracts more fine resolution, space and clean highs than elliptical or conical cuts.\u003c\/p\u003e\n\u003ch2\u003eWhy the Vasari Shibata?\u003c\/h2\u003e\n\u003cp\u003eThe rigid, well-damped duralumin body keeps the generator system calm, while the Shibata diamond tracks the finest groove information that simpler cuts miss. This shows above all in the top end and in the spatial imaging. The extended frequency response up to 30,000 Hz and the high channel separation of over 25 dB underline the ambition.\u003c\/p\u003e\n\u003cp\u003eWith 4 mV output voltage, the Shibata remains an uncomplicated MM and fits any MM phono input – a high-end cut without the hassle of MC.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eThe highest resolution in the series: deep, controlled bass, an open soundstage and fine, cleanly drawn highs. On a resolving system, the Shibata plays out its strengths in full. Recommended tracking force 2 g, recommended load 47 kΩ.\u003c\/p\u003e\n\u003ch3\u003eWho is the Vasari Shibata for?\u003c\/h3\u003e\n\u003cp\u003eFor demanding listeners and resolving systems where the very last bit of fine detail counts. Bottom line: on a simple entry-level deck it's overkill – its added value only comes into its own with a well-adjustable tonearm and a clean phono stage.\u003c\/p\u003e\n\u003ch3\u003eWhat does the Shibata cut offer over elliptical?\u003c\/h3\u003e\n\u003cp\u003eThe Shibata stylus has a larger contact area with the groove wall. That improves tracking of high frequencies, lowers distortion and, with correct alignment, is gentler on the record. In return it reacts more sensitively to precise setup – exactly where we come in.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Vasari Shibata is the crowning achievement of the series: a high-end cut with uncomplicated MM handling. If you want to get the maximum out of a moving magnet, this is the one.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: MM cartridge (moving magnet)\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 4 mV\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–30,000 Hz\u003c\/li\u003e\n\u003cli\u003eImpedance: 500 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load: 47 kΩ\u003c\/li\u003e\n\u003cli\u003eChannel separation: \u003e 25 dB\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 2 g\u003c\/li\u003e\n\u003cli\u003eCantilever: aluminium\u003c\/li\u003e\n\u003cli\u003eDiamond: Shibata\u003c\/li\u003e\n\u003cli\u003eCoil wire: copper\u003c\/li\u003e\n\u003cli\u003eMagnet: Alnico\u003c\/li\u003e\n\u003cli\u003eMounting hole spacing: 9 mm\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 9.5 g\u003c\/li\u003e\n\u003cli\u003eBody: duralumin\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhere does the Vasari Shibata sit in the series?\u003c\/h3\u003e\n\u003cp\u003eIt's the top tier above the Vasari Red (conical) and Vasari Gold (elliptical). The Shibata cut resolves more finely and separates the channels better, yet remains an easy-to-run MM with 4 mV on any MM input.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Gold Note Vasari Shibata at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a Shibata cut in particular thrives on precise alignment. HD Zürisee in Wädenswil is an authorised Gold Note dealer; we fit the Vasari Shibata exactly, set tracking force, azimuth, VTA and anti-skate, and advise you on the right phono stage. Free shipping from CHF 190.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGoes well with:\u003c\/strong\u003e the matching \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e and its \u003ca href=\"\/en-ch\/collections\/tonarme\"\u003etonearm\u003c\/a\u003e.\u003c\/p\u003e","brand":"Gold Note","offers":[{"title":"Default Title","offer_id":52989510451536,"sku":"304402","price":690.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/gold-note-vasari-shibata-mm-tonabnehmer-schraegansicht.jpg?v=1785925350"},{"product_id":"gradogold3","title":"Grado Prestige Gold3 MI Cartridge","description":"\u003cp\u003eThe Grado Prestige Gold3 is the flagship of the Prestige series: a moving-iron cartridge, hand-assembled in Brooklyn, with an elliptical diamond and high output voltage for any MM phono input.\u003c\/p\u003e\n\u003cp\u003eWithin the Prestige line, the Gold3 sits above the Green3 and Red3 – it's hand-selected from the units with the tightest tolerances and fine-tuned with a specially finished generator for maximum transparency.\u003c\/p\u003e\n\u003ch2\u003eWhy the Gold3?\u003c\/h2\u003e\n\u003cp\u003eGrado builds its cartridges on the moving-iron principle: instead of a magnet or a coil, a tiny piece of iron moves. That keeps inductance around ten times lower than in classic MM systems – the result is a clean, open top end and good compatibility with cables and phono inputs.\u003c\/p\u003e\n\u003cp\u003eThe four-piece OTL cantilever (Optimized Transmission Line) with Grado's own diamond on a brass bushing transfers the groove signal with low loss and suppresses resonance. The Gold3 additionally uses a specially finished generator for lower distortion.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eThe signature Grado sound: full, colourful and spacious, with punchy bass and a midrange that brings voices and instruments to life. The Gold3 renders it all with finer detail and more transparency than the smaller Prestige models. Recommended tracking force 1.5 g.\u003c\/p\u003e\n\u003ch3\u003eWho is the Gold3 for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone with a good turntable and an MM phono input who wants the best the Prestige series has to offer. Straight talk: if you only have an MC input with no MM option, you're better served with a moving-coil system – the Gold3 wants to see a 47 kΩ MM input.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Gold3 is the crowning achievement of the Prestige series and a classic with character: straightforward to run, musical in result. If you want the full, lively Grado sound, this is the pick.\u003c\/p\u003e\n\u003ch2\u003eTechnical Data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Moving-iron cartridge (MI), high output, replaceable stylus\u003c\/li\u003e\n\u003cli\u003eSeries: Grado Prestige (flagship)\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–50,000 Hz\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 5 mV (1 kHz, 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eRecommended load: 47 kΩ\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 1.5 g\u003c\/li\u003e\n\u003cli\u003eCantilever: Four-piece OTL construction\u003c\/li\u003e\n\u003cli\u003eDiamond: Elliptical, on brass bushing\u003c\/li\u003e\n\u003cli\u003eGenerator: Specially finished, for lower distortion\u003c\/li\u003e\n\u003cli\u003eMounting: Standard 1\/2\"\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 5.5 g\u003c\/li\u003e\n\u003cli\u003eManufacturing: Hand-assembled in Brooklyn, NY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eWhat's the difference between Gold3, Red3 and Green3?\u003c\/h3\u003e\n\u003cp\u003eAll three are moving-iron systems in the Prestige series with 5 mV and 47 kΩ. The Gold3 sits at the top: hand-selected, four-piece OTL cantilever and a specially finished generator for more transparency. Green3 and Red3 sit below it as the more affordable entry points.\u003c\/p\u003e\n\u003ch3\u003eIs the Gold3 an MM or MC system?\u003c\/h3\u003e\n\u003cp\u003eTechnically it's a moving-iron system, but it's run like an MM: high output voltage (5 mV), 47 kΩ load, works with any MM phono input. The stylus is also user-replaceable – so you don't have to replace the whole cartridge once the diamond wears out.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Grado Gold3 at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge only shows its potential with correct setup. HD Zürisee in Wädenswil is an authorised Grado dealer; we mount the Gold3 properly, set tracking force and anti-skating, and advise you on the right phono stage. Free shipping from CHF 190.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA matching \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e, more \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e and the right \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamp\u003c\/a\u003e.\u003c\/p\u003e","brand":"Grado","offers":[{"title":"Default Title","offer_id":52989511598416,"sku":"304154","price":249.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/grado-prestige-gold3-mi-tonabnehmer-schraegansicht.png?v=1785926994"},{"product_id":"gradogreen3","title":"Grado Prestige Green3 MI Cartridge","description":"\u003cp\u003eThe Grado Prestige Green3 is a moving-iron cartridge from the Prestige series, hand-assembled in Brooklyn – an honest entry into the signature Grado sound with high output voltage for any MM phono input.\u003c\/p\u003e\n\u003cp\u003eThe Green3 is hand-selected from Black3 production: only around 15% of units meet the tighter measurements to become a Green3.\u003c\/p\u003e\n\u003ch2\u003eWhy the Green3?\u003c\/h2\u003e\n\u003cp\u003eGrado builds its cartridges on the moving-iron principle – instead of a magnet or a coil, a tiny piece of iron moves. That keeps inductance around ten times lower than in classic MM systems and delivers a clean, open top end.\u003c\/p\u003e\n\u003cp\u003eThe three-piece OTL cantilever (Optimized Transmission Line) with Grado's own diamond on a brass bushing transfers the groove signal with low loss and suppresses resonance. The dual-magnet system and coils wound with ultra-pure copper provide precise channel balance.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eThe classic Grado character: full, warm and spacious, with punchy bass and big, open highs. Recommended tracking force 1.5 g.\u003c\/p\u003e\n\u003ch3\u003eWho is the Green3 for?\u003c\/h3\u003e\n\u003cp\u003eFor beginners and anyone who wants to give a good turntable with an MM input the signature Grado sound. Straight talk: if you only have an MC input, you need a moving-coil system – the Green3 wants to see a 47 kΩ MM input.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Green3 is the affordable way to real Grado sound: straightforward, durable and with the full, lively character the brand is known for.\u003c\/p\u003e\n\u003ch2\u003eTechnical Data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Moving-iron cartridge (MI), high output, replaceable stylus\u003c\/li\u003e\n\u003cli\u003eSeries: Grado Prestige\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–50,000 Hz\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 5 mV (1 kHz, 5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eRecommended load: 47 kΩ\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 1.5 g\u003c\/li\u003e\n\u003cli\u003eCantilever: Three-piece OTL construction\u003c\/li\u003e\n\u003cli\u003eDiamond: Elliptical, on brass bushing\u003c\/li\u003e\n\u003cli\u003eMagnet system: Dual magnet, ultra-pure copper coils\u003c\/li\u003e\n\u003cli\u003eMounting: Standard 1\/2\"\u003c\/li\u003e\n\u003cli\u003eWeight: approx. 5.5 g\u003c\/li\u003e\n\u003cli\u003eManufacturing: Hand-assembled in Brooklyn, NY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eWhat's the difference between Green3, Red3 and Gold3?\u003c\/h3\u003e\n\u003cp\u003eAll three are moving-iron systems in the Prestige series with 5 mV and 47 kΩ. The Green3 is the entry point (hand-selected from Black3 production, three-piece OTL cantilever). Red3 and Gold3 sit above it – with a four-piece cantilever and, on the Gold3, an additional specially finished generator.\u003c\/p\u003e\n\u003ch3\u003eIs the Green3 an MM or MC system?\u003c\/h3\u003e\n\u003cp\u003eTechnically it's a moving-iron system, but it's run like an MM: high output voltage (5 mV), 47 kΩ load, works with any MM phono input. The stylus is user-replaceable – so a later stylus swap is not a job for a workshop.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Grado Green3 at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge only shows its potential with correct setup. HD Zürisee in Wädenswil is an authorised Grado dealer; we mount the Green3 properly, set tracking force and anti-skating, and advise you on the right phono stage. Free shipping from CHF 190.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA matching \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e, more \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e and the right \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamp\u003c\/a\u003e.\u003c\/p\u003e","brand":"Grado","offers":[{"title":"Default Title","offer_id":52989511631184,"sku":"304152","price":139.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/grado-prestige-green3-mi-tonabnehmer-schraegansicht.jpg?v=1785926993"},{"product_id":"gradomaster3ho","title":"Grado Timbre Master3 MI Phono Cartridge (High Output)","description":"\u003cp\u003eThe Grado Master3 High Output is a Moving Iron phono cartridge from the Timbre series that runs at 4.0 mV on any classic MM phono input.\u003c\/p\u003e\n\u003cp\u003eBody made of Australian Jarrah, machine-crafted boron cantilever, hand-assembled in Brooklyn. Within the Timbre series, the Master3 sits high up the ladder – only the Reference3 ranks above it.\u003c\/p\u003e\n\u003ch2\u003eWhy the Master3 High Output?\u003c\/h2\u003e\n\u003cp\u003eGrado builds on the Moving Iron principle with a dual-magnet system: the moving mass stays small, the sound open and fast. The machine-crafted boron cantilever in a five-piece OTL construction further reduces tip mass compared to the smaller Timbre models and brings audibly more control.\u003c\/p\u003e\n\u003cp\u003eThe difference to the low-output version lies in the generator system, not just the level: 55 mH inductance and 660 Ω internal resistance are classic moving-magnet values. This version is built for the MM input you already have in your amplifier – and needs neither an MC stage nor a step-up transformer. It's rare enough in this hobby for an upgrade to come without a follow-up purchase.\u003c\/p\u003e\n\u003cp\u003eTracking is handled by Grado's own bare elliptical diamond; the coils are wound with ultra-pure UHPLC copper.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eThe warm, colourful Grado character, but with significantly more precision, calm and fine detail than the smaller Timbre models. The Jarrah body settles resonances and keeps the imaging stable. Because 4.0 mV means ample level on a normal MM stage, the phono stage works comfortably – signal-to-noise ratio is uncritical, even on more modest inputs.\u003c\/p\u003e\n\u003ch3\u003eWho is the Master3 High Output for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone with a fully grown turntable and an MM phono input who wants to give their analogue setup a big step up. Plain talk: on an entry-level turntable it's overkill – there you'll get more enjoyment at Opus3 or Prestige level. And if your phono stage only offers an MC input hard-wired to 100 Ω, neither Master3 version will be happy: Grado wants to see 47 kΩ, regardless of output level.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eHigh-end analogue sound just below the Timbre summit – wood, boron and craftsmanship from Brooklyn. The High Output version is the pragmatic one of the two: same body, same cantilever, but you simply plug it into the MM input and you're done.\u003c\/p\u003e\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Moving Iron phono cartridge (MI), High Output\u003c\/li\u003e\n\u003cli\u003eSeries: Grado Timbre\u003c\/li\u003e\n\u003cli\u003eBody: Australian Jarrah wood\u003c\/li\u003e\n\u003cli\u003eCantilever: Machine-crafted boron, five-piece OTL construction\u003c\/li\u003e\n\u003cli\u003eStylus profile: Bare elliptical diamond (Grado cut)\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 4.0 mV (5 cm\/s, 45°)\u003c\/li\u003e\n\u003cli\u003eInternal resistance: 660 Ω\u003c\/li\u003e\n\u003cli\u003eInductance: 55 mH\u003c\/li\u003e\n\u003cli\u003eRecommended load resistance: 10–47 kΩ\u003c\/li\u003e\n\u003cli\u003eLoad capacitance: Uncritical, Grado systems don't react to capacitive load\u003c\/li\u003e\n\u003cli\u003eSuitable phono input: MM (Moving Magnet), around 40 dB gain\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–60,000 Hz\u003c\/li\u003e\n\u003cli\u003eChannel separation: average 30 dB (10–30 kHz)\u003c\/li\u003e\n\u003cli\u003eCompliance: 20 µm\/mN\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 1.6–1.9 g\u003c\/li\u003e\n\u003cli\u003eWeight: 10 g\u003c\/li\u003e\n\u003cli\u003eStylus: Not user-replaceable; Grado offers an exchange and trade-in programme for wood-bodied systems\u003c\/li\u003e\n\u003cli\u003eManufacturing: Hand-assembled in Brooklyn, NY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eHigh or Low Output – which Master3 version suits me?\u003c\/h3\u003e\n\u003cp\u003eIt depends on your phono stage. This High Output version delivers 4.0 mV and runs on any normal MM input with around 40 dB of gain. The Low Output version with 1.0 mV needs about 55 to 60 dB and an input that can be terminated at 47 kΩ. When in doubt, it's not the sound but the input you have that decides.\u003c\/p\u003e\n\u003ch3\u003eWhich phono input does the Master3 High Output belong to?\u003c\/h3\u003e\n\u003cp\u003eThe MM input. With 4.0 mV output voltage, 660 Ω internal resistance and 55 mH inductance, the Master3 behaves like a moving-magnet system and wants to see a load of 10 to 47 kΩ. It's not sensitive to cable capacitance – so the length of your phono cable is uncritical.\u003c\/p\u003e\n\u003ch3\u003eCan I replace the Master3's stylus myself?\u003c\/h3\u003e\n\u003cp\u003eNo. Unlike the Prestige series, the stylus assembly on Timbre systems is not user-replaceable. If the diamond wears out, the cartridge goes back to Grado in Brooklyn via specialist retailers and is refitted there; in return, you receive an exchange system. We handle this for you.\u003c\/p\u003e\n\u003ch3\u003eWhere does the Master3 rank in the Timbre series?\u003c\/h3\u003e\n\u003cp\u003eHigh up. In ascending order: Opus3 with maple body, then Platinum3 and Sonata3 with aluminium cantilever, then Master3 and Reference3 with boron cantilever in a Jarrah body. Only the Reference3 ranks above it. Every Timbre model comes in a High and a Low Output version.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Grado Master3 High Output at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge of this class only delivers on its potential with careful setup. HD Zürisee in Wädenswil is an authorised Grado dealer, sets tracking force, anti-skate and azimuth precisely, and tells you honestly whether your phono stage suits the High Output version. Call us or write to us.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right turntable among our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, and the amplification among our \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. For comparison, it's worth checking out the other \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ephono cartridges\u003c\/a\u003e, and for setup and care, our \u003ca href=\"\/en-ch\/collections\/plattenspieler-zubehor\"\u003eturntable accessories\u003c\/a\u003e and \u003ca href=\"\/en-ch\/collections\/platten-reinigung\"\u003erecord cleaning\u003c\/a\u003e – and if you're diving into the whole topic, our \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e section.\u003c\/p\u003e","brand":"Grado","offers":[{"title":"Default Title","offer_id":52989511795024,"sku":"304148","price":1089.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/grado-timbre-master3-mi-tonabnehmer-high-output-schraegansicht.jpg?v=1785927026"},{"product_id":"gradomaster3lo","title":"Grado Timbre Master3 MI Phono Cartridge (Low Output)","description":"\u003cp\u003eThe Grado Master3 is a Moving Iron phono cartridge from the Timbre series – hand-built in Brooklyn, with an Australian Jarrah wood body and a machine-crafted boron cantilever. This Low Output version delivers 1.0 mV for low-noise phono stages.\u003c\/p\u003e\n\u003cp\u003eWithin the Timbre series, the Master3 sits high up the ladder – only the Reference3 ranks above it.\u003c\/p\u003e\n\u003ch2\u003eWhy the Master3?\u003c\/h2\u003e\n\u003cp\u003eGrado builds on the Moving Iron principle with a dual-magnet (flux-bridge) system: this keeps the moving mass small and inductance low – for an open, fast sound. The machine-crafted boron cantilever and the five-piece OTL construction further reduce tip mass compared to the more affordable Timbre models and bring more control and resolution.\u003c\/p\u003e\n\u003cp\u003eTracking is handled by Grado's own specially cut, bare elliptical diamond. The coils are wound with ultra-pure UHPLC copper, and every Master3 is individually calibrated.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eThe warm, colourful Grado character, but with significantly more precision, calm and fine detail than the smaller Timbre models. The Jarrah body settles resonances and keeps the sound stable.\u003c\/p\u003e\n\u003ch3\u003eWho is the Low Output version for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone with a low-noise, high-gain phono stage who wants that last bit of openness. Plain talk: on a normal MM input it'll be too quiet – then the High Output version with 4.0 mV is the right choice.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Master3 is high-end analogue sound just below the Timbre summit: wood, boron and craftsmanship from Brooklyn. On a good phono stage, the Low Output version extracts that last bit of openness.\u003c\/p\u003e\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Moving Iron phono cartridge (MI), Low Output, stylus replaceable\u003c\/li\u003e\n\u003cli\u003eSeries: Grado Timbre\u003c\/li\u003e\n\u003cli\u003eBody: Australian Jarrah wood\u003c\/li\u003e\n\u003cli\u003eCantilever: Machine-crafted boron, five-piece OTL construction\u003c\/li\u003e\n\u003cli\u003eDiamond: Grado's own, bare elliptical\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 1.0 mV (5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eInductance: 6 mH\u003c\/li\u003e\n\u003cli\u003eResistance: 70 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load: 10–47 kΩ\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–60,000 Hz\u003c\/li\u003e\n\u003cli\u003eChannel separation: approx. 30 dB (10–30 kHz)\u003c\/li\u003e\n\u003cli\u003eCompliance: 20 µm\/mN\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 1.6–1.9 g\u003c\/li\u003e\n\u003cli\u003eWeight: 10 g\u003c\/li\u003e\n\u003cli\u003eManufacturing: Hand-assembled in Brooklyn, NY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eLow or High Output – which version?\u003c\/h3\u003e\n\u003cp\u003eThis Low Output version (1.0 mV) has fewer windings but thicker wire and a shorter signal path – this can sound especially open and clean, but requires a low-noise phono stage with more gain. If you're using a normal MM input, you're better served by the High Output version (4.0 mV).\u003c\/p\u003e\n\u003ch3\u003eIs the Master3 MM or MC?\u003c\/h3\u003e\n\u003cp\u003eTechnically a Moving Iron system. This version works at 1.0 mV on a low-noise phono stage (10–47 kΩ load) and isn't sensitive to cable capacitance – unlike many classic MM systems.\u003c\/p\u003e\n\u003ch3\u003eWhere does the Master3 rank in the Timbre series?\u003c\/h3\u003e\n\u003cp\u003eIn ascending order: Opus3 (maple), Platinum3 and Sonata3 (Jarrah, aluminium cantilever), then Master3 and Reference3 (Jarrah, boron cantilever). So the Master3 sits high up the ladder – only the Reference3 is even finer.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Grado Master3 at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge of this class demands careful setup and the right phono stage. HD Zürisee in Wädenswil is an authorised Grado dealer; we set up the Master3 precisely and advise you on the right gain. Free shipping from CHF 190.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e, more \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ephono cartridges\u003c\/a\u003e and the matching \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamp\u003c\/a\u003e.\u003c\/p\u003e","brand":"Grado","offers":[{"title":"Default Title","offer_id":52989511827792,"sku":"304143","price":1089.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/grado-timbre-master3-mi-tonabnehmer-low-output-schraegansicht.jpg?v=1785927026"},{"product_id":"gradoopus3ho","title":"Grado Timbre Opus3 MI Phono Cartridge (High Output)","description":"\u003cp\u003eThe Grado Opus3 is the entry point into Grado's Timbre series – a Moving Iron phono cartridge, hand-built in Brooklyn and Grado's first cartridge with a maple wood body. This High Output version delivers 4.0 mV for any MM phono input.\u003c\/p\u003e\n\u003cp\u003eIt brings technology and manufacturing know-how from the more expensive Grado models at an affordable price – the ideal first step into higher-quality analogue sound.\u003c\/p\u003e\n\u003ch2\u003eWhy the Opus3?\u003c\/h2\u003e\n\u003cp\u003eGrado builds on the Moving Iron principle with a dual-magnet system: small moving mass, low inductance, open sound. The maple body – the same tonewood used in Grado's Heritage and Statement headphones – is thermally aged to dampen resonances.\u003c\/p\u003e\n\u003cp\u003eThe aluminium cantilever (modified four-piece OTL construction) is hand-fitted with an elliptical diamond. A new two-stage shielding process and ultra-pure UHPLC copper coils ensure a clean signal path and low mechanical noise.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eThe typical, slightly warm Grado character with clear, effortless reproduction across the whole frequency range – without harshness. An excellent all-rounder for pop, rock and acoustic music.\u003c\/p\u003e\n\u003ch3\u003eWho is the Opus3 for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone with an MM phono input who wants to give their turntable its first proper step towards high end. Plain talk: if you already have a very fine turntable and a good phono stage, you'll get more enjoyment from a Platinum3 or Sonata3.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Opus3 is the most affordable way into Grado's wood-bodied cartridges: musical, versatile and honestly made. A splendid starting point – and a clear upgrade for any entry-level turntable.\u003c\/p\u003e\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Moving Iron phono cartridge (MI), High Output, stylus replaceable\u003c\/li\u003e\n\u003cli\u003eSeries: Grado Timbre (entry level)\u003c\/li\u003e\n\u003cli\u003eBody: Maple wood\u003c\/li\u003e\n\u003cli\u003eCantilever: Aluminium, modified four-piece OTL construction\u003c\/li\u003e\n\u003cli\u003eDiamond: Elliptical\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 4.0 mV (5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eInductance: 55 mH\u003c\/li\u003e\n\u003cli\u003eResistance: 660 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load: 10–47 kΩ\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–60,000 Hz\u003c\/li\u003e\n\u003cli\u003eChannel separation: approx. 30 dB (10–30 kHz)\u003c\/li\u003e\n\u003cli\u003eCompliance: 20 µm\/mN\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 1.6–1.9 g\u003c\/li\u003e\n\u003cli\u003eWeight: 8 g\u003c\/li\u003e\n\u003cli\u003eManufacturing: Hand-assembled in Brooklyn, NY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eHigh or Low Output – which version?\u003c\/h3\u003e\n\u003cp\u003eThis High Output version (4.0 mV) fits any classic MM phono input and is the right choice for most systems. The Low Output version (1.0 mV) can potentially sound even more open on a low-noise phono stage but requires significantly more gain.\u003c\/p\u003e\n\u003ch3\u003eIs the Opus3 MM or MC?\u003c\/h3\u003e\n\u003cp\u003eTechnically a Moving Iron system, operated like an MM: 4.0 mV output, 10–47 kΩ load, on any MM input. Not sensitive to cable capacitance. The stylus is user-replaceable – a later stylus change without a workshop visit.\u003c\/p\u003e\n\u003ch3\u003eWhere does the Opus3 rank in the Timbre series?\u003c\/h3\u003e\n\u003cp\u003eThe Opus3 is the entry point. Above it come Platinum3 and Sonata3 (Jarrah wood), then Master3 and Reference3 with boron cantilever. All share the Moving Iron principle and the HO\/LO design.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Grado Opus3 at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge only shows its potential with correct setup. HD Zürisee in Wädenswil is an authorised Grado dealer; we fit the Opus3 precisely and advise you on the right phono stage. Free shipping from CHF 190.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e, more \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ephono cartridges\u003c\/a\u003e and the matching \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamp\u003c\/a\u003e.\u003c\/p\u003e","brand":"Grado","offers":[{"title":"Default Title","offer_id":52989511893328,"sku":"304151","price":329.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/grado-timbre-opus3-mi-tonabnehmer-high-output-schraegansicht.jpg?v=1785927026"},{"product_id":"gradoopus3lo","title":"Grado Timbre Opus3 MI Phono Cartridge (Low Output)","description":"\u003cp\u003eThe Grado Opus3 is the entry point into Grado's Timbre series – a Moving Iron phono cartridge, hand-built in Brooklyn and Grado's first cartridge with a maple wood body. This Low Output version delivers 1.0 mV for low-noise phono stages.\u003c\/p\u003e\n\u003cp\u003eIt brings technology and manufacturing know-how from the more expensive Grado models at an affordable price – the ideal first step into higher-quality analogue sound.\u003c\/p\u003e\n\u003ch2\u003eWhy the Opus3?\u003c\/h2\u003e\n\u003cp\u003eGrado builds on the Moving Iron principle with a dual-magnet system: small moving mass, low inductance, open sound. The maple body – the same tonewood used in Grado's Heritage and Statement headphones – is thermally aged to dampen resonances.\u003c\/p\u003e\n\u003cp\u003eThe aluminium cantilever (modified four-piece OTL construction) is hand-fitted with an elliptical diamond. A new two-stage shielding process and ultra-pure UHPLC copper coils ensure a clean signal path and low mechanical noise.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eThe typical, slightly warm Grado character with clear, effortless reproduction across the whole frequency range – without harshness.\u003c\/p\u003e\n\u003ch3\u003eWho is the Low Output version for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone with a low-noise phono stage that offers enough gain. Plain talk: on a normal MM input, the level stays too low – then the High Output version with 4.0 mV is the right choice.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Opus3 is the most affordable way into Grado's wood-bodied cartridges: musical, versatile and honestly made. The Low Output version is for anyone with a low-noise phono stage looking for that last bit of openness.\u003c\/p\u003e\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Moving Iron phono cartridge (MI), Low Output, stylus replaceable\u003c\/li\u003e\n\u003cli\u003eSeries: Grado Timbre (entry level)\u003c\/li\u003e\n\u003cli\u003eBody: Maple wood\u003c\/li\u003e\n\u003cli\u003eCantilever: Aluminium, modified four-piece OTL construction\u003c\/li\u003e\n\u003cli\u003eDiamond: Elliptical\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 1.0 mV (5 cm\/s)\u003c\/li\u003e\n\u003cli\u003eInductance: 6 mH\u003c\/li\u003e\n\u003cli\u003eResistance: 70 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load: 10–47 kΩ\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–60,000 Hz\u003c\/li\u003e\n\u003cli\u003eChannel separation: approx. 30 dB (10–30 kHz)\u003c\/li\u003e\n\u003cli\u003eCompliance: 20 µm\/mN\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 1.6–1.9 g\u003c\/li\u003e\n\u003cli\u003eWeight: 8 g\u003c\/li\u003e\n\u003cli\u003eManufacturing: Hand-assembled in Brooklyn, NY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eLow or High Output – which version?\u003c\/h3\u003e\n\u003cp\u003eThis Low Output version (1.0 mV) has fewer windings but thicker wire and a shorter signal path – this can sound especially open and clean, but requires a low-noise phono stage with more gain. If you're using a normal MM input, go with the High Output version (4.0 mV).\u003c\/p\u003e\n\u003ch3\u003eIs the Opus3 MM or MC?\u003c\/h3\u003e\n\u003cp\u003eTechnically a Moving Iron system. This version works at 1.0 mV on a low-noise phono stage (10–47 kΩ load) and isn't sensitive to cable capacitance. The stylus is user-replaceable.\u003c\/p\u003e\n\u003ch3\u003eWhere does the Opus3 rank in the Timbre series?\u003c\/h3\u003e\n\u003cp\u003eThe Opus3 is the entry point. Above it come Platinum3 and Sonata3 (Jarrah wood), then Master3 and Reference3 with boron cantilever. All share the Moving Iron principle and the HO\/LO design.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Grado Opus3 at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge only shows its potential with correct setup. HD Zürisee in Wädenswil is an authorised Grado dealer; we fit the Opus3 precisely and advise you on the right phono stage. Free shipping from CHF 190.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e, more \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ephono cartridges\u003c\/a\u003e and the matching \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamp\u003c\/a\u003e.\u003c\/p\u003e","brand":"Grado","offers":[{"title":"Default Title","offer_id":52989511926096,"sku":"304146","price":329.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/grado-timbre-opus3-mi-tonabnehmer-low-output-schraegansicht.jpg?v=1785927026"},{"product_id":"gradoplatinum3ho","title":"Grado Timbre Platinum3 MI Phono Cartridge (High Output)","description":"\u003cp\u003eThe Grado Platinum3 is a Moving Iron phono cartridge from the Timbre series that, in this High Output version, delivers 4.0 mV and therefore fits any ordinary MM phono input.\u003c\/p\u003e\n\u003cp\u003eIt's the first step up from the Opus3, with a body made of Australian Jarrah wood, hand-built in Brooklyn. If you've always thought of wood on a cartridge as mere decoration, feel free to reconsider.\u003c\/p\u003e\n\u003ch2\u003eWhy the Platinum3?\u003c\/h2\u003e\n\u003cp\u003eGrado works on the Moving Iron principle with a flux-bridger construction: it's not the coil that moves, but a tiny iron piece within the magnetic field. This keeps the moving mass small and the inductance low – which is where the open, effortless Grado sound comes from.\u003c\/p\u003e\n\u003cp\u003eThe cantilever is aluminium in Grado's four-piece OTL construction; compared to the Prestige series, tip mass is reduced by around ten percent. Tracking is handled by a Grado-own bare elliptical diamond, and the coils are wound with ultra-pure UHPLC copper. The Jarrah body distributes mass evenly and settles resonances.\u003c\/p\u003e\n\u003ch2\u003eWhat you hear\u003c\/h2\u003e\n\u003cp\u003eWarm, full-bodied mids with noticeably more calm and depth layering than the Opus3. Voices stand tangibly in the room, brass stays clean instead of harsh. An all-rounder that takes rock just as seriously as a jazz trio.\u003c\/p\u003e\n\u003ch3\u003eWho is the Platinum3 High Output for?\u003c\/h3\u003e\n\u003cp\u003eFor you, if your amplifier or phono stage has a classic MM input – 4.0 mV is exactly the level these inputs were built for. Plain talk: on an entry-level turntable with a wobbly plastic tonearm, the advantage over a Prestige system fizzles out. In that case, you're better off putting the money into the turntable first.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Platinum3 is the sensible entry ticket into the wood-bodied world: Timbre character, good-natured compliance, uncomplicated connection. The High Output version is the variant that simply works in the vast majority of systems – no discussion about gain reserves needed.\u003c\/p\u003e\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Moving Iron phono cartridge (MI), flux-bridger principle\u003c\/li\u003e\n\u003cli\u003eSeries: Grado Timbre, level 2 of 5 (above Opus3, below Sonata3)\u003c\/li\u003e\n\u003cli\u003eVersion: High Output\u003c\/li\u003e\n\u003cli\u003eBody: Australian Jarrah wood\u003c\/li\u003e\n\u003cli\u003eCantilever: Aluminium, four-piece OTL construction, approx. 10% lower tip mass than Prestige\u003c\/li\u003e\n\u003cli\u003eStylus profile: Grado-own bare elliptical diamond\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 4.0 mV at 5 cm\/s\u003c\/li\u003e\n\u003cli\u003eInternal resistance: 660 Ω\u003c\/li\u003e\n\u003cli\u003eInductance: 55 mH\u003c\/li\u003e\n\u003cli\u003eSuitable phono input: MM (Moving Magnet), approx. 40–45 dB gain\u003c\/li\u003e\n\u003cli\u003eRecommended load impedance: 10–47 kΩ\u003c\/li\u003e\n\u003cli\u003eLoad capacitance: Uncritical, the system is capacitance-insensitive\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10–60,000 Hz\u003c\/li\u003e\n\u003cli\u003eChannel separation: average 30 dB (10–30 kHz)\u003c\/li\u003e\n\u003cli\u003eCompliance: 20 µm\/mN\u003c\/li\u003e\n\u003cli\u003eRecommended tracking force: 1.6–1.9 g\u003c\/li\u003e\n\u003cli\u003eWeight: 9 g\u003c\/li\u003e\n\u003cli\u003eCoil wire: UHPLC copper (ultra-pure, long-crystal, oxygen-free)\u003c\/li\u003e\n\u003cli\u003eStylus: Not user-replaceable, Grado offers a retip\/exchange service for the Timbre series\u003c\/li\u003e\n\u003cli\u003eManufacturing: Hand-built in Brooklyn, New York\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhich phono input does the Platinum3 High Output belong to?\u003c\/h3\u003e\n\u003cp\u003eTo a perfectly normal MM input. With 4.0 mV output voltage and 660 Ω internal resistance, the Platinum3 behaves like a moving-magnet system: 40 to 45 dB of gain is enough, and it's terminated between 10 and 47 kΩ. You can ignore cable capacitance – it doesn't affect the sound.\u003c\/p\u003e\n\u003ch3\u003eWhat's the difference between the High Output and Low Output versions?\u003c\/h3\u003e\n\u003cp\u003eLevel, internal resistance and the required phono stage. High Output delivers 4.0 mV at 660 Ω and 55 mH, Low Output 1.0 mV at 70 Ω and 6 mH. The recommended load impedance stays at 10 to 47 kΩ for both – but the Low Output version requires around 55 to 60 dB of gain.\u003c\/p\u003e\n\u003ch3\u003eWhere does the Platinum3 rank in the Timbre series?\u003c\/h3\u003e\n\u003cp\u003eAt level two of five: above the Opus3, below Sonata3, Master3 and Reference3. Platinum3 and Sonata3 share an aluminium cantilever and elliptical diamond; from Master3 upwards, Grado switches to machine-crafted boron with a five-piece OTL construction. All Timbre models share the Jarrah body.\u003c\/p\u003e\n\u003ch3\u003eCan I replace the Platinum3's stylus myself?\u003c\/h3\u003e\n\u003cp\u003eNo. Unlike the Prestige series, no separately available replacement stylus exists for the Timbre models. If the diamond is worn, it's handled through Grado's retip or exchange service. With careful alignment and regularly cleaned records, though, a diamond like this lasts a very long time.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Grado Platinum3 at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge only performs with correct setup – tracking force, anti-skate, overhang, azimuth. HD Zürisee in Wädenswil is an authorised Grado dealer, aligns the Platinum3 to your tonearm and tells you honestly whether your turntable is ready for it. Call us or write to us.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA turntable that can keep up can be found under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e; the right amplification is with our \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. For a cross-comparison, it's worth checking out the other \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ephono cartridges\u003c\/a\u003e.\u003c\/p\u003e","brand":"Grado","offers":[{"title":"Default Title","offer_id":52989511958864,"sku":"304150","price":419.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/grado-timbre-platinum3-mi-tonabnehmer-high-output-schraegansicht.jpg?v=1785927054"}],"url":"https:\/\/hdzuerisee.ch\/en-ch\/collections\/tonabnehmer.oembed","provider":"HD Zürisee AG","version":"1.0","type":"link"}