{"title":"BENZ Micro","description":"\u003cp\u003eBenz Micro is a Swiss manufacturer of handmade moving-coil cartridges from Neuhausen am Rheinfall, led since 1994 by Albert Lukaschek.\u003c\/p\u003e\n\u003cp\u003eThe coils are wound by hand under a microscope, each system listened to individually before it leaves the workshop. The lineup is small and has grown over decades – not a catalog to flip through, but a handful of systems that build on one another. At HD Zürisee in Wädenswil you get them mounted and aligned, ready to go.\u003c\/p\u003e\n\u003ch2\u003eThe Benz Micro range at our store\u003c\/h2\u003e\n\u003cp\u003eThese are all pure MC systems. The letter in the model name stands for the output level – L (Low), M (Medium), H (High) – and that determines which phono stage you need.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eZebra L, M and H\u003c\/strong\u003e – the entry point with a zebrano wood body, in Low (0.4 mV), Medium (0.8 mV) and High Output (2.5 mV).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEbony L, M and H\u003c\/strong\u003e – ebony body, same logic for output level; plus \u003cstrong\u003eEbony TR\u003c\/strong\u003e as a specialist for operation with a step-up transformer (SUT).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLP and LP S\u003c\/strong\u003e – the brand's great classics; the LP S is the reference model with an ebony body and brass frame.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReference S\u003c\/strong\u003e – cross-coil generator in briar burl wood, positioned between the Ebony and the Ruby systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRuby Z and Ruby ZH\u003c\/strong\u003e – the current Ruby generation with a zebrano body, in Low Output (Z) and High Output (ZH).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGullwing SLR and SHR\u003c\/strong\u003e – the open construction based on the LP S, likewise in Low and High Output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eHonestly speaking\u003c\/h2\u003e\n\u003cp\u003eBenz Micro sounds warmer, more full-bodied and natural rather than sharp and analytical – if you rank musicality above the dissecting table, you're in the right place. For this you need an MC-capable phono stage or a step-up transformer and a tonearm that suits the system. And honestly: a Benz on a poorly aligned arm is expensively bought mediocrity. We'll tell you in advance whether the combination works – even if the answer is sometimes \"take the smaller model\".\u003c\/p\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eDo I need a special phono stage for Benz Micro?\u003c\/h3\u003e\n\u003cp\u003eYes. All Benz Micro systems are moving coils. The L variants at 0.26 to 0.4 mV need an MC phono stage with around 60 dB of gain or a step-up transformer, the M variants get by with medium gain, the H variants run on a normal MM input. Tell us your phono stage, and we'll help you place it.\u003c\/p\u003e\n\u003ch3\u003eHow does Benz Micro sound?\u003c\/h3\u003e\n\u003cp\u003eTending toward warm, full and natural – musical rather than clinical. Tonal color and fine dynamics are in the foreground, not the last sharp edge. How clearly this character comes through depends heavily on the tonearm, phono stage and termination resistance. We look at exactly this combination with you before you order.\u003c\/p\u003e\n\u003ch3\u003eWhich Benz model suits my tonearm?\u003c\/h3\u003e\n\u003cp\u003eThat's decided by the interplay of the system's compliance and the tonearm's effective mass. Benz systems are considered comparatively forgiving and suit most common arms. Tell us your turntable and arm, then we calculate the resonance frequency and name the sensible series.\u003c\/p\u003e\n\u003ch3\u003eWhy buy Benz Micro at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause with an MC system, the mounting counts just as much as the system itself. We mount and align in-house, check termination and tracking force, and advise you beforehand on the matching phono stage. Call us, write to us or use WhatsApp – you'll get an honest assessment, not a sales pitch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA Benz needs a matching \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamplifier\u003c\/a\u003e and a cleanly running deck from our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e. The other systems in-house you'll find under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e, everything about the record under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eEverything Vinyl\u003c\/a\u003e – and the connection in between at the \u003ca href=\"\/en-ch\/collections\/kabel\"\u003ecables\u003c\/a\u003e.\u003c\/p\u003e","products":[{"product_id":"benzmicroebonyl","title":"Benz Micro Ebony L MC Cartridge, Low Output","description":"\u003cp\u003eThe Benz Micro Ebony L is a handcrafted Swiss moving-coil cartridge with low output voltage and a body made of solid ebony.\u003c\/p\u003e\n\u003cp\u003eBenz Micro builds its cartridges by hand in Switzerland. For the Ebony series, designer Albert Lukaschek winds a low-impedance cross-coil generator and sets it into a body machined from Mozambique ebony. The dense natural wood absorbs resonances, and the low internal impedance of 5 Ω keeps the background quiet – provided the phono stage behind it is a good match.\u003c\/p\u003e\n\u003ch2\u003eWhy the Ebony L?\u003c\/h2\u003e\n\u003cp\u003eBecause it renders tonal colours as naturally as only a few cartridges manage. The mirror-polished Micro-Ridge diamond (5 × 120 µm) reads the finest structures out of the groove, and the rigid boron cantilever transmits every movement to the coil without delay. Voices and wooden instruments gain body and warmth without details falling by the wayside. If you thought your record collection was tapped out, this cartridge is happy to prove you wrong.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output MC cartridge for high-quality MC phono stages, each unit shipped with its own individual measurement protocol from the Swiss workshop. Ebony body, iron cross-coil, bare Micro-Ridge diamond on solid boron cantilever. At HD Zürisee in Wädenswil we're happy to mount and align the cartridge on your tonearm on request – including matching it to your phono stage.\u003c\/p\u003e\n\u003ch3\u003eWho is the Ebony L suited for?\u003c\/h3\u003e\n\u003cp\u003eStraight talk: the Ebony L is for people who find many modern MC cartridges too technocratic and cool – here, naturalness comes first. At 0.26 mV it needs a low-noise MC preamp with decent gain; anyone with only a simple combined input won't get the full picture and is better served by the Ebony M or H. On medium-to-heavy tonearms it performs at its best, on very light arms the matching gets sporty.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Ebony L is the sensible recommendation for anyone who finds many modern MC cartridges too cool-sounding. Ebony and the low-impedance cross-coil generator render tonal colours warm and calm without leaving details behind – provided a low-noise MC preamp stands behind it. If you value naturalness over analytics, this cartridge will keep you at the record player, relaxed, for a long time.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e low-impedance iron cross-coil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.26 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 5 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 50 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e Mozambique ebony\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 35 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 14 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.6 – 1.9 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.7 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptimal operating temperature:\u003c\/strong\u003e 23 °C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat tracking force is ideal for the Benz Micro Ebony L?\u003c\/h3\u003e\n\u003cp\u003eBenz specifies 1.6 to 1.9 g. In our workshop in Wädenswil we usually set the cartridge towards the upper end, around 1.8 g – that's where tracking and dynamics are best balanced. We're happy to do the fine adjustment on your tonearm for you.\u003c\/p\u003e\n\u003ch3\u003eDo I need an MC phono stage for the Ebony L?\u003c\/h3\u003e\n\u003cp\u003eYes. With 0.26 mV output voltage and 5 Ω internal impedance, the Ebony L belongs on a low-noise MC input. Benz recommends a load from 50 Ω upwards. On a pure MM input it stays too quiet – there, the Ebony H is the right variant of the series.\u003c\/p\u003e\n\u003ch3\u003eWhat does the Micro-Ridge stylus profile mean?\u003c\/h3\u003e\n\u003cp\u003eThe Micro-Ridge diamond has a very narrow, elongated contact area that mimics the shape of the cutting stylus. That lets it pick up even the finest information from the groove and spread the tracking force over a larger area – more detail and, at the same time, less wear on your records.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Ebony L at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause an MC cartridge lives on being set up correctly. At HD Zürisee in Wädenswil we mount the Ebony L, adjust tracking force, VTA and azimuth, and match it to your tonearm and phono stage. Call us at 044 680 22 00 or write via WhatsApp to \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right turntable is in our \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e, the amplification it needs in \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamplifiers\u003c\/a\u003e. More cartridges from the brand are in the \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e overview, alternative cartridges in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e list, and care accessories under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490659664,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-ebony-l-mc-tonabnehmer-schraegansicht.jpg?v=1785439144"},{"product_id":"benzmicroebonytr","title":"Benz Micro Ebony TR MC Cartridge for SUT","description":"\u003cp\u003eThe Benz Micro Ebony TR is a handmade Swiss moving-coil cartridge, consistently engineered for use with step-up transformers thanks to its extremely low output voltage and internal impedance.\u003c\/p\u003e\n\u003cp\u003eTR stands for Transformer: designer Albert Lukaschek reduced the winding to a minimum here to save moving mass and push the internal impedance down to 1 Ω. The result is 0.1 mV of output voltage – housed in the familiar ebony body of the Ebony series.\u003c\/p\u003e\n\u003ch2\u003eWhy the Ebony TR?\u003c\/h2\u003e\n\u003cp\u003eBecause the combination of 0.1 mV and 1 Ω is practically made for high-quality step-up transformers (SUT). Passive step-up instead of electronic amplification creates a background quietness that actively amplified chains often lack. The tiny coil mass makes the TR lightning-fast on transients – impulses arrive as if the instrument were standing in the room.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA specialist tool for the classic analogue chain of MC cartridge and step-up transformer, with an individual measurement protocol. Micro-Ridge diamond on a solid boron cantilever, iron cross-coil, ebony body. Which transformer matches a 1 Ω source impedance and your phono stage is something we work out together – this calculation goes wrong quickly otherwise.\u003c\/p\u003e\n\u003ch3\u003eWho is the Ebony TR for?\u003c\/h3\u003e\n\u003cp\u003eHonestly: the Ebony TR is a niche cartridge for purists. Without a transformer, simply too little signal arrives – if you don't own or plan to get a SUT, the Ebony L is the better choice. But if you love the classic transformer chain and build it properly, this is one of the most refined cartridges around.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Ebony TR is a specialist, not an all-rounder: without a step-up transformer it stays practically silent, but with the right SUT it plays deep black and lightning-fast. For purists of the transformer chain it's one of the finest options out there – if you don't have or plan to get a SUT, you're clearly better off with the Ebony L. Let's be honest: you have to want this chain.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Ultra-Low Output (for SUT)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron cross-coil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.1 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 1 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 5 Ω (operation via step-up transformer)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e ebony\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 14 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.6 – 1.9 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.7 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eCan I connect the Ebony TR to a normal MC input?\u003c\/h3\u003e\n\u003cp\u003eWe'd advise against it. At 0.1 mV, the Ebony TR delivers too little signal for almost any active MC phono stage. It's built for use with a step-up transformer; Benz specifies a load of more than 5 Ω. We're happy to help you work out which transformer suits your chain.\u003c\/p\u003e\n\u003ch3\u003eWhy does the Ebony TR have such a low output voltage?\u003c\/h3\u003e\n\u003cp\u003eFewer coil windings mean less moving mass and therefore more speed and precision. The transformer passively recovers the level without adding electronic noise. This exact division of labour produces the quiet, deep-black background the TR variant is known for.\u003c\/p\u003e\n\u003ch3\u003eHow do I care for the Ebony TR?\u003c\/h3\u003e\n\u003cp\u003eWith a dry stylus brush or a cleaning gel, always from back to front. Be careful with liquid cleaners near the ebony body. Give the cartridge around 40 hours of break-in time – after that the soundstage opens up noticeably.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Ebony TR from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause the TR can't show its potential without the right transformer. At HD Zürisee in Wädenswil we match cartridge, transformer and phono stage to each other, mount it fully on request and align it cleanly. Call us on 044 680 22 00 or message us on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find the right turntable under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e, transformers and phono preamps under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamps\u003c\/a\u003e. The rest of the brand's cartridges are in the \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e overview, more cartridges in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e list, and record-care accessories under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490692432,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-ebony-tr-mc-tonabnehmer-schraegansicht.jpg?v=1785439144"},{"product_id":"benzmicrogullwingshr","title":"Benz Micro Gullwing SHR MC Cartridge, High Output","description":"\u003cp\u003eThe Benz Micro Gullwing SHR is an open-design Swiss moving-coil cartridge with high output voltage, a rhodium-plated brass frame and an iron-free ruby cross generator.\u003c\/p\u003e\n\u003cp\u003eMechanically it's the twin of the SLR: the same open Gullwing architecture, the same milled brass frame from the LP S family, the same 12.2 g. The two are distinguished only by the winding – the SHR delivers roughly double the signal at \u003cstrong\u003e0.7 mV\u003c\/strong\u003e. That's exactly what makes it the less demanding of the two.\u003c\/p\u003e\n\u003ch2\u003eWhy the Gullwing SHR?\u003c\/h2\u003e\n\u003cp\u003eBecause not every good phono stage is a high-gain machine. Tube stages often sit at 50 to 60 dB, and there a 0.34 mV cartridge quickly turns into an exercise in noise. The SHR fixes this at the root: the ruby generator, oversized neodymium magnet and Micro-Ridge diamond stay untouched, only the level rises. You get ruby finesse without the level headaches.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA high-output MC for MC inputs with moderate gain and for tube phono stages in the 50 to 60 dB range. Open design, rhodium-plated brass frame, iron-free ruby cross generator with neodymium magnet, Micro-Ridge on a boron cantilever. On request we mount and align it completely – the exposed coils prefer a steady hand over bravery.\u003c\/p\u003e\n\u003ch3\u003eWho is the Gullwing SHR for?\u003c\/h3\u003e\n\u003cp\u003ePlainly put: ideal if you have a good but not extremely low-noise MC or tube phono stage and still want ruby-level performance. If you own a top-tier high-gain MC stage, the quieter SLR gets you a touch further. And if you only have an MM input anyway, a moving-magnet cartridge is the better fit – high output doesn't turn an MC into an MM.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe SHR brings real ruby finesse to phono stages that don't have the last reserve of gain, tube stages explicitly included. Open design and brass frame deliver openness up top and authority in the bass, and the strong output makes integration pleasantly uncomplicated. If you own a top-tier high-gain MC stage, the SLR serves you a touch more finely – for everyone else, the SHR is the more sensible half of the twin pair.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), High Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby cross with oversized neodymium magnet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.7 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω (often 47 kΩ with tube stages)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended phono gain:\u003c\/strong\u003e 50 – 60 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrame:\u003c\/strong\u003e brass, rhodium-plated, open design without housing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 12.2 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, spirit level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eDo I need an MC or MM input for the Gullwing SHR?\u003c\/h3\u003e\n\u003cp\u003eAn MC input. Despite the high output, the SHR is a true moving-coil cartridge. At 0.7 millivolts it suits MC inputs with moderate gain and tube phono stages in the 50 to 60 decibel range. It can work with very high-gain MM inputs – we check that for you beforehand.\u003c\/p\u003e\n\u003ch3\u003eWhich load resistance suits the Gullwing SHR?\u003c\/h3\u003e\n\u003cp\u003eBenz recommends more than 400 ohms at an internal impedance of 38 ohms. On tube stages the SHR often runs very naturally at 47 kilohms. The best value depends on your phono stage, so we try it out on your chain rather than claiming a fixed number.\u003c\/p\u003e\n\u003ch3\u003eHow do I clean an open cartridge like the Gullwing?\u003c\/h3\u003e\n\u003cp\u003eNever with compressed air. A very soft stylus brush, always from back to front, occasionally a dry brush for the brass frame, and a minimal dose of cleaning gel for the diamond. The exposed coils don't tolerate rough handling or cotton swabs getting too close.\u003c\/p\u003e\n\u003ch3\u003eSHR or SLR – which Gullwing suits me?\u003c\/h3\u003e\n\u003cp\u003eYour phono stage decides. If it has more than 60 decibels of gain and is very low-noise, go for the SLR at 0.34 millivolts. If you're at 50 to 60 decibels or run a tube stage, the SHR at 0.7 millivolts is the more assured choice. Mechanically the two are identical.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Gullwing SHR from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause matching it to your phono stage determines the sound, especially with high output. We at HD Zürisee in Wädenswil mount, align and tune the Gullwing to your chain – gain and load included. Call us on 044 680 22 00 or message us on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right phono stage in the 50 to 60 dB range is under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamps\u003c\/a\u003e, the matching turntable under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e. More cartridges are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e overview, the brand's full range under \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e, care and alignment tools under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490725200,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-gullwing-shr-mc-tonabnehmer-schraegansicht.jpg?v=1785439144"},{"product_id":"benzmicrogullwingslr","title":"Benz Micro Gullwing SLR MC Cartridge, Low Output","description":"\u003cp\u003eThe Benz Micro Gullwing SLR is an open-design Swiss moving-coil cartridge with low output voltage, a rhodium-plated brass frame and an iron-free ruby cross generator.\u003c\/p\u003e\n\u003cp\u003eThe Gullwing is a hybrid of the flagship LP S, the Ruby and the Glider lines: open architecture without an enclosing body, plus the heavy, rhodium-plated brass frame. No body means no standing waves inside the housing – and the frame steadies the tonearm at the same time. It takes its name from the upward-curved flanks that recall a certain gullwing door from Stuttgart.\u003c\/p\u003e\n\u003ch2\u003eWhy the Gullwing SLR?\u003c\/h2\u003e\n\u003cp\u003eBecause here the iron-free ruby cross works with the strongest neodymium magnet in the Benz range. That's only possible because the non-magnetic ruby plate acting as coil former can actually withstand the intense field – an iron core would simply saturate here. The Micro-Ridge diamond on a 0.28 mm boron rod translates that into an open, low-resonance soundstage, with the brass frame providing the foundation underneath.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output MC at 0.34 mV for high-quality MC phono stages from around 60 dB of gain up. Open design, rhodium-plated brass frame, ruby generator with oversized neodymium magnet, 12.2 g. Because of the exposed coils, we mount and clean the cartridge for you on request – a steady hand required.\u003c\/p\u003e\n\u003ch3\u003eWho is the Gullwing SLR for?\u003c\/h3\u003e\n\u003cp\u003eQuite honestly: the SLR is for listeners with a top-tier, low-noise MC phono stage who want an open cartridge without giving up bass substance. If you have a tube stage or less gain headroom, the SHR at 0.7 mV is the better fit. And if you tend to get hasty when swapping records: the exposed coils don't forgive much, so it's worth knowing that upfront.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Gullwing SLR is the more refined of the two Gullwing cartridges: open, low-resonance, with the solid foundation of the brass frame. It wants a top-tier MC phono stage and a medium- to heavyweight arm – then it stages a soundstage that reaches deep into the room. The open design is the price for that: it doesn't like rough hands, but rewards you with an airiness that closed cartridges rarely achieve.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat the trade press says:\u003c\/em\u003e “During these second auditions, I noticed that the Gullwing's sound has a lot of 'early-Koetsu' savoir-faire.” – Herb Reichert, Stereophile, Gramophone Dreams #83, April 2024. Previously already listed in The Absolute Sound's High-End Audio Buyer's Guide 2011.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby cross with oversized neodymium magnet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.34 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended phono gain:\u003c\/strong\u003e \u0026gt; 60 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrame:\u003c\/strong\u003e brass, rhodium-plated, open design without housing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 10 Hz – 50 kHz (±1 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 35 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking ability:\u003c\/strong\u003e 80 µm (315 Hz, 2 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 12.2 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, spirit level\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat load resistance should I set for the Gullwing SLR?\u003c\/h3\u003e\n\u003cp\u003eBenz recommends more than 400 ohms. In practice we often land between 500 and 1000 ohms, which gives a good balance of dynamics and silky highs. Values that are too low rob the cartridge of both air and drive. We find the exact value together on your phono stage.\u003c\/p\u003e\n\u003ch3\u003eWhat phono stage does the Gullwing SLR need?\u003c\/h3\u003e\n\u003cp\u003eA true MC stage with more than 60 decibels of gain. At 0.34 millivolts the SLR is a classic low-output cartridge that shows only half its quality on weak or noisy inputs. If your gain isn't enough, the SHR at 0.7 millivolts is the more suitable route.\u003c\/p\u003e\n\u003ch3\u003eDoes the Gullwing SLR suit my tonearm?\u003c\/h3\u003e\n\u003cp\u003eAt 12.2 grams and a compliance of 15, it feels most at home on medium- to heavyweight arms. On very light arms the resonance frequency shifts too high and the bass becomes unsettled. We work out the combination for you before you order.\u003c\/p\u003e\n\u003ch3\u003eWhat's the difference between the Gullwing SLR and SHR?\u003c\/h3\u003e\n\u003cp\u003eOnly the winding, and with it the output level. The SLR delivers 0.34 millivolts and wants a strong MC preamp from 60 decibels up. The SHR delivers 0.7 millivolts and suits tube stages and less powerful phono stages in the 50 to 60 decibel range. Frame, diamond and generator are identical.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Gullwing SLR from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause an open cartridge only reaches this quality class through careful mounting. We at HD Zürisee in Wädenswil adjust tracking force, VTA and azimuth and tune the Gullwing to your chain. Call us on 044 680 22 00 or message us on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right gain from 60 dB up is under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamps\u003c\/a\u003e, the matching turntable under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e. More cartridges are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e overview, the brand's full range under \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e, brushes and alignment tools under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490757968,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-gullwing-slr-mc-tonabnehmer-schraegansicht.jpg?v=1785439144"},{"product_id":"benzmicrolp","title":"Benz Micro LP MC Cartridge, Low Output","description":"\u003cp\u003eThe Benz Micro LP is a handmade Swiss moving-coil cartridge with an ebony body and an iron-free ruby cross generator.\u003c\/p\u003e\n\u003cp\u003eIt's the slim variant of the LP family: aged ebony as the body, a ruby cross plate as coil former, a mirror-polished diamond on a solid boron rod – and deliberately no extra metal frame. At 10.7 g it stays light enough for practically any medium-weight tonearm, without you having to fiddle with the counterweight.\u003c\/p\u003e\n\u003ch2\u003eWhy the LP?\u003c\/h2\u003e\n\u003cp\u003eBecause it plays with body and emotion without ever tipping into analytical coldness. The iron-free ruby core keeps magnetic distortion out of the signal path, and the fine Micro-Ridge diamond still reads the tight inner grooves cleanly. In systems that get everything technically right yet still sound a bit clinical, the LP is astonishingly often the missing ingredient.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output MC at 0.34 mV for a proper MC phono stage: aged ebony, ruby generator, Micro-Ridge diamond on a boron rod, built by hand piece by piece in Switzerland. We take care of mounting, tracking force, VTA and azimuth completely on request – an MC cartridge rewards you for it with years of clean tracking.\u003c\/p\u003e\n\u003ch3\u003eWho is the LP for?\u003c\/h3\u003e\n\u003cp\u003ePlainly put: for pleasure listeners who put on jazz, classical or singer-songwriter records in the evening and want a warm, natural tonal foundation. At 0.34 mV it needs a proper MC preamp; on a simple combi input it stays pale and quiet. And if you run a heavy arm and want maximum stability, you're better off with the 16.4 g LP S – the LP is the more agile of the two.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe LP is the right medicine for systems that play precisely but somewhat dry. Ebony and the iron-free ruby core give a tonal foundation with meat on the bone, without sacrificing detail. At 10.7 g it fits almost any medium-weight arm, with no counterweight acrobatics. For most vinyl listeners it's not the stepping stone to the LP S, but the destination itself.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby cross\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.34 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e aged ebony, without metal frame\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 10 Hz – 50 kHz (±1 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 35 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.7 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual frequency response chart, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat load impedance suits the Benz Micro LP?\u003c\/h3\u003e\n\u003cp\u003eBenz specifies more than 400 ohms. In practice, 500 to 1000 ohms sounds most balanced: enough damping for clean highs without robbing the cartridge of substance. Higher values are possible and open up the treble further. We set the right value on your phono stage.\u003c\/p\u003e\n\u003ch3\u003eHow much tracking force should the LP have?\u003c\/h3\u003e\n\u003cp\u003eThe manufacturer states 1.8 to 2.0 grams. In our workshop we usually land around 1.9 grams, where tracking accuracy is right with minimal wear. It's important to measure with a precision scale at record height, not off to the side on the platter. We do the fine adjustment on request.\u003c\/p\u003e\n\u003ch3\u003eWhat's the difference between the Benz Micro LP and the LP S?\u003c\/h3\u003e\n\u003cp\u003eElectrically nothing: same ruby generator, same 0.34 millivolts, same diamond. The difference is mechanical. The LP has a pure ebony body and weighs 10.7 grams, while the LP S additionally sits in a solid brass frame and tips the scale at 16.4 grams. More mass, more stability, needs a heavier arm.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro LP from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause an MC cartridge lives or dies by its setup. We at HD Zürisee in Wädenswil mount the LP, adjust tracking force, VTA and azimuth, and tune it to your tonearm and phono stage. Our technician Mauri has been doing this for years. Call us on 044 680 22 00 or message us on WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eChoose the matching turntable under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e, the gain behind it among the \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamps\u003c\/a\u003e. More cartridges are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e overview, the brand's full range under \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e, and everything else around the groove under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490790736,"sku":null,"price":3060.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-lp-mc-tonabnehmer-schraegansicht.jpg?v=1785439144"},{"product_id":"benzmicrolps","title":"Benz Micro LP S MC Cartridge, Reference","description":"\u003cp\u003eThe Benz Micro LP S is the brand's reference model: a handcrafted Swiss moving-coil cartridge whose vented ebony body sits in a solid brass frame.\u003c\/p\u003e\n\u003cp\u003eFrom the outside it looks almost identical to the smaller LP – the same aged ebony, the same iron-free ruby square-rod generator, the same boron cantilever. The difference lies in the frame: the LP S rests in a machined brass chassis that brings it from 10.7 to \u003cstrong\u003e16.4 g\u003c\/strong\u003e. That extra five and a half grams of mass isn't cosmetic – it's the whole concept.\u003c\/p\u003e\n\u003ch2\u003eWhy the LP S?\u003c\/h2\u003e\n\u003cp\u003eBecause mass in a cartridge means calm. The heavy frame absorbs the energy the generator pushes back into the body instead of passing it on to the tonearm. You hear that where it gets difficult: in loud tuttis, in the inner grooves, in the low bass. Midrange gains saturation, the soundstage layers in depth rather than just width.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output reference cartridge with 0.34 mV for a first-class MC phono stage: vented ebony in a solid brass frame, iron-free ruby generator, Micro-Ridge diamond on a 0.28 mm boron cantilever. Because of the high mass, we work out the tonearm combination in advance and can mount it completely on request.\u003c\/p\u003e\n\u003ch3\u003eWho is the LP S suited for?\u003c\/h3\u003e\n\u003cp\u003eHonestly: the LP S is for vinyl enthusiasts looking for a cartridge for life, who have invested in a first-class phono stage. Anyone who only occasionally plays a record is more credibly served by the lighter LP. And not every tonearm balances 16.4 g with the standard counterweight – something better clarified beforehand rather than after.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe LP S isn't a cartridge you swap out again in two years – it's an end point. The brass frame is the only real difference from the LP, and it changes more than 5.7 grams would suggest. If you bring a first-class phono stage and a medium-to-heavy tonearm, you get calm and substance at reference level. The rest of the chain, however, needs to keep up.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAward: Stereophile Recommended Components, October 2010.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output (Reference)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby square-rod\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.34 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω (datasheet: 500 – 47,000 Ω)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e vented, machined ebony in a solid brass frame\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 10 Hz – 50 kHz (±1 dB)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel separation:\u003c\/strong\u003e \u0026gt; 35 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannel balance:\u003c\/strong\u003e \u0026lt; 0.5 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking ability:\u003c\/strong\u003e 80 µm (315 Hz, 2 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g (datasheet range up to 2.2 g)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 16.4 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush, storage box\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eHow do I recognise the LP S if it looks so similar to the LP?\u003c\/h3\u003e\n\u003cp\u003eBy the frame and the weight. The LP S sits in a solid, machined brass chassis and weighs 16.4 grams; the LP has no frame and weighs 10.7 grams. In product photos both look almost identical because the ebony body is the same. On a tonearm scale, the difference is immediately there.\u003c\/p\u003e\n\u003ch3\u003eWhich tonearm suits the Benz Micro LP S best?\u003c\/h3\u003e\n\u003cp\u003eBecause of the 16.4 grams of self-mass and the medium compliance of 15, the LP S harmonises with medium-to-heavy tonearms. Light arms push the resonance frequency out of the favourable window and don't control the energy. We work out the combination with your arm before you order.\u003c\/p\u003e\n\u003ch3\u003eHow do I set the tracking force on the LP S?\u003c\/h3\u003e\n\u003cp\u003eBenz specifies 1.8 to 2.0 grams as the optimum. The datasheet gives a usable range up to 2.2 grams, rarely needed. We measure with a precision scale at record height and listen through the window. We're happy to do the fine adjustment in Wädenswil on request.\u003c\/p\u003e\n\u003ch3\u003eHow long does the LP S need to break in?\u003c\/h3\u003e\n\u003cp\u003eAbout 40 hours. Fresh out of the box the suspension still sounds taut, and bass and space open up only gradually. Just play records normally during this time – no special break-in ritual needed. After that, the sound stays stable for years.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro LP S at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a reference cartridge only comes into its own with a clean setup. We at HD Zürisee in Wädenswil check tonearm compatibility beforehand, mount it, adjust tracking force, VTA and azimuth, and tune the chain. Call us at 044 680 22 00 or write via WhatsApp to \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls).\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA reference cartridge wants a matching turntable – found under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e – and a phono stage that amplifies 0.34 mV noise-free: \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono preamplifiers\u003c\/a\u003e. Alternatives are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e overview, the brand's full range under \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e, care and brushes under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490823504,"sku":null,"price":3060.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-lp-s-mc-tonabnehmer-schraegansicht.jpg?v=1785439178"},{"product_id":"benzmicrorefs","title":"Benz Micro Reference S MC Cartridge, Low Output","description":"\u003cp\u003eThe Benz Micro Reference S is a light, handcrafted Swiss moving-coil cartridge with a bruyère wood body and a low-impedance, copper-wound cross-coil generator.\u003c\/p\u003e\n\u003cp\u003eThe body is made from bruyère – the same root wood used for high-quality tobacco pipes, prized for its damping properties. Add a Micro-Ridge diamond on a boron cantilever, an internal impedance of only 5 Ω, and a total weight of 9 g.\u003c\/p\u003e\n\u003ch2\u003eWhy the Reference S?\u003c\/h2\u003e\n\u003cp\u003eBecause it tells music as a whole instead of breaking it into parts. The copper-wound cross-armature sits at a low 5 Ω, which makes it uncritical about load impedance and allows almost any setting from 100 Ω upwards. The Micro-Ridge profile at 5 × 120 µm precisely traces the groove walls, while the bruyère body takes out the artificial hardness. Voices and acoustic instruments gain a bloom that still doesn't tire after three hours.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output MC with 0.26 mV that belongs on a low-noise MC phono stage, complete with an individual measurement protocol. Bruyère body, copper cross-coil, 5 Ω internal impedance, load from 100 Ω, tracking force between 1.8 and 2.2 g. At 9 g the Reference S is among the lighter Benz cartridges, which suits medium-heavy tonearms as well as some lighter ones. We're happy to handle mounting and alignment for you on request.\u003c\/p\u003e\n\u003ch3\u003eWho is the Reference S suited for?\u003c\/h3\u003e\n\u003cp\u003eStraight talk: the Reference S is for listeners who put naturalness above clinical sharpness. At 0.26 mV it belongs on a genuinely low-noise MC preamp – on a tightly-budgeted standard input it sounds flat, and that would be a shame. If you're after maximum punch and attack, you'll find louder arguments elsewhere. Its low weight, on the other hand, makes it unusually flexible when choosing a tonearm; with very light carbon arms we work out the resonance frequency beforehand.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Reference S is one of those cartridges you don't buy for a single trait, but for the sum of them. The bruyère body takes out hardness, the 9 g open up an unusually wide choice of tonearms, and the low 5 Ω make matching to the phono stage relaxed. Just don't skimp on gain – then it plays stubbornly above its class.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e copper-wound cross-coil (cross-armature), low impedance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.26 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 5 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 100 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e modified boron rod\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e bruyère wood (root wood)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.2 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVTA:\u003c\/strong\u003e 20°\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 9 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptimal operating temperature:\u003c\/strong\u003e 23 °C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat phono stage does the Reference S need?\u003c\/h3\u003e\n\u003cp\u003eA low-noise MC phono stage. With 0.26 mV output voltage, the Reference S is a decidedly quiet cartridge – an MM input alone isn't enough. Thanks to its low internal impedance of 5 Ω, it also works well with step-up transformers. We're happy to work out which combination suits your chain.\u003c\/p\u003e\n\u003ch3\u003eWhat load impedance is ideal for the Reference S?\u003c\/h3\u003e\n\u003cp\u003eBenz Micro specifies more than 100 Ω. Because of the low internal resistance of 5 Ω, the Reference S is uncritical about the load and works with many MC phono stages. We find the value with the most natural balance together, on your phono stage.\u003c\/p\u003e\n\u003ch3\u003eDoes the Reference S suit light tonearms?\u003c\/h3\u003e\n\u003cp\u003eAt only 9 g it's one of the lighter Benz cartridges and therefore flexible. It runs well on medium-heavy arms as well as some lighter ones. With very light carbon arms you should check the resonance frequency beforehand – tell us your turntable and we'll work it out for you.\u003c\/p\u003e\n\u003ch3\u003eHow high should the tracking force be?\u003c\/h3\u003e\n\u003cp\u003eBenz Micro specifies a range of 1.8 to 2.2 g. Within that range you'll find the point with the best balance of tracking and openness; too little tracking force doesn't save a record, it costs it. We're happy to do the fine adjustment with a scale and test record.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Reference S at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge of this class lives on alignment. Our experienced team mounts the Reference S, sets tracking force, VTA and azimuth, and matches it to tonearm and phono stage – and at HD Zürisee in Wädenswil that also includes the honest word if a combination simply doesn't work. Reach us at 044 680 22 00, via WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls) or at shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA matching turntable is under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e, the low-noise amplification behind it under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono preamplifiers\u003c\/a\u003e. More cartridges are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e overview, brushes, scales and cleaning under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490856272,"sku":null,"price":1900.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-reference-s-mc-tonabnehmer-schraegansicht.jpg?v=1785439178"},{"product_id":"benzmicrorubyz","title":"Benz Micro Ruby Z MC Cartridge, Low Output","description":"\u003cp\u003eThe Benz Micro Ruby Z is a handcrafted Swiss moving-coil cartridge with low output voltage, a zebrano wood body and an iron-free ruby square-rod generator.\u003c\/p\u003e\n\u003cp\u003eIt sits at the top of Benz Micro's Ruby line: a body machined from zebrano, a ruby square plate as the coil former, and a Micro-Ridge diamond on a boron cantilever. Each unit is handmade and comes with its own measurement protocol.\u003c\/p\u003e\n\u003ch2\u003eWhy the Ruby Z?\u003c\/h2\u003e\n\u003cp\u003eBecause it brings together two things that rarely come together: calm and resolution. The zebrano body absorbs micro-vibrations before they return as hardness in the treble. The ruby core is non-magnetic and light, keeping moving mass low and the cartridge fast on transients. The Micro-Ridge profile at 5 × 120 µm sits deep in the groove and pulls substance rather than sibilance even out of the inner grooves.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA low-output MC with 0.35 mV that demands a strong, low-noise MC phono stage: Benz specifies over 60 dB of gain and a load from 400 Ω. Add 10.2 g of self-weight and a compliance of 15 µm\/mN – a combination that works cleanly on medium-heavy 9- to 12-inch-class tonearms. On request we handle mounting and alignment completely: tracking force, VTA, azimuth, overhang.\u003c\/p\u003e\n\u003ch3\u003eWho is the Ruby Z suited for?\u003c\/h3\u003e\n\u003cp\u003eStraight talk: the Ruby Z is for people who want to hear detail musically integrated rather than dissected. If your rack only holds a phono stage with modest gain, invest there first – otherwise the best of this cartridge disappears into the noise floor. If you have a stage in the 50 to 60 dB range and don't want to rebuild, you're simply better served by the louder Ruby ZH. And the wooden housing likes a stable room climate: right above the radiator is not a good spot.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Ruby Z is one of those cartridges after which, two record sides in, you stop paying attention to the technology. Voices and acoustic instruments stand firmly in the room without anyone artificially sharpening their contours. The equation only works out with a matching phono stage, though – that's not fussiness with a low-output MC, it's physics.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat the trade press says:\u003c\/em\u003e \"The Ruby Z not only delivers on the excellence suggested by its cost, but also outperforms its predecessor in every way, with improvements extending to tracking, musicality, and soundstaging.\" – TONEAudio Magazine, Lawrence Devoe, 2012.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), Low Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby square-rod (ruby plate as coil former)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.35 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended phono gain:\u003c\/strong\u003e \u0026gt; 60 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e zebrano wood\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.2 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat phono stage does the Ruby Z need?\u003c\/h3\u003e\n\u003cp\u003eA low-noise MC phono stage with more than 60 dB of gain, according to Benz Micro. With 0.35 mV output voltage, the Ruby Z is a classic low-output MC: too little gain costs you dynamics and adds noise. Alternatively, a step-up transformer in front of an MM input works.\u003c\/p\u003e\n\u003ch3\u003eWhat load resistance does the Ruby Z need?\u003c\/h3\u003e\n\u003cp\u003eBenz Micro specifies more than 400 Ω, open-ended upward. In practice, the most coherent balance of soundstage width and bass weight often sits between 500 and 1000 Ω. The exact value depends on your phono stage – we'll set it for you on request.\u003c\/p\u003e\n\u003ch3\u003eHow long do I need to break in the Ruby Z?\u003c\/h3\u003e\n\u003cp\u003eExpect around 40 hours of playing time. In this period the damping elements loosen up and the treble opens fully. Fresh out of the box the cartridge can sound a bit reserved and taut in the bass – that settles on its own, no action needed.\u003c\/p\u003e\n\u003ch3\u003eDoes the Ruby Z suit my tonearm?\u003c\/h3\u003e\n\u003cp\u003eAt 10.2 g and 15 µm\/mN compliance, the Ruby Z fits most medium-heavy arms in the 9- to 12-inch class, for example from Rega, SME or Jelco. It only gets tricky with very light arms. Tell us your turntable and we'll work out the resonance frequency.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Ruby Z at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause an MC cartridge lives on setup, not on the datasheet. At HD Zürisee in Wädenswil we mount the Ruby Z, adjust tracking force, VTA and azimuth, and match load and gain to your phono stage. Call us at 044 680 22 00, write via WhatsApp to \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls), or to shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right turntable is under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e, the phono stage you need under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono preamplifiers\u003c\/a\u003e. More cartridges from the brand are in the \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e overview, everything for the black groove under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490889040,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-ruby-z-mc-tonabnehmer-schraegansicht.jpg?v=1785439179"},{"product_id":"benzmicrorubyzh","title":"Benz Micro Ruby ZH MC Cartridge, High Output","description":"\u003cp\u003eThe Benz Micro Ruby ZH is a handcrafted Swiss moving-coil cartridge with a boosted output voltage of 0.7 mV, a zebrano wood body and an iron-free ruby square-rod generator.\u003c\/p\u003e\n\u003cp\u003eTechnically the ZH is the twin of the Ruby Z – same body, same ruby square plate, same Micro-Ridge diamond. The difference lies in the winding: more turns, double the output voltage. That makes the ZH suited to phono stages in the 50 to 60 dB gain range, typically tube phono stages.\u003c\/p\u003e\n\u003ch2\u003eWhy the Ruby ZH?\u003c\/h2\u003e\n\u003cp\u003eBecause in practice the level question decides the sound more often than any sound description. If your phono stage lacks the headroom for a low-output MC, you get noise instead of resolution – and no ruby plate in the world will un-hear that. The ZH solves it at the source: 0.7 mV gives your stage enough to work with without overdriving it. The rest is the same mechanism as the Z – zebrano damps, the iron-free core keeps overtones clean, the boron cantilever transmits every impulse without detour.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA high-output MC for phono stages with 50 to 60 dB gain, with its own individual measurement protocol from the factory. Zebrano body, ruby generator, Micro-Ridge profile at 5 × 120 µm, load from 400 Ω. At 10.2 g and 15 µm\/mN compliance, the ZH is a case for medium-heavy tonearms. Mounting, alignment and matching to your chain, we handle completely on request.\u003c\/p\u003e\n\u003ch3\u003eWho is the Ruby ZH suited for?\u003c\/h3\u003e\n\u003cp\u003eHonestly: the ZH is the right choice if your phono stage is a tube stage or a moderately amplifying MC stage and you don't want to add a step-up transformer. One important point to note: with Benz, \"High Output\" means 0.7 mV – noticeably quieter than an MM cartridge's usual 4 to 5 mV. On an ordinary MM input with around 40 dB you'll therefore be short on level. If, on the other hand, you have a high-gain MC stage above 60 dB, you'll get the last bit of resolution out of the quieter Ruby Z.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe ZH isn't a compromise, it's an adaptation to the reality of many systems. If you own a good tube phono stage and want to keep it, this gets you the full Ruby mechanism without rebuilding the electronics. There's one condition: the input must be low-noise. If it is, the ZH plays with the same composure as its quieter sibling – and you save yourself the step-up transformer.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCartridge type:\u003c\/strong\u003e Moving Coil (MC), High Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e iron-free ruby square-rod (ruby plate as coil former)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.7 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 38 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u0026gt; 400 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended phono gain:\u003c\/strong\u003e 50 – 60 dB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e zebrano wood\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.8 – 2.0 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.2 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIncluded:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhich phono stage suits the Ruby ZH?\u003c\/h3\u003e\n\u003cp\u003eA phono stage with 50 to 60 dB of gain, according to Benz Micro – typically tube phono stages and MC stages with moderate gain. The load should be above 400 Ω. Tell us your device and we'll tell you whether level and load match up.\u003c\/p\u003e\n\u003ch3\u003eCan I connect the Ruby ZH to a normal MM input?\u003c\/h3\u003e\n\u003cp\u003eGenerally not optimally. A standard MM input delivers around 40 dB and is designed for 4 to 5 mV – the ZH's 0.7 mV stays noticeably too quiet there. You need a stage with 50 to 60 dB gain or a switchable phono preamp with an MC setting.\u003c\/p\u003e\n\u003ch3\u003eWhat's the difference between Ruby Z and Ruby ZH?\u003c\/h3\u003e\n\u003cp\u003eOnly the output voltage, and therefore the matching phono stage. Body, ruby generator, Micro-Ridge diamond, weight and compliance are identical. The Z delivers 0.35 mV and wants over 60 dB of gain, the ZH delivers 0.7 mV and feels at home between 50 and 60 dB.\u003c\/p\u003e\n\u003ch3\u003eHow long does the Ruby ZH take to break in?\u003c\/h3\u003e\n\u003cp\u003eAbout 40 hours of operation. By then the suspension loosens up, the bass gets deeper, and the treble loses the last trace of hardness. You don't need to do anything special for this – just play records and don't judge the cartridge after the first side.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Ruby ZH at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause with the ZH, level matching decides whether the cartridge shows its potential. We at HD Zürisee in Wädenswil check your phono stage, mount and align the cartridge, and match load and gain. Get in touch at 044 680 22 00, via WhatsApp at \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls), or at shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eThe right amplification is under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono preamplifiers\u003c\/a\u003e, the turntable to go with it under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e. More cartridges are in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003ecartridges\u003c\/a\u003e overview, care and alignment tools under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":52989490921808,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-ruby-zh-mc-tonabnehmer-schraegansicht.jpg?v=1785439179"},{"product_id":"benz-micro-ebony-m-mc-tonabnehmer-medium-output","title":"Benz Micro Ebony M MC Cartridge, Medium Output","description":"\u003cp\u003eThe Benz Micro Ebony M is a handcrafted Swiss moving-coil cartridge with medium output voltage and a solid ebony body.\u003c\/p\u003e\n\u003cp\u003eThe Ebony M is the medium-output variant in the series: the same hand-wound iron cross coil generator and the same Mozambique ebony body as the Ebony L, but with a noticeably stronger level of 0.8 mV. That makes it fit MC inputs that are missing that last bit of gain headroom at 0.26 mV.\u003c\/p\u003e\n\u003ch2\u003eWhy the Ebony M?\u003c\/h2\u003e\n\u003cp\u003eBecause it combines the warm, full-bodied Ebony sound with a more everyday-usable output level. The dense ebony absorbs resonances, the bare micro-ridge diamond (5 × 120 µm) on a solid boron cantilever reads the finest groove structures. Tonal colours come across naturally, voices and wooden instruments gain warmth – and yet no detail gets lost. Not the loudest way to the goal, but often the most uncomplicated.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA medium-output MC cartridge for MC phono stages with moderate gain, each unit with an individual measurement protocol. Ebony body, iron cross coil, micro-ridge diamond on a boron-rod cantilever. Mounting, alignment and matching to tonearm and phono stage is handled by our workshop in Wädenswil on request.\u003c\/p\u003e\n\u003ch3\u003eWho's the Ebony M for?\u003c\/h3\u003e\n\u003cp\u003ePlain talk: the Ebony M is the series' golden middle way – for anyone whose Ebony L stays too quiet on their phono stage, but who doesn't want to jump straight to the H's high-output character. At 0.8 mV it still belongs on an MC input; for a pure MM or tube stage, the Ebony H is the better choice. On medium-mass to heavy arms it comes into its own.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Ebony M is the pragmatic middle of the Ebony series: a warm, natural fundamental tone, but with enough level for phono stages without that last bit of gain headroom. Anyone with a very low-noise high-gain MC stage does a touch finer with the quieter Ebony L; for most real-world chains, the M is the more uncomplicated pick – and that's exactly why we recommend it often.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem type:\u003c\/strong\u003e Moving Coil (MC), Medium Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e Iron cross coil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 0.8 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 5 Ω (manufacturer spec)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u003e 35 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e Mozambique ebony\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 14 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.6 – 1.9 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.7 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScope of delivery:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat's the difference between the Ebony L, M and H?\u003c\/h3\u003e\n\u003cp\u003eAll three share an ebony body, iron cross coil and micro-ridge diamond. They differ in output voltage and recommended load: L 0.26 mV for high-gain MC stages, M 0.8 mV for medium MC inputs, H 2.5 mV for MM and tube inputs. We're happy to help you work out which version suits your phono stage.\u003c\/p\u003e\n\u003ch3\u003eDo I need an MC phono stage for the Ebony M?\u003c\/h3\u003e\n\u003cp\u003eYes, but not a high-gain version. At 0.8 mV, the Ebony M fits MC inputs with moderate gain; Benz specifies at least 35 Ω as the load. On a pure MM input it stays too quiet – there the Ebony H is the better choice.\u003c\/p\u003e\n\u003ch3\u003eWhat's the ideal tracking force for the Ebony M?\u003c\/h3\u003e\n\u003cp\u003eBenz specifies 1.6 to 1.9 g. In our workshop in Wädenswil we usually set it around 1.8 g – that's where tracking accuracy and dynamics are most balanced. After around 40 hours of break-in, a second look at the alignment is worthwhile.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Ebony M from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause the right output variant gets you further than any datasheet detail. We take a look at your phono stage, recommend L, M or H accordingly, and fit the cartridge completely on request. A specialist team with years of experience and our own workshop – get in touch by phone, email or WhatsApp.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find matching turntables under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e, the gain you need under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamplifiers\u003c\/a\u003e. The brand's other cartridges are in the \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e overview, more cartridges in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e list, cleaning and setup accessories under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eAll Things Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":53232327426384,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-ebony-m-mc-tonabnehmer-schraegansicht.png?v=1785439173"},{"product_id":"benz-micro-ebony-h-mc-tonabnehmer-high-output","title":"Benz Micro Ebony H MC Cartridge, High Output","description":"\u003cp\u003eThe Benz Micro Ebony H is a handcrafted Swiss high-output moving-coil cartridge with an ebony body, designed for operation with MM and tube phono stages.\u003c\/p\u003e\n\u003cp\u003eThe Ebony H is the loud variant in the series: the same iron cross coil generator and the same Mozambique ebony body as the Ebony L, but with 2.5 mV output voltage and 90 Ω internal impedance. That lets it deliver the Ebony virtues – warmth, naturalness, a quiet background – even on phono stages that don't have a high-gain MC module.\u003c\/p\u003e\n\u003ch2\u003eWhy the Ebony H?\u003c\/h2\u003e\n\u003cp\u003eBecause you get genuine moving-coil sound from an ebony system without additionally investing in a high-gain MC stage or a step-up transformer. The bare micro-ridge diamond on a solid boron rod pulls the finest details out of the groove, the dense ebony smothers resonances. That makes even a solid MM or tube phono stage suddenly sound a class more grown-up.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA high-output MC cartridge for MM and tube phono stages, each unit with an individual measurement protocol. Ebony body, iron cross coil, micro-ridge diamond. At HD Zürisee in Wädenswil we check beforehand whether your phono input really fits, and mount and align the cartridge completely on request.\u003c\/p\u003e\n\u003ch3\u003eWho's the Ebony H for?\u003c\/h3\u003e\n\u003cp\u003eHonestly: the Ebony H is ideal if you want to keep a high-quality MM or tube phono stage and still move up into the Ebony class. Note: at Benz, \"High Output\" means 2.5 mV – somewhat less than many MM cartridges, so your input should be low-noise. Anyone with a first-class high-gain MC stage seeking maximum silence is served more finely by the Ebony L or M.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe Ebony H opens up the Ebony class for anyone who wants to keep their good MM or tube phono stage. Same body, same generator as the L – just louder. Benz specifies more than 1 kΩ as the load, and a classic 47 kΩ input meets that comfortably. Anyone with a high-end MC input does a touch finer with the L or M; for MM and tube chains, the H is the direct route to genuine MC sound.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem type:\u003c\/strong\u003e Moving Coil (MC), High Output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGenerator:\u003c\/strong\u003e Iron cross coil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput voltage:\u003c\/strong\u003e 2.5 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal impedance:\u003c\/strong\u003e 90 Ω\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e \u003e 1 kΩ (a 47 kΩ MM input satisfies this)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStylus profile:\u003c\/strong\u003e Micro-Ridge (bare diamond), 5 × 120 µm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCantilever:\u003c\/strong\u003e solid boron rod, 0.28 mm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBody:\u003c\/strong\u003e Mozambique ebony\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompliance:\u003c\/strong\u003e 14 µm\/mN\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTracking force:\u003c\/strong\u003e 1.6 – 1.9 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 10.7 g\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBreak-in time:\u003c\/strong\u003e approx. 40 h\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScope of delivery:\u003c\/strong\u003e individual measurement protocol, mounting screws, stylus brush\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eCan I connect the Ebony H to an MM input?\u003c\/h3\u003e\n\u003cp\u003eYes. Benz specifies more than 1 kΩ as the load – a classic 47 kΩ MM input meets that without any trouble, as do most tube phono stages. That's exactly what the Ebony H is built for: genuine moving-coil sound without an additional high-gain MC stage. We're happy to check with you whether your input is low-noise enough.\u003c\/p\u003e\n\u003ch3\u003eWhat's the difference between the Ebony L, M and H?\u003c\/h3\u003e\n\u003cp\u003eSame body, same generator, same diamond – what differs is output voltage and internal impedance: L 0.26 mV at 5 Ω, M 0.8 mV, H 2.5 mV at 90 Ω. The H is the variant for MM and tube inputs, L and M belong on an MC input.\u003c\/p\u003e\n\u003ch3\u003eDoes the Ebony H lose sound quality compared to the L?\u003c\/h3\u003e\n\u003cp\u003eThe higher voltage needs more coil windings, so somewhat more moving mass. In practice the difference is small. The gain of fully using an existing good MM or tube stage weighs considerably more, for most chains, than this theoretical head start.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Benz Micro Ebony H from HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a high-output MC is only as good as the input behind it. At HD Zürisee in Wädenswil we check beforehand whether your MM or tube stage fits, mount the cartridge and align tracking force, VTA and azimuth. Reach us on 044 680 22 00, on WhatsApp \u003ca href=\"https:\/\/wa.me\/41765342200\"\u003e076 534 22 00\u003c\/a\u003e (text only, no calls) or at shop@hdzuerisee.ch.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eYou'll find turntables under \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eTurntables\u003c\/a\u003e, MM-capable stages under \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ePhono Preamplifiers\u003c\/a\u003e. The brand's other cartridges are in the \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e overview, more cartridges in the \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e list, matching cables under \u003ca href=\"\/en-ch\/collections\/kabel\"\u003eCables\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":53232332308816,"sku":null,"price":2295.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-ebony-h-mc-tonabnehmer-schraegansicht.png?v=1785439173"},{"product_id":"benz-micro-zebra-l-moving-coil-tonabnehmer","title":"Benz Micro Zebra L MC Cartridge, Low Output","description":"\u003cp\u003eThe Benz Micro Zebra L is a low-output MC cartridge in a solid zebrawood body, handmade in Switzerland.\u003c\/p\u003e\n\u003cp\u003eIt combines the body of the Ruby Z series with the generator of the classic Wood models – the combination Benz has always stood for: warm, colourful, full-bodied, without sweeping details under the rug. At 0.4 mV, the L is the most uncompromising variant in the Zebra family.\u003c\/p\u003e\n\u003ch2\u003eWhy the Zebra L?\u003c\/h2\u003e\n\u003cp\u003eZebrawood is denser than the usual cartridge body woods, and that's exactly the point: the milled, vented body controls resonances instead of just masking them. Add a solid 0.28 mm boron cantilever and a bare, mirror-polished line-contact diamond with a 3 × 60 µm radius – a combination that sits deep in the groove without ever turning hard. The pure iron cross armature delivers the typical Benz warmth. 0.4 mV in plain terms means full fine resolution, provided a low-noise MC stage stands behind it.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eA large, calm soundstage with cleanly layered edges, midrange with substance, and bass that has contour rather than just weight. The Zebra L never works in an analytical, cold way – it draws you in instead of showing off the technology. Classical, jazz and acoustic vocals are its home turf, but densely mixed rock doesn't unravel on it either.\u003c\/p\u003e\n\u003ch3\u003eWho is the Zebra L for?\u003c\/h3\u003e\n\u003cp\u003eFor vinyl fans with a low-noise MC phono stage offering around 60 dB of gain or more, and a medium-to-heavy tonearm. \u003cstrong\u003ePlain talk:\u003c\/strong\u003e if you only have an MM input or a modestly sized phono stage, go for the Zebra M or H instead. At the wrong input you throw away exactly the calm and dynamics you bought the L for in the first place – and end up blaming a noise that the cartridge never caused.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eA wood-sound classic in its most accessible form: plenty of Benz character, easy to pair, and good-looking enough that you'll be reluctant to hide it under the headshell. If your phono stage plays along, the L is the Zebra variant with the most headroom upwards.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: MC cartridge (Low Output)\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 0.4 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 12 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load: 100 Ω – 47 kΩ\u003c\/li\u003e\n\u003cli\u003eBody: zebrawood, milled and vented\u003c\/li\u003e\n\u003cli\u003eCantilever: boron, solid, 0.28 mm\u003c\/li\u003e\n\u003cli\u003eDiamond: line-contact, bare and mirror-polished, 3 × 60 µm radius\u003c\/li\u003e\n\u003cli\u003eGenerator: pure iron cross armature\u003c\/li\u003e\n\u003cli\u003eVTA: 20°\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20–20,000 Hz ±1 dB\u003c\/li\u003e\n\u003cli\u003eChannel balance: better than 0.5 dB\u003c\/li\u003e\n\u003cli\u003eChannel separation: better than 35 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eDynamic compliance: 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003eTracking ability: 80 µm at 315 Hz and 2 g\u003c\/li\u003e\n\u003cli\u003eTracking force: 1.7–2.0 g (optimal 1.7–1.8 g)\u003c\/li\u003e\n\u003cli\u003eRecommended tonearm mass: medium to heavy\u003c\/li\u003e\n\u003cli\u003eBreak-in time: around 40 hours\u003c\/li\u003e\n\u003cli\u003eWeight: 9.6 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat phono stage does the Zebra L need?\u003c\/h3\u003e\n\u003cp\u003eA genuine MC phono stage with around 60 dB of gain or more and a load between 100 Ω and 47 kΩ. With an output voltage of 0.4 mV, the Zebra L is a low-output cartridge – a plain MM input simply doesn't deliver enough level. Which load value suits your chain is something we're happy to work out with you.\u003c\/p\u003e\n\u003ch3\u003eWhat's the difference between Zebra L, M and H?\u003c\/h3\u003e\n\u003cp\u003eOnly output voltage and internal impedance: L delivers 0.4 mV at 12 Ω, M 0.8 mV at 24 Ω, H 2.5 mV at 95 Ω. Body, boron cantilever, line-contact diamond and generator principle are identical. So the choice depends on your phono stage, not on sound character.\u003c\/p\u003e\n\u003ch3\u003eDoes the Zebra L fit my tonearm?\u003c\/h3\u003e\n\u003cp\u003eWith a weight of 9.6 g and a dynamic compliance of 15 µm\/mN, it's designed for medium-to-heavy tonearms – which covers the large majority. With very lightweight arms, it's worth checking the resonance frequency. Tell us your tonearm and we'll run the numbers with you.\u003c\/p\u003e\n\u003ch3\u003eHow long does the Zebra L need to break in?\u003c\/h3\u003e\n\u003cp\u003eBenz states around 40 hours of playing time until the suspension reaches its final state. During this phase, bass and imaging noticeably open up. So don't judge the cartridge after the first side of a record – it needs a few evenings to settle in.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Zebra L at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause a cartridge only shows what it's made of with the right phono stage and clean alignment. We work with you to find the right combination, our technician Mauri handles fitting and alignment on request, and you buy from an authorised dealer in Wädenswil instead of anonymously online.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eA low-noise \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003eMC phono preamp\u003c\/a\u003e, a high-quality \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e and a clean \u003ca href=\"\/en-ch\/collections\/kabel\"\u003ephono cable\u003c\/a\u003e all go well with it. You'll find more models at \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e, all cartridges under \u003ca href=\"\/en-ch\/collections\/tonabnehmer\"\u003eCartridges\u003c\/a\u003e and the rest of the chain under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eEverything Vinyl\u003c\/a\u003e. Not sure about the combination? Call us or send us a message.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":53233029710160,"sku":null,"price":1785.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-zebra-l-mc-tonabnehmer-schraegansicht.png?v=1785439173"},{"product_id":"benz-micro-zebra-m-moving-coil-tonabnehmer","title":"Benz Micro Zebra M MC Cartridge, Medium Output","description":"\u003cp\u003eThe Benz Micro Zebra M is a medium-output MC cartridge in a zebrawood body, handmade in Switzerland.\u003c\/p\u003e\n\u003cp\u003eIt's the diplomat of the Zebra family: enough output for phono stages that can't muster 60 dB, without any compromise in the build. Same wood, same boron cantilever, same line-contact diamond as the L – just 0.8 instead of 0.4 mV, at 24 instead of 12 Ω.\u003c\/p\u003e\n\u003ch2\u003eWhy the Zebra M?\u003c\/h2\u003e\n\u003cp\u003eThe 0.8 mV is tailored to phono stages with 45 to 58 dB of gain – the range where many good tube and transistor stages live. You get the full Benz wood sound without having to push your preamp right up to its noise limit. The milled, vented zebrawood body keeps resonances in check, and the pure iron cross armature delivers the typical warmth in the midrange.\u003c\/p\u003e\n\u003ch2\u003eWhat you experience\u003c\/h2\u003e\n\u003cp\u003eThe same rich, organic tonal foundation as the L, plus a bit more composure on less sensitive inputs. Voices stand tangibly in the room, strings have wood and rosin, bass stays dry and defined. A cartridge for long evenings with a stack of records – not for measurement charts.\u003c\/p\u003e\n\u003ch3\u003eWho is the Zebra M for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone whose phono stage sits in the middle gain range, often tube stages. \u003cstrong\u003eHonestly:\u003c\/strong\u003e if you have a high-gain MC stage from 60 dB up, the Zebra L is the more consistent choice; if you only have an MM input, there's no way around the H. The M is exactly right when your input falls in between – and that happens more often than the datasheets suggest.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe pragmatic Zebra: uncompromising in sound, pleasantly relaxed when it comes to choosing a preamp. For many real-world systems, it's the variant with the fewest question marks – and the lowest odds that you'll need a new phono stage down the line after all.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: MC cartridge (Medium Output)\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 0.8 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 24 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load: 100 Ω – 47 kΩ\u003c\/li\u003e\n\u003cli\u003eBody: zebrawood, milled and vented\u003c\/li\u003e\n\u003cli\u003eCantilever: boron, solid, 0.28 mm\u003c\/li\u003e\n\u003cli\u003eDiamond: line-contact, bare and mirror-polished, 3 × 60 µm radius\u003c\/li\u003e\n\u003cli\u003eGenerator: pure iron cross armature\u003c\/li\u003e\n\u003cli\u003eVTA: 20°\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20–20,000 Hz ±1 dB\u003c\/li\u003e\n\u003cli\u003eChannel balance: better than 0.5 dB\u003c\/li\u003e\n\u003cli\u003eChannel separation: better than 35 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eDynamic compliance: 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003eTracking ability: 80 µm at 315 Hz and 2 g\u003c\/li\u003e\n\u003cli\u003eTracking force: 1.7–2.0 g (optimal 1.7–1.8 g)\u003c\/li\u003e\n\u003cli\u003eRecommended tonearm mass: medium to heavy\u003c\/li\u003e\n\u003cli\u003eBreak-in time: around 40 hours\u003c\/li\u003e\n\u003cli\u003eWeight: 9.6 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eWhat phono stage is the Zebra M made for?\u003c\/h3\u003e\n\u003cp\u003eFor phono stages with 45 to 58 dB of gain, often tube stages. At 0.8 mV, the Zebra M sits between the low-output L and the MM-compatible H. The load can be anywhere between 100 Ω and 47 kΩ. Tell us your device and we'll tell you whether the pairing works.\u003c\/p\u003e\n\u003ch3\u003eDoes the Zebra M sound different from the Zebra L?\u003c\/h3\u003e\n\u003cp\u003eNot in basic character – body, boron cantilever, line-contact diamond and generator principle are the same. The difference lies in output level and internal impedance, i.e. in the matching preamp. At its ideal input, the M works just as warm and colourful as the L does at its own. The right pairing is what counts.\u003c\/p\u003e\n\u003ch3\u003eWhat load resistance should I set?\u003c\/h3\u003e\n\u003cp\u003eBenz specifies 100 Ω to 47 kΩ – deliberately a wide range. In practice, the Zebra M already sounds very balanced on many stages at 470 Ω to 1 kΩ; noticeably lower values take air out of the treble. Work through your preamp's settings one by one.\u003c\/p\u003e\n\u003ch3\u003eWhat tracking force is recommended?\u003c\/h3\u003e\n\u003cp\u003e1.7 to 2.0 g, optimal 1.7 to 1.8 g. Set the force with a scale directly at record height, not by the scale on the counterweight. Tracking too lightly harms the groove more than a tenth of a gram too much – and the Zebra M rewards you with stable tracking.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Zebra M at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause we tell you which Zebra variant suits your phono stage, instead of leaving you to guess. Our experienced team in Wädenswil handles mounting and alignment on request, and we're still there after the purchase whenever questions about the setup come up.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eIdeally complemented by a \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamp\u003c\/a\u003e in the middle gain range, a matching \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntable\u003c\/a\u003e and clean \u003ca href=\"\/en-ch\/collections\/kabel\"\u003ecables\u003c\/a\u003e. You'll find the brand's other cartridges under \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e, care and alignment aids in \u003ca href=\"\/en-ch\/collections\/zubehor\"\u003eAccessories\u003c\/a\u003e. We'll put the chain together for you – just send us a message.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":53233030201680,"sku":null,"price":1785.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-zebra-m-mc-tonabnehmer-schraegansicht.png?v=1785439173"},{"product_id":"benz-micro-zebra-h-moving-coil-tonabnehmer","title":"Benz Micro Zebra H MC Cartridge, High Output","description":"\u003cp\u003eThe Benz Micro Zebra H is a high-output MC cartridge that, at 2.5 mV, works directly with a standard MM phono input.\u003c\/p\u003e\n\u003cp\u003eIt brings the Benz wood sound to everyone who doesn't own a high-gain MC preamp – or simply doesn't want one. Body, boron cantilever and diamond are the same as on the L and M; only the generator has more windings and delivers correspondingly more voltage.\u003c\/p\u003e\n\u003ch2\u003eWhy the Zebra H?\u003c\/h2\u003e\n\u003cp\u003eA genuine moving coil with MM-compatible output is the most elegant shortcut to MC sound without extra electronics. The milled, vented zebrawood body and the bare, mirror-polished line-contact diamond with 3 × 60 µm radius remain unchanged – so you're not saving on the tracing stylus, only on the chain behind it. With 95 Ω internal impedance and a recommended load from 1 kΩ up, it feels at home on any clean MM input.\u003c\/p\u003e\n\u003ch2\u003eWhat you get\u003c\/h2\u003e\n\u003cp\u003eWarm, colourful, with the fusion Benz is known for in the midrange – without the detour via an expensive MC stage. Compared with a classic MM cartridge, the H delivers more fine detail, a calmer soundstage and noticeably more order in dense passages. The obvious step for anyone who wants to move from MM to MC level without rebuilding half the system.\u003c\/p\u003e\n\u003ch3\u003eWho is the Zebra H for?\u003c\/h3\u003e\n\u003cp\u003eFor anyone with an MM phono input (47 kΩ) or an AV receiver without a dedicated MC section. \u003cstrong\u003ePlain talk:\u003c\/strong\u003e if you already own a top-class MC preamp, the Zebra L squeezes out a touch more resolution. So the H isn't the weaker Zebra – it's the one for the other kind of system. It just doesn't belong on a high-gain MC stage: there you'd overdrive the input.\u003c\/p\u003e\n\u003ch2\u003eOur verdict\u003c\/h2\u003e\n\u003cp\u003eThe most straightforward Zebra: MC construction, MM connection. For many systems, the most sensible variant, because it demands the least extra investment – and settles the question of the right phono stage along the way.\u003c\/p\u003e\n\u003ch2\u003eTechnical data\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: MC cartridge (High Output)\u003c\/li\u003e\n\u003cli\u003eOutput voltage: 2.5 mV (at 3.54 cm\/s)\u003c\/li\u003e\n\u003cli\u003eInternal impedance: 95 Ω\u003c\/li\u003e\n\u003cli\u003eRecommended load: 1 kΩ – 47 kΩ (MM input)\u003c\/li\u003e\n\u003cli\u003eBody: zebrawood, milled and vented\u003c\/li\u003e\n\u003cli\u003eCantilever: boron, solid, 0.28 mm\u003c\/li\u003e\n\u003cli\u003eDiamond: line-contact, bare and mirror-polished, 3 × 60 µm radius\u003c\/li\u003e\n\u003cli\u003eGenerator: pure iron cross armature\u003c\/li\u003e\n\u003cli\u003eVTA: 20°\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20–20,000 Hz ±1 dB\u003c\/li\u003e\n\u003cli\u003eChannel balance: better than 0.5 dB\u003c\/li\u003e\n\u003cli\u003eChannel separation: better than 35 dB (1 kHz)\u003c\/li\u003e\n\u003cli\u003eDynamic compliance: 15 µm\/mN\u003c\/li\u003e\n\u003cli\u003eTracking ability: 80 µm at 315 Hz and 2 g\u003c\/li\u003e\n\u003cli\u003eTracking force: 1.7–2.0 g (optimal 1.7–1.8 g)\u003c\/li\u003e\n\u003cli\u003eRecommended tonearm mass: medium to heavy\u003c\/li\u003e\n\u003cli\u003eBreak-in time: around 40 hours\u003c\/li\u003e\n\u003cli\u003eWeight: 9.6 g\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eFrequently asked questions\u003c\/h2\u003e\n\u003ch3\u003eDoes the Zebra H run on a normal MM phono input?\u003c\/h3\u003e\n\u003cp\u003eYes. With an output voltage of 2.5 mV, the Zebra H is designed for MM inputs and AV gear – you don't need a separate MC preamp. A load between 1 kΩ and 47 kΩ is recommended, so the usual MM value of 47 kΩ sits right in the middle of that window.\u003c\/p\u003e\n\u003ch3\u003eZebra H or Zebra L – which is right?\u003c\/h3\u003e\n\u003cp\u003eThat's decided by your phono stage, not the price. If you only have an MM or AV input, the H is right. If you have a low-noise MC stage from 60 dB up, the L teases out a bit more fine resolution. Construction, body and diamond are identical on both.\u003c\/p\u003e\n\u003ch3\u003eDoes a high-output MC sound worse than a low-output one?\u003c\/h3\u003e\n\u003cp\u003eNo, just wired differently. High-output generators have more windings and therefore higher internal impedance, but in return you skip an entire amplification stage and a possible source of noise along with it. In practice, the result depends heavily on the quality of the respective phono stage.\u003c\/p\u003e\n\u003ch3\u003eHow heavy is the Zebra H, and does it fit any headshell?\u003c\/h3\u003e\n\u003cp\u003eIt weighs 9.6 g and is designed for medium-to-heavy tonearms. It sits without issue in a standard half-inch mount headshell; with very light arms you should check the resonance frequency. Send us your tonearm model and we'll give you a clear answer.\u003c\/p\u003e\n\u003ch3\u003eWhy buy the Zebra H at HD Zürisee?\u003c\/h3\u003e\n\u003cp\u003eBecause we look at your chain first and then recommend a variant – so you end up with the right Zebra, not the most expensive one. Mounting and alignment are handled on request by our technician Mauri in Wädenswil, and we manage the warranty properly as an authorised dealer.\u003c\/p\u003e\n\u003ch2\u003eGoes well with\u003c\/h2\u003e\n\u003cp\u003eIt suits \u003ca href=\"\/en-ch\/collections\/plattenspieler\"\u003eturntables\u003c\/a\u003e with an MM phono input and rounds off nicely with matching \u003ca href=\"\/en-ch\/collections\/kabel\"\u003ecables\u003c\/a\u003e. No phono input yet? Then you'll find what you need among the \u003ca href=\"\/en-ch\/collections\/phono-vorverstarker\"\u003ephono preamps\u003c\/a\u003e. See the other cartridges at \u003ca href=\"\/en-ch\/collections\/benz-micro\"\u003eBENZ Micro\u003c\/a\u003e and under \u003ca href=\"\/en-ch\/collections\/alles-vinyl\"\u003eEverything Vinyl\u003c\/a\u003e.\u003c\/p\u003e","brand":"BENZ Micro","offers":[{"title":"Default Title","offer_id":53233030365520,"sku":null,"price":1785.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/files\/benz-micro-zebra-h-mc-tonabnehmer-schraegansicht.png?v=1785439181"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/3262\/8048\/collections\/benz-micro-lp-mc-tonabnehmer-schraegansicht-kollektion.jpg?v=1788946120","url":"https:\/\/hdzuerisee.ch\/en-ch\/collections\/benz-micro.oembed","provider":"HD Zürisee AG","version":"1.0","type":"link"}